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Sunday, May 23, 2021

"Finding You"

After a record-breaking 437 days due to the once-in-a-century pandemic, the skies open up and the angels sing... no matter how many streaming choices I've got and how awesome they can be or how enjoyable outdoor drive-in theaters are, it's not nearly the same as watching movies on the giant screen and surround sound in an indoor theater.  

The State of California is finally opening up and while any movie could be as good as any, in the end, it's not a superhero blockbuster or fast action franchise that drew me in.  It's a low-key romcom filmed in Ireland.  Ireland, with its panoramic lush greenery, is one of the countries I'd love to return to visit someday.  

Seven years ago on the day before New Year's day, dressed in five layers deep, I stood shivering at the Cliffs of Moher, nearly blown away, engulfed in one of the worst winter storms.  The cliffs were nearly invisible, shrouded in thick fog, and howling wind and freezing rain whipping the entire area.  

After working so hard and failing at an audition for the prestigious Manhattan Conservatory of Music, Finley Sinclair (Rose Reid), a technically accomplished, aspiring violinist decides to take a semester abroad in a coastal countryside of Ireland.  Her belated brother did that once and it changed his life.  

A meet cute on the plane with a movie star, Beckett Rush (Jedidiah Goodacre), and a later encounter at the bed & breakfast owned by Finley's host family set them both on self-discovery paths.  The host family, who used to host Finley's brother years ago, adds a hilarious flair with their hospitality and warmth.  The movie unexpectedly has numerous laugh-out-loud scenes. 

Beckett, the jaded teen heartthrob in a Game of Throne-sque movie series, has his whole life planned for him by his overly controlling father and manager, Montgomery Rush (Tom Everett Scott).  His on-and-off romance with longtime co-star, Taylor Risdale (Katherine McNamara), and the drama surrounding it, is frequently fabricated for the purpose of keeping the buzz alive for the movie and making it successful at all costs.  

Beckett's relationship with Finley makes him look deeper about what he really wants to do with his life.  But it's not just his life that he needs to think about; as a bankable movie star who's been pushed to sign future contracts, his decision will impact everyone else around him.  

Finley is on her own journey too.  Being away from home, a refreshing change of scenery, the opportunity to let loose and play fiddle along with welcoming Irish folks relaxes her and gives her confidence, enabling her to put her heart into her performance.

At the same time, Finley tries hard to make a connection with a quarrelsome, reticent nursing home patient, Cathleen Sweeney (Vanessa Redgrave, "Letters to Juliet"), who is assigned to her as part of her school program.  The lonely elderly woman has been shunned for decades by the villagers due to something she did in her past.  

Finley, caring by nature, attempts to find out what really happened and help Cathleen.  This side storyline is surprisingly tear-jerking.  She is also on a personal mission to find one particular graveyard cross found in her brother's drawing on the journal given by her host family.  

If you enjoy travelogue movies like "Leap Year," "Letters to Juliet," "Under the Tuscan Sun" or "Eat Pray Love," you'll find "Finding You" charming. 

Cliches aside, if you long for a feel-good gem, spectacular scenery that may inspire you to dream of traveling again, lively Irish music and pub toe-tapping dancing, a coming-of-age romance with a generous side of funny and poignancy, “Finding You” may just be what you're looking for.  

https://www.sdentertainer.com/movies/movie-review-finding-you/

Tuesday, May 4, 2021

Superhero Fans... Assemble!

Superhero fans... Assemble!  Disney has a dozen superhero movies coming up... check out the epic flashbacks to the last decade, teaser trailers for "Black Widow," "Sang Chi and the Legends of the Ten Rings," and "The Eternals," and full titles reveal for Marvel's Phase 4.  

Here's the exciting lineup, 2021-2023:

Black Widow - July 9, 2021

Sang Chi and the Legends of the Ten Rings - September 3, 2021

The Eternals - November 5, 2021

Spider-Man: No Way Home - December 17, 2021

March 25, 2022 - Doctor Strange in the Multiverse of Madness

Thor: Love and Thunder - May 6, 2022

Black Panther: Wakanda Forever - July 8, 2022

The Marvels - November 11, 2022

Ant-Man and the Wasp: Quantumania - February 17, 2023

Guardians and the Galaxy Vol. 3 - May 5, 2023

Blade - TBD

Fantastic Four - TBD

For past reviews, check out:

https://sdmoviemaven.blogspot.com/p/special-posts.html

See y'all at the movies!!

Sunday, April 18, 2021

Summer Movies 2021












Are we there yet?  Could it be real that a blockbuster season is returning?  For all intents and purposes, 2021 will be the year of a comeback, albeit slowly.  

Nearly 40 films are set for wide release in the next several months.  Here's a viewing guide with some trailers:

https://www.hollywoodreporter.com/news/summer-movies-2021-everything-coming-to-reopened-theaters-hopefully

Highlights:

Cruella - May 28

Luca - June 18

F9 (Fast & Furious) - June 25

Black Widow - July 9

Reminiscence - August 27

Sunday, March 14, 2021

"Raya and the Last Dragon"

Set in an idyllic realm of Kumandra, humans and dragons once lived in harmony.  When a monster plague called Druun appeared and turned humans into stone, the dragons teamed up to save the world but got wiped out in the process, except one dragon, Sisu (Awkwafina, “Crazy Rich Asians”).  The dragons’ essence was distilled into a glowing orb to help preserve the future of mankind.   

500 years later, the once united land is divided into five kingdoms, named after key parts of a dragon – desert Tail, water-floating Talon, mountainous forest Heart, icy frigid Spine and sleek Fang.  Raya (Kelly Marie Tran) is the Heart princess, trained by her father, Benja (Daniel Dae Kim) to guard the dragon gem, which also contains Sisu’s spirit.  

When the clans convene, Raya is tricked by the Fang princess, Namaari (Gemma Chan, “Crazy Rich Asians”), whom she has befriended, into revealing the location of the orb.  When the tribes find out, it’s every tribe for itself, fighting for the orb.  The magical ball breaks and every tribe grabs each piece.  Drunn is unleashed, engulfing everything on its path and once again turning humans into statues.  

A half dozen years later, a grown-up Raya riding a gigantic pill bug Tuk-Tuk (Alan Tudyk) is seen traversing from one land to another, trying to find Sisu and the gem pieces.  When she finds Sisu, she discovers that the revered dragon is not all-powerful and actually more on the goofy side.  The shape-shifting water dragon is quickly attached to Raya's side, delivering zany one-liners and teaching moments.   

Raya unintentionally assembles a ragtag team across her adventures to help her collect and unite the broken gems in order to return Kumandra into life – young porridge restaurateur Boun (Izaac Wang), baby pickpocket Little Noi (Thalia Tran) and her cute animal sidekicks, and giant Tong (Benedict Wong, “Doctor Strange”).

Fang, however, proves to be a formidable foil.  The one-on-one fights between the warrior princesses look fiercely realistic.  Still feeling betrayed by Namaari, Raya learns Sisu's belief in the inherent goodness of others; she has to learn to move on and trust again, putting aside individual differences.  Namaari also learns about the power of trust, and unity for the collective good of humanity.  

The varied landscapes are lavishly illustrated and resplendently lit, resulting in sceneries with distinct color palettes and character.  The dragons soar and frolick fluidly, to the likes of “How to Train Your Dragon.”  The floating market, shrimp congee, family style meals, bamboo straw hat, keris-inspired sword, martial arts and music that fuses Southeast Asian instruments are easily recognizable elements from the region.  

Growing up in Southeast Asia, I couldn't recall any movies about the region that made it global.  Even after migrating to the United States and living here for more than a couple of decades, it wasn't until “Crazy Rich Asians” in 2018 that Southeast Asia was put on the map.  

While “Raya and the Last Dragon” is set in a melting pot of mystical landscapes and composite cultures, kudos to Disney for realizing a luxuriantly rendered animation, bringing together the diversity of Southeast Asian countries.  It’s reported that directors Don Hall (“Big Hero 6”) and Carlos Lopez Estrada spent time trekking through the areas to gain inspirations for the movie.  The studio also utilizes Asian American and Southeast Asian talents; voice actors, writers, singers and music producers in creating the movie.  

If there’s a minor reservation, “Raya and the Last Dragon” takes a very simplistic view of the morale of the story, but humans are not always black or white and the world is considerably more complex.  

Despite its regional cultural focus, trust is a universal theme and it has the power to heal broken bonds and strengthen relationships.  And creating a better world is not a solo venture; it takes a village. 

“Raya and the Last Dragon” is freshly inclusive, lush and adventurous.

https://www.sdentertainer.com/movies/movie-review-dishey-raya-and-the-last-dragon/

Book: https://amzn.to/30JwhkU

Sunday, February 14, 2021

Part III: FREE TVs Website

If you've enjoyed Vudu and Tubi for thousands of movies and TV shows free (https://sdmoviemaven.blogspot.com/2020/11/part-ii-another-free-movies-website.html), check out Pluto for hundreds of TV channels FREE... including beloved TV shows from the past.

"Everything from the latest hit movies, to full seasons of your favorite shows.  100s of channels.  Zeroes of dollars.  All the devices."

https://tubitv.com

https://www.vudu.com

https://pluto.tv

For past movie reviews, check out:

https://sdmoviemaven.blogspot.com/p/special-posts.html

Saturday, January 23, 2021

"Soul"

Along the lines of “Up” and “Inside Out,” Pixar's latest animation, “Soul,” is universally suitable for kids and adults, although this is clearly targeted towards grown-ups.  

Joe (Jamie Foxx, “The Amazing Spider Man 2”), a middle school music teacher in New York likes his job, but he has far bigger aspirations and and would love to be a professional jazz pianist.  When he is offered a tenured position by the school, full-time with benefits, he remains hesitant, to the puzzlement of his mother.  One day his dream is coming true as his drummer friend invites him to audition for a coveted spot in a band led by a legendary jazz singer, Dorothea (Angela Bassett, “Black Panther”).  Joe impresses the singer with his performance and he's granted the spot.  

On cloud nine and not paying attention to where he's going, Joe falls down into a deep hole on the road.  In this purgatory realm, he's floating towards the darkness of Great Beyond, which means he would say goodbye to the world before he even could realize his lifelong dream of playing alongside Dorothea and becoming a successful jazz pianist.  

Determined not ending up on the Great Beyond, Joe somehow ends up in the glowing, pastel-colored Great Before, which is the realm where all the cute baby souls reside before they're born transported into Earth and born into humans.  All souls are given personalities, but in order to materialize into the world of living, they must have the last piece of the ingredient, which is “spark.”  Guided by counselors and mentors, the souls attend classes and try to find their sparks.  

Joe meets a forever-cynical and self-doubting soul named 22 (Tina Fey), a soul who has never been able to find her spark and thus hasn't been able to be be born, even as they go through the Hall of Everything and explores what kinds of activities that would would trigger 22's interest.  Joe, whose jazz piano-playing has been his singular passion and being a professional player is his life purpose, couldn't comprehend why it's so hard for 22 to find something that is right for her.  So much so that 22 doesn't even want to be born and can't muster any excitement of living in the human world.  

With the help of Moonwind (Graham Norton), a mystic, Joe and 22 end up in New York City.  New York City is sharply rendered that it's so realistic-looking.  Of course, the transport to the land of living is not without mishap.  Cue in body-swap antics and you'll have Joe vicariously experiences 'day in the life' of his human form through 22.  Meanwhile, 22, a total skeptic, is learning and taking in the new experiences of living as a human.  The good, the simple pleasures, even the mundanes and nuisances.  

Seeing his life play out through the eyes of another, Joe notices things that he didn't before as he lived his life previously either going through the motion or always felt that it wasn't enough.  That he wasn't enough and that if he didn't accomplish his purpose his life of being a professional jazz pianist, he would be a failure.  He's also surprised by how it feels like once the lifelong goal is achieved.  If jazz is his everything, how is he supposed to feel and what comes next?  The movie could spend a little more time on this so it wouldn't feel a bit rushed, but as an animation, the narrative is well-understood.  

Passion is great, and so is having a purpose in life, and we can aspire to do great things and work towards those.  But be mindful of having a singular, all-consuming ambition.  Don't go through life perpetually chasing things and not enjoying the little moments... because when you reach your destination, you will have missed the journey entirely.   

While simplified, “Soul” offers a soulful and sparkly treat of being alive and the joy of living.

https://www.sdentertainer.com/movies/movie-review-soul/

Book: https://amzn.to/2KO0DOM

Monday, January 4, 2021

2021 Most Anticipated Movies

New year, new movies?  Yes and no.... Out of the 40 most anticipated movies, 27 (!) movies are 2020's movies that have been postponed and moved to 2021.  

Check out this link below for release dates, scoops and more: (please note schedules may be subject to change due to COVID-19)

40 most anticipated movies of 2021:

https://www.yahoo.com/entertainment/2021-movies-preview-must-watch-films-opening-140034158.html

Here's to a better new year!

Sunday, December 27, 2020

"Wonder Woman 1984"

In a year where essential workers make heroic sacrifices every day, fantasy superheroes may seem silly, but “Wonder Woman 1984” maybe just what we need.  

The movie opens in the idyllic island of Themyscira with some sort of Amazonian Olympics.  A young Diana Prince, astoundingly portrayed by Lilly Aspell, participates in the grueling competition with the best of them; running, climbing, self-balancing, sliding, leaping, swimming in the ocean, shooting arrows and riding in the mountainous jungle.  The first to make it back to the gladiator-like arena and shoot the final arrow first will win.  

While Diana can perform the acrobatic moves and endurance challenges superbly, this is where she learns the lessons of honesty and truth, “No true hero is born of lies.”  Little did she know that this formative experience will vastly influence her life later on and save the world.  This sequestered sequence, with marvelous landscapes and impressive feats, are memorably breathtaking that I hope a spinoff will be made about these Amazonian warriors. The end-credit scene also justifies that there's more to tell about the Amazonians' lives.  

Fast forward from the World War I era of “Wonder Woman,” the movie is set in the 1984.  The 1980s lends itself to a rad nostalgia, brassy and colorful.  Wonder Woman's first major act here smoothly captures a jeweler's armed robbers and save a couple of little girls with a nod and a wink.  It turns out that the jewelry store is a front for a back room where stolen jewels and artifacts from all the world are stored.  

Diana (Gal Gadot, “Batman v Superman: Dawn of Justice,” “Justice League”) is now an archaeologist with the Smithsonian Museum in Washington, DC.  She ends up befriending a new colleague, gemologist Dr. Barbara Minerva (Kristen Wiig).  

Nerdy and insecure, Barbara is regularly overlooked, disregarded, dished about and harassed, and thus she wishes to be like Diana, with her effortless elegance and cool confidence.  Diana though, even with all her power and beauty, can't seem to forget her first love from all those years ago, fighter pilot Steve Trevor (Chris Pine, “Unstoppable,” “Jack Ryan: Shadow Recruit”).

One of the artifacts that arrives in the museum and under Barbara's care is a certain stone.  It's shortly revealed that the ancient artifact has a mystical power.  Barbara gradually transforms from a meek-mannered wallflower into a head-turner, hardened challenger and furry apex predator.  Her vengeful transfiguration, while drastic, is believable.  Steve's return touches Diana deeply.  While there may be some ethical implications about the way he returns, digging deeper here doesn’t fit into the lighthearted mode of the movie.

Steve’s fish-out-of-water scenes, encountering modern appliances, style and technology are delightful, a reversal of Diana's foray into the human world in the first installment.  There's a romantic moonlit stroll against the backdrop of the Washington Monument and a nighttime airplane ride through and above fireworks-lit skies.  A surprising appearance in this ride adds a thrilling touch.

Barbara becomes entangled with Maxwell Lord (Pedro Pascal), a garish infomercial talking head and phony businessman turned into maniacal oil tycoon.  His only saving grace is his love for his son.  Maxwell makes a large investment in the museum in order to gain access to the magical stone.  He gets his hands on it, and as it can be predicted, it doesn't bode well for mankind.  Maxwell's descend into madness fits into the gaudy period and comical flair of the movie.  

The story drags on and gets muddled in the middle where Maxwell's ambition leads him to Cairo, leading Diana and Steve on an intense chase with trucks and armored tanks on a desert road.  A particular standout involves a flying missile and a golden lasso.  

The visual effects are excellent and score triumphant.  Like "Man of Steel," it benefits from Hans Zimmer's iconic touch.  Director Patty Jenkins was right; this movie deserves to be seen in the biggest theater screen and I could only imagine what a cinematic event it would have been. 

Without a sword and shield, the lasso is used creatively in this movie, not just for lassoing people and objects, but also the aforementioned missile, power lines and lightning.  It's wondrous to see Wonder Woman gracefully soaring and flying through the skies, feeling in the wind and the air.  The final fight between golden-winged and armored Wonder Woman and Cheetah is balletic and fierce.  

Gadot continues to be embody Wonder Woman's essence of nobility and humanity.  Despite her Goddess-like strength, her vulnerabilities are palpable in her moments with Steve and sprinting through the street with a heartbreaking resolve.  A major plus about the villains on this movie is that both Cheetah and Maxwell are very human.  Unlike Ares or computer-generated figures, they have flaws that are relatable.  After massive, Avengers-style battles that permeate superhero movies these days, it’s also refreshing to see an intimate scale of combat and how a superhero can disarm the enemy differently.  The latter is the heart of Wonder Woman.  

Wonder Woman 1984” offers both escapism and virtue lessons that resonate and uplift during this unprecedented time.  There's not one of us that wouldn't wish the world to be different. Humans, however, with all our characteristics, impulses and desires are not perfect beings, and thus our wishes reflect those.  It’s perilous to have attachments to something or someone, versus striving for values or ideals.  

Life is full of challenges and we should acknowledge reality.  While we may not always have what we want, we can always hope and strive to be better.  Love, compassion, acceptance, truth and courage to do the right thing (no matter how hard) can help heal broken souls and light the world around us.  What we believe, say and do make a difference.  

The right movie at the right time, “Wonder Woman 1984” is Wonder Woman-personified.

https://www.sdentertainer.com/movies/movie-review-wonder-woman-1984/

DVD: https://amzn.to/3r5aoal

Blu-ray: https://amzn.to/3s7t0I5

4K: https://amzn.to/3tL7hWR

Sunday, November 15, 2020

Sunday, November 1, 2020

"Predestination"

This gem of Australian production would have been one of the most talked-about sci-fi stories had it been released wide on the big screen.  I’ve seen plenty of sci-fi movies, but this ought to be one of the trippiest due to its originality.  

After time travel becomes possible, an agency called the Temporal Bureau is founded.  It sends temporal agents to travel back in time in order to prevent tragedies of the future.  The current mission is to stop a “Fizzle Bomber,” who caused thousands of the deaths in New York.  One agent, a man with no past or future, is sent to focus on that mission.  Rules must be followed, as time travel has physiological effects on the traveler.  It seems straightforward, but that’s where it ends.  

The main characters are shown to be Temporal Agent and Bartender (Ethan Hawke), Jane (Unmarried Mother) and John (intimately connected to Jane), both dynamically played by Sarah Snook.  Snook’s androgynous portrayal and enigmatic presence will pull you in instantly with her compelling, tragic backstory.  Hawke’s and Snook’s characters connect in a bar and you’ll gradually find that their stories are beyond intertwined.  

Jane was just a baby when she was abandoned by her parents and dropped off at the door of an orphanage.  She grows up feeling different and is called a freak.  She’s physically strong and brilliant in mathematics, physics and biology.  She’s then recruited by a space program, a program for the elites who could pass the rigorous physical, mental and intellectual challenges. Due to one absurd, esoteric criteria, Jane is eventually disqualified.  

By chance Jane meets and falls in love with a mysterious guy, whose face is unseen onscreen.  Their love produces a chain reaction back in time and forward that will trip even the most die-hard sci-fi fans.  Unbeknownst to Jane and John, they are on their way to fulfill their destiny. 

The movie challenges the ultimate impossibility with themes of existence, procreation, choices, destiny, and whether the end justifies the means.  This is one of those movies where the less you know, the better.  You’ll peel each layer, go in a loop, and try to peel it again.

“Predestination” is a 360-degree head scratcher.  And the word “360-degree” will have a new meaning when you realize the full story.  Stream it online!

Video Streaming: https://amzn.to/2HUm277

DVD: https://amzn.to/35T6PeO

Blu-Ray: https://amzn.to/3enrNWX

Saturday, October 31, 2020

VOTE!


Election is Tuesday, November 3, 2020.  Make a plan and VOTE!

 https://iwillvote.com/

Sunday, October 25, 2020

Part II: All About Superheroes (Updated Schedules)

The pandemic has put theaters and studios in a chicken-and-egg situation where theaters can't open profitably without a stable slate of new releases (especially with restricted capacity).  But major studios won't release their tentpoles with low box office numbers, as ardent moviegoers (including myself) are really leery about going.  

With Regal Cinemas (the second largest theater chain in the U.S.) shuttering operations for an indefinite period (another postponement of James Bond's "No Time to Die" from November 2020 to April 2, 2021 was the last straw), Marvel, DC and Sony Pictures have also pushed their superheroes pictures to 2021.  "Wonder Woman: 1984" is the only major picture that still slated for December 25, 2020, and even then, director Patty Jenkins has voiced concerns and moving it again is not out of the question.  Disney has made also the decision to release Pixar's animation "Soul" into Disney+, following the relative success of "Mulan."  

The good news is the studios are still committed to releasing these blockbusters on the big screen, as they are intended to be seen...  We're going to see a flood of releases in 2021-2022!  

Check this out:

March 19, 2021: “Morbius” (Sony Pictures)

May 7, 2021: “Black Widow” (Marvel Studios)

June 25, 2021: “Venom: Let There Be Carnage” (Sony Pictures)

July 9, 2021: “Shang-Chi and the Legend of the Ten Rings” (Marvel Studios)

Aug, 6, 2021: “The Suicide Squad” (DC Films)

Nov. 5, 2021: “Eternals” (Marvel Studios)

Dec. 17, 2021: Untitled “Spider-Man: Far From Home” sequel (Sony Pictures and Marvel Studios)

Feb. 11, 2022: “Thor: Love and Thunder” (Marvel Studios)

March 4, 2022: “The Batman” (DC Films)

March 25, 2022: “Doctor Strange in the Multiverse of Madness” (Marvel Studios)

May 6, 2022: “Black Panther II” (Marvel Studios)

July 8, 2022: “Captain Marvel 2” (Marvel Studios)

Until then, let's buckle down and continue to do our part as we're moving towards closing 2020.  Or perhaps catch up on past movies: https://sdmoviemaven.blogspot.com/p/special-posts.html

https://variety.com/2020/film/news/marvel-studios-dc-films-release-dates-1234782887/#article-comments

Sunday, October 4, 2020

Part Umpteenth of Movies Reshuffling... and FREE Movies & TV Website

In another timeline, 2020 would have been a big year for movies. With new movies from several huge franchises dropping, it was poised to create some big box office numbers.  In a COVID reality, it's a totally different story.  Movies predicted to be blockbusters have been moved yet again... some even vacating 2020 altogether.  

Marvel, in particular, due to its interconnected universe had to moved other movies (namely, "Shang-Chi" and "Eternals" to later dates due to the postponement of "Black Widow").

For now, "Wonder Woman: 1984" is slated to close an unprecedented year, however, with Regal Cinemas (the second largest movie theaters in the country) is said to be shuttering operations indefinitely, may have an impact as well.  It remains to be seen whether another Gal Gadot's feature film, "Death on the Nile" (read "Murder on the Orient Express" review for nostalgia sake) will stick to its December 18, 2020 premiere date and Disney's animated "Soul" will stick to its November 20, 2020 release and "Death on the Nile" on December 18, 2020.  

"Wonder Woman: 1984" to December 25, 2020

"No Time to Die" to April 2, 2021

"Black Widow" to May 7, 2021

"F9" ("Fast & Furious 9") to May 28, 2021

"Shang-Chi and the Legend of the Ten Rings" to July 9, 2021

"Eternals" to November 5, 2021

"The King's Man" to December 2021 (date unknown; said to be moving from February 12, 2021)

https://www.cinemablend.com/news/2556085/theaters-going-dark-as-no-time-to-die-wonder-woman-1984-delayed

https://www.yahoo.com/entertainment/black-widow-delayed-2021-075112044.html

***

In the meantime, while we're waiting to be back at the theaters again, Vudu.com is an awesome resource for FREE movies! (and also TV shows)  

https://www.vudu.com/content/movies/uxpage/View-All-Free-Movies-TV/206

Friday, September 18, 2020

Remembering RBG...

Remembering Supreme Court Justice Ruth Bader Ginsburg who died today at age 87: https://www.cnn.com/2020/09/18/politics/ruth-bader-ginsburg-dead/index.html

"So often in life, things that you regard as an impediment turn out to be great, good fortune."

"Don't be distracted by emotions like anger, envy, resentment.  These just zap energy and waste time."

"Real change, enduring change, happens one step at a time."

"Women will have achieved true equality when men share with them the responsibility of bringing up the next generation."

"We should not be held back from pursuing our full talents, from contributing what we could contribute to the society, because we fit into a certain mold ― because we belong to a group that historically has been the object of discrimination."

"Fight for the things that you care about, but do it in a way that will lead others to join you."

***

"On the Basis of Sex"

“The word ‘woman’ does not appear even once in the U.S. Constitution,” a judge tells Ruth Bader Ginsburg.  “Nor does the word ‘freedom,’ Your Honor,” she replies.

Director Mimi Leder opens the film with a classic contrast of a scene, a lone woman marches and steps into the esteemed institution among a sea of men in suits.  In 1959, bright-eyed Ruth (Felicity Jones, “The Theory of Everything”) is one of the nine women admitted to Harvard Law School.  Her husband, cordial Marty (Armie Hammer, “The Man for U.N.C.L.E.”), is a second-year student.  When he is stricken with cancer, Ruth steps up by attending his classes in addition to hers, and caring for him and their toddler, Jane.

The film depicts the incomprehensible discrimination that women endured at that time.  From the moment of the dean's dinner where female students are asked why they think they're worthy in place of a worthier man, ignored in class or not taken seriously by their peers or superiors, rejected by law firms for sexist reasons even after graduating the top of the class from Harvard and Columbia, taking a backseat to men in career and social circles. Women are expected to stay home and men to go to work.  If women choose to work, they can only be secretaries, teachers or nurses.  It's just a natural order of things.

Ruth ends up teaching about sex discrimination at a university whereas Marty is on a fast track to become the youngest partner of a major firm specializing in tax laws.  The relationship between Ruth and Marty is illustrated wonderfully.  Marty is admirably supportive and progressive. Their marriage is a truly egalitarian in all aspects of life – education, career, household chores, childcare and parenting – serving as role models for their growing kids, Jane and James (Callum Shoniker).  It's no surprise that, Jane (Cailee Spaeny), now in her teens, grows up to be fearless and foward-looking.

Ruth and Marty jointly take a pro-bono case about a man, Charles Moritz (Chris Mulkey), who is denied by the tax courts caregiver deductions.  He is an unmarried man paying for a nurse to care for her ailing mother at home. Caregiver deductions are handily given to women, widowers or men whose wives are incapacitated because women are presumed to be caretakers.  In an era where discrimination on the basis of sex is legal, this case has a transformational potential to topple the systemically discriminatory legal system and open the doors to gender equality.

Ruth makes an alliance with the head of the American Civil Liberties Union (ACLU), Mel Wulf  (Justin Theroux), convincing him to add ACLU's name to the legal brief, essentially backing it.  While being undermined at every turn by various parties, Ruth is undaunted.  Constant challenges and setbacks do not deter her from moving forward with conviction, even as she's not without doubt.  Armed with a brilliant legal mind and passion for doing what's right, she is an epitome of resilience, persistence and determination.  Jones turns in a formidable performance.

When the government responds with a brief that lists all the federal laws that discriminate against women, the plan is to focus on winning this one case, and then tackle these laws one by one.  Far easier than done when the law is not on your side.  Asking judges to enforce or uphold the law is not the same as making or changing it.  This case could set a legal precedent and result in a far-reaching impact that would touch generations to come.

The courtroom showdown is one of the best aspects of the film.  Dramatic oral arguments against ticking timers.  Plan to deflect probing questions and redirect into the tax deduction aspect for one man derails, Ruth doesn't yield.  When backed into a silent corner, she stands up and turns it into an impassioned speech about radical social change that resonates.  Times are changing.  In order for the country's culture and lives to change for the better, the laws have to change first.  With her utterly compelling closing argument, soft-spoken Ruth sets the future on a different course and leaves a lasting legacy towards equal rights.

Glass-shaterring figure Associate Supreme Court of Justice Ruth Bader Ginsburg didn't get nicknamed 'Notorious RBG' overnight.  “On the Basis of Sex” is one poignant, remarkable story on how it all began.  Full of fascinating insights, it is trailblazingly engaging and inspiring.

https://www.sdentertainer.com/movies/movie-review-on-the-basis-of-sex/

Book: https://amzn.to/2JreHg2

Video: https://amzn.to/35Xi9GP

DVD: https://amzn.to/3kMKHJm

Blu-Ray: https://amzn.to/387tkQ1

Monday, September 7, 2020

"Mulan"

Like the dreamy "Cinderella," enchanting "Beauty and the Beast" and fantastical “Aladdin,” everyone knows "Mulan" from the Disney animation.  The difference between this Disney “princess,” however, is that this a story of a true warrior.  It was one of the most anticipated cinematic events of the year, unpredictably sidelined by the pandemic, and ended up on the Disney Plus streaming after postponing and rescheduling multiple times.  

As a child, Hua Mulan (Liu Yifei) is precocious.  She’s a tomboy, easily chasing chicken across rooftop, nearly falling down but landing on the ground without a sweat.  She worries her parents, as a girl is destined to be a woman whose primary duty is to bring honor to the family through marriage.  When Mulan is at suitable age for marriage, she causes a hilarious mess during a matchmaker ceremony.  

Mulan’s relationship with her father (Tzi Ma) is more complicated.  Bound by traditional societal norms and family values, even her father, a war veteran, knows that his daughter is special and he’s torn with holding her back or supporting her to the fullest.  The only thing that keeps her from living up to her potential is her gender.  In this period of ancient China, everyone is born with a ‘chi’ or life force, but only the strongest could connect with and channel it outward.  Like Mulan.  Mulan grows up to be a spirited force.  

When the palace is facing a major threat from an invading Northern army, every family is called upon to spare a son to be trained as a soldier to help defend the country.  Realizing that her father, who is disabled from the wounds of the war, would walk into a certain death, a determined Mulan takes up her father’s sword and armor and leaves everyone behind to join the Imperial Army.  She knew that she would put herself in mortal danger, dishonor herself and her family, but she would do anything to carry the family’s duty and save her father.  

With a noble heart and indomitable will, Mulan masquerades as a man, reaches the camp and introduces herself as Hua Jun.  Her talent and spirit quickly catch the eyes of Commander Tung (Donnie Yen) and a fellow royal guard, Honghui (Yoson An).  Her relationship with Hongshui, an eventual love interest, is handled subtly and respectfully.  Mulan integrates quickly into the all-male squad, going through a soldier bootcamp, such as spear-fighting, arrow-shooting, heavy-lifting and balance endurance training.  While her transformation into a leading warrior is too swift, it looks impressively seamless. 

The enemies are fast approaching, led by Bori Khan (Jason Scott Lee) and accompanied by a witch, Xianniang (Gong Li).  Xianniang can shape-shift and also turn into a bird, which is proven to useful in penetrating the palace’s protection.  The irony about Xianniang is that she and Mulan are cut from the same outcast cloth; they’re too powerful as women and she, who exercises her power, lives in exile because of it.  When she comes to face-to-face with Mulan, she takes her fate into her own hands and it’s not what you think it is.  

Battles wage across an open landscape.  Armored soldiers riding in horses charging into war, armed with arrows, swords and shields.  Casualties are on both sides.  When her comrades are cornered, Mulan, a quick thinker and light on her feet, strategizes on the spot, camouflaging and utilizing the opponents’ weapon to turn on them.  

Mulan could no longer hide who she really is.  The frightful grip of her true identity being found out is suppressing her strength.  In order for her to uphold the values of the sword – loyal, brave and true – she must be true to herself to unleash the powers within, save her fellow soldiers and the emperor (Jet Li), even at the risk of dishonor, exile or execution.  Inside the palace walls, Mulan leads the royal guards in and fights her way through.  She has a dynasty to protect.  

Chocked-full of martial arts and large-scale battles on panoramic setting, this is a movie that is meant to be seen at the theaters.  There’s nothing quite like a collective experience of seeing a sprawling epic on the big screen with a grand surround system, feeling immersed in the make-believe world.  

If Disney decides to release "Mulan" into theaters at some point, I would absolutely go see it again.  But even when seen on the small screen at home, where the experience was a lot more muted, there’s a sense of grandeur.  The Wuxia-style martial arts, swordplay, rooftop-and-wall gliding are graceful to behold.  The sceneries are vibrant and colorful, majestic in nature and lavish when manmade.  The songs by Christina Aguilera, "Loyal, Brave and True" and "Reflection," are strong and soulfully appropriate.

“Mulan” is a grown-up adaptation of the animation.  Amid the sumptuous sets and willowy display of martial arts, it deals with the traditional core values of family, duty, honor and country, and that freedom isn’t free.  At the same time, it is ahead of its period and progressively empowering.  It speaks to the full potential of an individual when being true to oneself, even in the face of fear, and for a society to take a hard look of its norms and make necessary changes for the greater good.

There is “no courage without fear.”  Indeed.

https://www.sdentertainer.com/movies/movie-review-mulan/

Novel: https://amzn.to/31Z8MVO

DVD/Video: https://amzn.to/3kO2VtH

Saturday, September 5, 2020

DC FanDome Part II: Are You Ready?

Are you ready for more???  As if the massive DC FanDome Part I wasn't enough, DC is returning for the final part of the virtual convention next Saturday, September 12, 2020.

100 hours, 300 panels of Multiverses... FREE for 24 hours.  

https://www.dcfandome.com/thankyou

https://schedule.dcfandome.com

WatchVerse - Superman & Lois, Batwoman, Legends of Tomorrow, Star Girl, and more.

InsiderVerse - behind the scenes with super artisans who bring DC to life, from comic books to games, TV, movies, theme parks, consumer products and more.

FunVerse -  share your DC fandom love. Read hundreds of free digital comics, strike a pose at the selfie station, explore the Joker Escape Room, and more.

YouVerse - it's all about fans! Check out more than 17,000 fan art, cosplay, and content submissions from around the world.

https://deadline.com/2020/09/dc-fandome-explore-the-multiverse-comic-book-superhero-1234570513/