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Sunday, March 23, 2014

"Divergent"


It's hard not to make a parallel between "The Hunger Games" and "Divergent" (first look at 2013 Comic-Con). Both ride on the popularity of YA sci-fi novels. Both star solid lead actresses, Jennifer Lawrence ("Silver Linings Playbook") and Shailene Woodley ("The Descendants"), respectively. When "The Hunger Games" premiered two years ago, it kicked off a phenomenal franchise. And unlike the critically-lambasted "Twilight" series, “The Hunger Games” is a critics-darling and crowd-favorite. "Divergent" attempts to achieve such feat.

“The future belongs to those who know where to belong.” Based on Veronica Roth's best-selling novel and directed by Neil Berger (who directed the spellbinding “Limitless,” and “The Illusionist”), the story is set in a dystopian, post-apocalyptic world. The rest of the world has been destroyed by wars and the remaining society lives in factions inside a protective fence.

Society is divided into five factions based on human virtues, Abgenation (caring), Amity (peaceful), Candor (honesty), Dauntless (bravery), Erudite (intelligence). Abgenation are selfless, dedicated public servants and trusted to run the government. Amity farm the land, they are peaceful and happy. Candor tell the truth no matter what and maintain order. Dauntless protects and keeps everyone safe. Erudite are high in intelligence and know everything. Each faction serves a purpose and keeps the society in peace. Those who do not belong to any faction are vagabonds, divergents. Because they do not conform, they can't be controlled and therefore are deemed dangerous.

Every teen goes through an aptitude test to determine what faction he or she belongs to. Woodley is Beatrice, daughter of Natalie (Ashley Judd) and council member Andrew Prior (Tony Goldwyn, “The Mechanic"), part of the Abgenation faction. Along with Caleb (Ansel Elgort), her brother, the time has come and she undergoes a hallucinatory test. People typically reveal who they really are under the influence, what their strongest virtue is, based on how they respond to harrowing scenarios. Beatrice, however, shows that she has multiple values, Abgenation, Dauntless and Erudite. Her tester, Tori, (Maggie Q, “Nikita”) warns her that she must keep her test result a secret lest she could be eliminated.

Whils it's generally wise to choose a faction that follows the test result, people are free to choose a faction that they feel represent themselves the most. However, once they choose, that would be it for the rest of their lives. If it's a faction different than the one they were born and raised in, they must leave their families and everything behind. It's faction over blood; they could never go back. During the anxiety-inducing Ceremony of Choosing, Beatrice and Caleb do just that. To the surprise of their parents, Caleb deflects to Erudite and Beatrice Dauntless.

In an instant, Beatrice's new life begins. She is Tris, a fresh Dauntless. Or so she thought.  As it turns out, those who choose the warrior faction actually have to prove themselves that they are worthy of being Dauntless. From leaping into and jumping off a moving train, plunging into a pit, sparring, shooting and knife-throwing, they are trained and tested physically and mentally to be combat-ready by a first-class instructor, Four (Theo James). If they don't pass, they would be stripped of their new identity and rendered factionless forever.

At first it looks unbelievable that the timid Tris could transform into a fighter. But somehow it happens. You could almost feel Tris' heartbeat as she contemplates, puts one foot forward and another, and takes another step, falls and rises, gaining strength and skills in the process. She also makes friends with other newbies, Christina (Zoe Kravitz) and Will (Ben Llyod-Hughes), who deflect from their original factions.  Her life is made more challenging by a Dauntless leader, Eric (Jai Courtney, “A Good Day to Die Hard.") Simply put, he's a piece of work. Although the rivalry between him and Four provides some humor into the grim story.

Four and Tris' relationship slowly develops into romance. Four actually has a painful secret of his own. Through fear simulations, they discover and understand each other. In order to pass the last stage of the tests, Tris must control her subconsciousness and shows how a Dauntless would act to resolve situations she fears the most. It's interesting to see the difference how she escapes her fear landscape true to herself, a divergent, and merely as a Dauntless. After passing the test, her official initiation as a Dauntless, zip lining through deteriorated skyscrapers at nighttime, is thrilling.

Word comes around that Erudite, led by an icy villain, Jeanine (Kate Winslet) is going to overthrow the government and abolish Abgenation, whom they view as weak and corrupted. They're also actively searching and killing divergents. The last stretch of the movie is a war among factions, although one faction is forced to fight a war they do not wish to fight. Tris and Four race against time to find the perpetrator and stop the massacre, knowing that at the end of all these, they will be homeless and hunted.

Extensive amount of time spent in the Dauntless pit could have been cut and more should have been spent in each faction, letting the audience see more more about the characters, the way they live and connections among factions, and thus become more invested in them. The emotional impact is always far greater when you know more about the characters and their lives. Part of what makes the horror in “The Hunger Games” so real is because you're allowed to know more about the characters, instead of nameless or faceless lineups, and how the actions of the main protagonists directly affect others around them.

Woodley makes things believable, however, and she and James sell their understated relationship. The movie has distinctive costumes and interesting set pieces, with an electrifying score as a standout. Although not as intense as “The Hunger Games, “ the premise is intriguing and the story engaging. By the end of the movie, you'll be invested enough in Tris and Four, and what will become of them and the society's future.

More than a diversion, “Divergent” is sufficient to carry another surefire franchise. “Insurgent” is slated for release next year.

http://www.sdentertainer.com/arts/movie-review-divergent/

DVD: http://tinyurl.com/mkgqnmr
DVD (blu-ray): http://tinyurl.com/l59utcz

Sunday, March 2, 2014

2014 Awards Season: Feature Film Highlights

The Academy Awards is tonight.  Trying to catch up on Oscar-quality films? Here are some of the highlights of several movies nominated for awards in various categories. Better yet, you still have a chance to see them at the theaters in the next few weeks!

http://www.sdentertainer.com/arts/movie-highlights-2014-awards-season/

***

“Gravity”

Lost in space. Never before has it felt terrifyingly realistic. Dr. Ryan Stone (Sandra Bullock, "The Lake House"), a medical engineer on her first mission, is in the process of installing a scanning device. There's news that clouds of debris are brewing and heading at breakneck speed. Alone and adrift, she's low on oxygen and fuel, nauseous and dizzy, desperate and scared to death. She must let go of the past, find the will to survive, make the right trajectory to the space station and find a way back home. The destruction of the space station in the vast vacuum of space is eye-popping. The countdown toward earth in the end is one of the most distressing scenes. A visual masterpiece, there's a claustrophobic feel and realism to the scenes. When every second counts, every gasp and grasp, every jerk and hit could mean a chance for life or death. The 3-D is fully utilized, from sprays of flying debris to specks of floating tears or fires. The sound design goes for maximum impact, alternating between piercingly earthshaking and eerily quiet. A singular survival tale in space, “Gravity” is an experience that marvels and mesmerizes. It's probably the closest you'll ever be to being in space in this lifetime. Check out the full review and trailer here.

***

“Captain Phillips”

A day that starts like any other... ends with a story of a lifetime. “Captain Phillips” is a ripped-from-the headlines story of a U.S. cargo ship getting hijacked by Somali pirates in 2009, the first in 200 years. The opening scenes offer a glimpse of the harsh life on the shores of impoverished Somalia and a normal American life. Tom Hanks (“Cloud Atlas”) is Richard Phillips, a family man from Vermont and commanding officer of Maerks Alabama. Soon he and his officers find themselves surrounded by four armed Somali pirates. Hanks shows one of the most outstanding acting during what could be the last stretch of Phillips' life. Your stomach will be tied in knots and you'll eventually exhale along with him. Abdi, an amateur actor, holds his own. His Muse's nickname may be “Skinny,” but he doesn't skimp on threats, even when he realizes he's running out of time and options. The nighttime standoff and sea rescue mission are grippingly well-orchestrated, a testament to one of the finest filmmaking. The cool coordination, negotiation and precise execution conducted by the rescuers contrast with the chaos and confusion inside the compact confinement of the lifeboat with Phillips and the pirates. The tension, underscored by a pulse-pounding soundtrack, skyrockets to an unbelievable level in the last third of the film. A riveting, real-life thriller. Check out the full review and trailer here.

***

“Saving Mr. Banks”

There's a story behind every film. Who knew the makings of “Mary Poppins” was such a long rollercoaster ride? For 20 years, author P.L. Travers (Emma Thompson) has rebuffed Walt Disney's (Tom Hanks, “Captain Phillips”) efforts to make her beloved novel into a movie. Travers has a certain level of disdain for all-things Disney, which she views solely as a moneymaking empire. She insists on recording every session and proceeds to nitpick every single detail of the way the characters are portrayed, lyrics of music, colors of the set designs or costumes. As the present story unfolds, the film flashes back into Travers' tragic childhood in the Australian outback. There are heart-wrenching events that no child should experience. Eventually Disney realizes that even all the courting yield no result. The characters in “Mary Poppins” are dear and personal to Travers; they're like a family. During a heartfelt conversation, Disney shares a a childhood story. He relates to and sees where Travers is coming from. The moment that he 'gets it' and his unwavering commitment that finally compels her to willingly hand over the rights. The moral of the story rings true. Don't let the past dictate the present. If life disappoints, move forward. Life is meant to be lived, with new memories. Absorbing and affecting, “Saving Mr. Banks” is a wonderful film for the ages. Check out the full review and trailer here.

***

“American Hustle”

Christian Bale (“The Dark Knight Rises”) and Amy Adams (“Man of Steel”), Bradley Cooper (“Limitless”) and Jennifer Lawrence (“The Hunger Games: Catching Fire”) reunite in “American Hustle,” a screwball 70s crime caper dramedy. Bale is Irving Rosenfeld, a con man, hitting off at first sight with a seductive grifter, Sydney Prosser (Adams). Irving is married to loose-lips and wildly opinionated Rosalyn (Lawrence). Irving and Sydney get caught by an unruly FBI agent, Richie DiMaso (Cooper). Richie plans to lure politicians to accept bribes and catch them in the act. The trap is set, which includes another FBI agent posing as an Arab Sheik looking to make an investment (inspired by the real Abscam sting in 1978). Entrapped is Carmine Polito (Jeremy Renner “The Bourne Legacy”), Mayor of Trenton, New Jersey. The stake is raised to a dicey level when Jersey's powerbrokers and mafia get involved. Carmine turns out to be pure in his intention to create new jobs for his people. He even considers Irving a friend. Irving develops a conscience, at the same time, he and Sydney must hold up the end of their bargain with the FBI. The plot starts off as simple, but alliance shifts and double-cross occurs. You think you know how it ends, yet it manages to churn out a twist. It's a treat to be in the flimflam or figure out what the swindle is or how the main characters would pull off the scheme. The con is on. Enjoy the game! Check out the full review and trailer here.

***
“The Wolf of Wall Street”

A fifth collaboration between director Martin Scorsese (“The Departed,” “Shutter Island,” “Hugo”) and Leonardo DiCaprio (“Catch Me If You Can,” “Inception,” “J. Edgar"), “The Wolf of Wall Street” is based on a true story of the rise and fall of a hedonistic stockbroker in 1980s and 1990s, Jordan Belfort. Belfort pulls together a bunch of hometown boys and operates his own company out of a garage. The misfits can sell. As the company expands exponentially, Belfort and team are living high, large and loose, even as the SEC and FBI come sniffing. Life is a never-ending party and debauchery. Drunken with greed, swimming with cash, drowning in drugs and addicted to prostitutes. Eventually, sordid deeds are catching up with Belfort. None of the characters are likeable. Their actions are beyond reckless and abhorrent. Their language is profanity-laced at every turn. But execution, script, acting are sensationally top-shelf. Scorsese directs it with revelry. Terence Winter (screenwriter) writes it unbridledly. DiCaprio lives it up like the king of the world and swaggers into a staggering performance. Deplorable, hysterical, phenomenal. The abyss of excess takes entertaining to the extreme. “The Wolf of Wall Street” spirals with sins and sizzles with exuberance. Check out the full review and trailer here.

***

“Her”

A man falling in love and having a relationship with his operating system. Theodore (Joaquin Phoenix) is a letter-writer for hire. He writes letters for a living, for those who aren't capable or willing to write them to their loved ones. A lonely soul, he pours his heart into and loves vicariously through these letters. One day he sees a commercial for an artificial intelligence, an operating system (OS) with “consciousness,” and he decides to get one. Meet Samantha (voiceover by Scarlett Johansson, "The Avengers," “Iron Man 2”). A machine with a hyper-level of awareness, Samantha is intuitive and perceptive. She grows and matures, and continues to adapt based on what she experiences with Theodore. Theodore and Samantha talk about anything and everything. And share intimacy, just like a real couple does, with the obvious limitation of Samantha having no physical body. The relationship, as weird as it sounds, is surprisingly organic. But a relationship with an OS is not without challenges either, especially when the OS starts taking human characteristics, yet its non-human capability continues to evolve rapidly. Conceptually unusual with the sci-fi element, “Her” is a story about humans' fundamental need to connect and love. Bizarre and the beautiful, it works. Check out the full review and trailer here.

"Non-Stop"


 
A plane is a perfect trap. Nowhere else would you be willingly locked in with 100+ strangers where exit means death.
 
An air marshal (Liam Neeson, “Unknown,” “Taken”) with a troubled past must transfer $150 millions to an offshore account or a passenger will die every 20 minutes. Bodies do turn up and everyone is a suspect. The situation grows more turbulent when said air marshal becomes the prime suspect since the account is found to be set up under his name. Passengers are looking to bring him down and fighter jets escort at the wings. But when a bomb is found, everyone must band together for a chance at survival and brace for a crash-land.
 
While it's impossible to overlook the holes and the reveal is not exactly satisfactory, “Non-Stop” is a suspenseful and enjoyable ride.

DVD: http://tinyurl.com/ls9xwfj
DVD (blu-ray): http://tinyurl.com/ls9xwfj

Saturday, March 1, 2014

Upcoming Movies: April 2014


[Originally posted on 3/29/14]

April 4
"Captain America: The Winter Soldier" (http://marvel.com/captainamerica) - Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history, the Soviet agent known as the 'Winter Soldier.'

"Under the Skin" - An alien seductress preys upon hitchhikers in Scotland.

April 11
"Rio 2" (http://www.riomovies.com) - It's a jungle out there for Blu, Jewel and their three kids after they're hurtled Rio de Janeiro to the wilds of the Amazon. As Blu tries to fit in, he goes beak-to-beak with the vengeful Nigel, and meets the most fearsome adversary of all - his father-in-law.

"The Railway Man" - A victim from World War II's 'Death Railway' sets out to find those responsible for his torture. A true story.

April 18
"Transcendence" (http://www.transcendencemovie.com/) - A terminally ill scientist downloads his mind into a computer. This grants him power beyond his wildest dreams, and soon he becomes unstoppable.

"Heaven Is for Real" - A small-town father must find the courage and conviction to share his son's extraordinary, life-changing experience with the world.

April 25
"The Other Woman" - After realizing she is not her boyfriend's primary lover, a woman teams up with his wife and plots mutual revenge.

"Locke" - A single phone call causes the life of a successful construction manager to unravel during his drive home.

Academy Awards 2014

[Originally posted on 3/02/14]

2013 was a year where futuristic drama, adrenaline rush and con-games reached critical heights (“Her,” “Gravity,” “American Hustle,” “The Wolf of Wall Street”), those typically reserved for survival stories (“Captain Phillips,” “Dallas Buyers Club”), socio-political dramas (“Argo,” “ZeroDark Thirty,” “Ides of March”) or race relations (“12 Years a Slave”).

The 86th Academy Awards opened with the stage filled with dozens and dozens of blown-up Oscar statues, and Ellen DeGeneres took center stage as host. In her pre-show interview, she mentioned that her goal was to give a great performance, but not overshadow the stars, and to make them feel relaxed and happy. She seemed to accomplish that without venturing into jokes that are borderline offensive, as dished out by last year's host, Seth MacFarlane. She was also self-aware and recognized that a host typically went though a number of costume changes. At one point, she pointed out that she added a scarf to her white pantsuit and pulled a stunt, appearing in a Glinda the Good Witch costume (from “The Wizard of Oz”).

DeGeneres pointed about a serious issue Hollywood had in the last couple of days, the rain, and thanked everyone around the world for praying and that they're all right. She picked up the latest trend, 'selfie,' took a picture of herself and tweeted to the world. It's a fine opening, although I must say I missed a more dramatic entry of years past, such as mocked montages, creative skits or musical numbers.

DeGeneres made a point to make the show interactive and relatable for those in the audience. In one funny moment, she went out to the audience and started pulling stars from their seats to take pictures with her in an effort to break the record of the most re-tweeted tweet. In another, she brought a pizza delivery guy with her, offered slices of pizza to presumably starving stars, and collected cash here and there for payment.

The theme of the show is “celebrating heroes.” DeGeneres took a jab at Hollywood right off the bat.  The important things in life are love, family and friends, and those without, would typically go into show business. The theme was celebrated through clips of movies in the last few decades based on true events where the protagonists are real-life heroes, as well as superheroes and fantasy heroes. Select actors and actresses were shown receiving humanitarian awards for their work that deal with human causes. Special guests for the evening include the real Captain Phillips and Philomena.

Musical performances provide a good mix, which include upbeat “Happy” from “Despicable Me,” melancholic piece “The Moon Song” from “Her,” tribute to Mandela “Ordinary Love” from “Mandela: Long Walk to Freedom,” Disney's “Let It Go” from “Frozen.” There's a tribute to the 75th anniversary of “The Wizard of Oz,” a song sung by Pink, who was introduced by Whoopi Goldberg. The former Oscar host was wearing striped tights and glittering red shoes under her dress. Hollywood honored those who passed away with “Wind Beneath My Wings,” a special performance by Bette Midler.

As expected, Jared Leto won best supporting actor, followed by his co-star Matthew McConaughey as best actor, for their transformative roles in “Dallas Buyers Club.” Leto shared a story from the past about his mother and thanked her for teaching him to dream. He dedicated the statue for those people who have died of AIDS. McConaughey thanked the people in his life and touched on the hero theme, having someone or something to look up to and look forward to.

Newcomer Lupita Nyong'o gave a tearful and grateful speech after winning best supporting actress for her dramatic role in “12 Years a Slave.” The film also earned best adapted screenplay. Best actress went out to Cate Blanchett for “Blue Jasmine,” who proceeded with a well-rounded speech, gracious and sprinkled with self-deprecating humor, celebrating her fellow nominees and women.

Critics-favorite “American Hustle” lost out make-up and hairstyling, and costume design awards to “Dallas Buyers Club” and “The Great Gatsby,” respectively. The latter also nabbed a win in production design. “American Hustle” was shut out, including losing best original screenplay to “Her,” which wasn't surprising to me. It's a great film, but overrated and nothing to rave about.

“Frozen” left all other animations in a fairy dust, winning best animated film award. The animation also snagged best original song statue, “Let It Go.”

“Gravity,” frontrunner of technical achievements was unstoppable. It scored best visual effects, cinematography, sound mixing and sound editing. The film also went on to win original score, film editing, and a best director prize for its visionary and technically accomplished director, Alfonso Cuaron. I'm over the moon that “Gravity” flew home with the largest number of trophies; it deserves a win in every single category it won.  It splits the last big award with “12 Years a Slave,” which was awarded best picture.

And the Oscar goes to...

Best Motion Picture
Winner: 12 Years a Slave

Best Performance by an Actor in a Leading Role
Winner: Matthew McConaughey for Dallas Buyers Club

Best Performance by an Actress in a Leading Role
Winner: Blue Jasmine – Cate Blanchett

Best Achievement in Directing
Winner: Gravity - Alfonso Cuarón

Best Writing, Screenplay Written Directly for the Screen
Winner: Her - Spike Jonze

Best Writing, Screenplay Based on Material Previously Produced or Published
Winner: 12 Years a Slave - John Ridley

Best Achievement in Music Written for Motion Pictures, Original Song
Winner: Frozen - Kristen Anderson-Lopez, Robert Lopez ("Let It Go")

Best Achievement in Music Written for Motion Pictures, Original Score
Winner: Gravity - Steven Price

Best Achievement in Production Design
Winner: The Great Gatsby - Catherine Martin, Beverley Dunn

Best Achievement in Editing
Winner: Gravity - Alfonso Cuarón, Mark Sanger

Best Achievement in Cinematography
Winner: Gravity - Emmanuel Lubezki

Best Performance by an Actress in a Supporting Role
Winner: 12 Years a Slave - Lupita Nyong'o

Best Achievement in Sound Editing
Winner: Gravity - Glenn Freemantle

Best Achievement in Sound Mixing
Winner: Gravity - Skip Lievsay, Niv Adiri, Christopher Benstead, Chris Munro

Best Achievement in Visual Effects
Winner: Gravity - Timothy Webber, Chris Lawrence, David Shirk, Neil Corbould

Best Animated Feature Film
Winner: Frozen

Best Achievement in Makeup and Hairstyling
Winner: Dallas Buyers Club - Adruitha Lee, Robin Mathews

Best Achievement in Costume Design
Winner: The Great Gatsby - Catherine Martin

Best Performance by an Actor in a Supporting Role
Winner: Dallas Buyers Club – Jared Leto

For a complete list of winners, check out the official website.

http://www.sdentertainer.com/arts/academy-awards-2014/