Sunday, February 27, 2011
"Inside Job"
Wednesday, February 2, 2011
"The Company Men"
Bobby Walker (Ben Affleck) is a hotshot sales executive living his life through rose-colored glasses. At the prime of his career at GTX, Bobby is laid off after 12 years of service. Gene McClary (Tommy Lee Jones), his boss and mentor, couldn't save his job.
Gene later finds that his position is not as secured as he thought - even if he's friends with James Salinger (Craig Nelson), the callous CEO who earns millions, while conducting rounds of mass layoff in order to meet the market's demand and keep the stock prices up. Another aging executive on the chopping block is haggard Phil Woodward (Chris Cooper). With his qualifications, Bobby smugly believes that he would land on his feet in a matter of days. And with three months worth of severance package that includes outplacement service, he has no plan to leave the good life. Sprawling McMansion, fancy Porsche, country club membership, luxury vacations are measures of success. His job was his identity. Bobby's stay-at-home wife turning part-timer, Maggie (Rosemarie De Witt), is loyal, realistic and practical. She gets the credit for having her feet planted firmly on the ground and gently urging her husband to get his head out of the sand. Another goes to Jack Dolan (Kevin Costner), her brother, a hard-working owner of a small construction company. He takes in dismissive Bobby as an extra worker even as his business is not exactly breaking even. Unemployment is ever-present these days that it would be hard not to empathize with anyone out of work. But Bobby, Gene or Phil is not your everyman. It's not easy to cry a river over the few elites who are used to the six-figure lifestyles. Bobby pointedly refuses to even consider a related position paying about half of his previous base salary. There may be a question of why anyone should bother watching reality played on the screen. If it's any consolation, the human impact is real. The gamut of emotions that an unemployed goes through - shock, denial, anger, shame, guilt, lost, resignation. Dreams dashed, respect lost, plans canceled, family affected. Eventually, with continued hardships, come the attitude adjustment. The corporate jets and expensed trips are not coming back. Gone are the $500 lunches and $5,000/night hotel stay. The reality is, as a family man with two kids, it may be vital for Bobby to trade in his white-collar suit with a blue-collar sweatshirt - if it means earning an honest pay for an honest day of work, however back-breaking a manual labor may be. Living within the means also takes on a new meaning. Being unemployed is very humbling, not to mention agonizing experience. There's rarely any comparison to the struggle of keeping your livelihood. Countless hours are spent pounding the pavement. The stress to keep up the skills and appearances marketable. Days stretch into weeks, weeks into months and months... without knowing when the end will be in sight. Hopes are intermixed with fears. Finding a job is a full-time job on its own and may be the hardest one of all. The worst part next to survival is perhaps knowing that the world goes on and leaves you behind. Families, friends, neighbors, acquaintances continue asking about how your job search is going and how you're holding up. Or they may be in the dark because you're forced to keep up the charade of being a successful professional. Keeping the spirit up and faking enthusiasm of having to start over and prove yourself continually can take a toll. For one former executive, it may prove to be too humiliating.Sunday, January 2, 2011
"Black Swan"
Shockingly disturbing. Words cannot adequately convey how hauntingly devastating "Black Swan" is.
Darren Aronofsky ("Requiem for a Dream," "Pi", "The Wrestler") crafts a visceral masterwork of an intimately dark portrait of a prima ballerina, Nina Sayers (Natalie Portman).
Ballet is Nina's entire existence. Being the "Swan Queen," the lead in the new rendition of "Swan Lake," becomes her sole purpose. Ballet is Nina’s entire existence. Being the “Swan Queen,” the lead in the new rendition of “Swan Lake,” becomes her sole purpose. In “Swan Lake,” a princess-turned-white swan longs for freedom, which could only be had when the spell is broken by a prince. Tricked by her evil twin, the prince falls for the black swan instead. The white swan dives off a cliff and finds freedom in her death.
Beautiful, fearful and fragile, Nina excels as the purely innocent White Swan. Sweet but frigid, precision or control is second nature to her. In order to shine, however, she also needs to be able to channel her passion and spread her wings freely as the vigorously seductive twin, Black Swan.
In a surprising turn of event, Nina is selected as the lead soloist and then coached by the lecherous school director Thomas Leroy (Vincent Cassel). Living with her overbearing and self-projecting mother, Erica (Barbara Hershey), Nina is constantly egged on to be the performer that her mother could not be in her prime time.
A wounded paranoid, Nina spends her life in the bubble of her pink-hued, childlike bedroom and insulated school of ballet. She's utterly frightened that an uninhibited newcomer, 'Lily' (Mila Kunis), is out to take her crown - just like she did earlier with a retiring star of the past, dramatically bitter Beth Macintyre (Winona Ryder).
"Black Swan" provides a glimpse of the rigorous practices that ballet dancers have to go through in perfecting their art. Will Nina break through her self-destructive cycle, withstand the pressure and triumph? Or will she drown in her fixation on perfection and break down in insanity?
Mirrors and contrasting colors of black, white and red are used to reflect darkness, light and blood, which are predominant in Nina's life. The music rhythmically underscores the graceful and forceful movements. While Portman's raw encounter with Kunis on screen may have stolen the spotlight surrounding the release of the film, it's a small sequence that, dare I say, doesn't have much bearing on the overall story. This transformative role demands Portman to give the performance of her life in so many different ways.
Trapped in a nightmarish pursuit for perfection, there is an aching desperation in Nina's obsession that I can't help but feel for her. At the same time, bizarrely realistic imageries in her hallucinations make my skin crawl - and it's virtually impossible to look away. Combined with distorted cuts of scenes and jarring score, psychosexual thriller "Black Swan" is on par with or intensely scarier than some horror movies.
"Black Swan" ties with soul-shattering "Shutter Island" as the most terrifying film of the year.
Saturday, January 1, 2011
10 Top-Grossing Movies of 2010
Friday, December 31, 2010
Top 10 Biggest Box Office Headlines of 2010
Thursday, December 30, 2010
10 Best Movie Quotes of 2010
Tuesday, December 28, 2010
Note: "Black Swan"
Sunday, December 26, 2010
"Tron: Legacy"
During the panel, Skywalker Sound was on hand. We were instructed to recite certain words (DE-REZ, RIN-ZLER) that appeared on the screen and stomp our feet. These noises from 6,000 plus audience in Hall H were recorded live to hopefully be used later as the chants of the spectator crowds circling the glassy gladiator arena.
In "Tron: Legacy," Sam Flynn (Garrett Hedlund), a direction-less and daredevil son of former Encom software engineer and CEO Kevin Flynn (Jeff Bridges), receives startling news from Alan Bradley (Bruce Boxleitner), his father’s old partner. Alan has been paged from a disconnected number located in the long-closed video game arcade where his father used to work 20 years ago. While skeptical, Sam stops by the dust-covered arcade to investigate and gets transported into the virtual world that his missing father has engineered and discovers his entrapment.
Kevin's vision to create an ideal utopia has backfired; there's no such thing as perfection in the "real world". His doppelganger Clu (a digitized, younger version of Jeff Bridges), assisted by his right-hand soldier, Rinzler (Anis Cheurfa), takes control and builds an army of programs with the intention of getting out and moving into our world. The "real" Kevin now resides mountains away in a sterile shelter within the grid. Reunited with his son and aided by a cyber warrior named Quorra (Olivia Wilde), Sam and Kevin plot for an escape. Michael Sheen makes a cameo as a caricature club owner (Zuse), whose motive is soon known.
I'm not sure how some could compare "Tron: Legacy" with groundbreaking "Avatar." For me there's no comparison; "Avatar" has the whole package. In another universe, last year's "Star Trek" excels on its storytelling and characterizations. In "Tron: Legacy," the philosophical-technical babbles are not easily understood. And the lack of human elements makes the frigid atmosphere even harsher. Bridges is the only one who manages to instill warmth into his character.
Thursday, December 23, 2010
Just For Fun: Christmas Favorite
Check out this article on Newsweek:
Happy Holidays!
Tuesday, December 21, 2010
Note: "Tron: Legacy"
Monday, December 20, 2010
Movie Trivia: "Two Roles, One Actor"
This year Jeff Bridges play two roles in "Tron: Legacy (Kevin Flynn and 'Clu') and Armie Hammer in "The Social Network" (Cameron and Tyler Winklevoss).
Check out this article on Yahoo to see movies where actors play against themselves:
Saturday, December 18, 2010
"The Tourist"
Angelina Jolie. Johnny Depp. Venice. Va-va-voom, right? Not quite. Billed as a romantic thriller, "The Tourist" fails to ignite the thrill or the romance.
After receiving a note from her unseen lover, Alexander Pearce, Elise Clifton-Ward (Jolie) boards a train from Paris to Venice. She hasn't seen him in two years and meeting him in Venice for a rendezvous. Trouble is, Alexander is a wanted man. Formerly a personal banker to mobster billionaire Reginald Shaw (Steven Berkoff), he has stolen 2.3 billion euros from him and is wanted in 14 countries. The government spends 8 millions in sting operation to recoup 744 millions in back taxes.
On the train, Elise approaches a stranger, Frank Tupelo (Depp) and strikes up a flirtatious conversation. She needs him as decoy to distract the army of men in black, hit men and Interpol alike, in pursuit of her paramour. A brokenhearted math teacher from Wisconsin with the same height and weight as Alexander, he's the perfect cover to be dragged into this trap.
Soon enough, Elise and Frank dodges bullets and evades chases through the Venetian canals - although not for long. Who's going to get to them first? The gangsters or the agents? Are Scotland Yard's Inspector John Acheson (Paul Bettany) and Chief Inspector Jones (Timothy Dalton) running in circles or closing in? Is the mysterious man (Rufus Sewell) leading a trail for capture? When Elise confesses that Frank is part of the plan, which plan is it? And just where is Alexander Pearce?
As Elise, impeccably styled Jolie acts like a porcelain doll and struts like a runway model. She seems to draw glances and whispers from everyone on her path. Perhaps the biggest surprise is that she and Depp have zero chemistry together. It pains me to say that Depp, known for his versatility, is miscast here as the bewildered 'average Joe,' and mismatched with polished Elise. Although toward the end I could see why he's interested in this role.
The dreadful dialogues and plot holes do not help. The bumbling actions are likely intentional, but they appear out of frame compared to those in an over-the-top movie like this year's rambunctious "Red." When the final twist is disclosed, there's no masterful reveal that would induce the kind of gasp as one would expect, which is another blow considering it's written by one of the writers who penned the unusual "The Usual Suspects" (Christopher McQuarrie).
It's not clear whether the movie intends to be a romantic thriller, action spy or caper comedy. It certainly doesn't live up to its potentials. "The Tourist" is pretty to gaze at for its glamorous superstars and setting, but that's pretty much it.
http://www.sdentertainer.com/arts/reviews-arts/movie-review-tourist/
DVD: http://tinyurl.com/25hjamw
Thursday, December 16, 2010
Tuesday, December 14, 2010
Golden Globe Nominations & "Best Film"
I've been asked what I think about "The Best" film of the year... "The Social Network" (http://themoviemaven.posterous.com/the-social-network). In second place (actually, if I could pick two, they're tied for first place for different reasons), "Inception" (http://themoviemaven.posterous.com/inception-0).
I haven't seen "Black Swan," so that may be rounding up the top three.
As far as the most entertaining movie of the year, it's "Red" (http://themoviemaven.posterous.com/red) for me. In second place is "A-Team" (http://themoviemaven.posterous.com/the-a-team-85). Of course, the 'geek' in me is also leaning toward "Iron Man 2" (http://themoviemaven.posterous.com/iron-man-2-514)
[Side note: if you read the blog, the reviews are in their original versions. They're reviewed by an editor before being published on the San Diego Entertainer Magazine, so occasionally they may be very slightly different].
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***HOLIDAY GIVEAWAY*** http://themoviemaven.posterous.com/holiday-giveaway
Monday, December 13, 2010
Note: "The Tourist"
Saturday, December 11, 2010
"The Chronicles of Narnia: Voyage of the Dawn Treader"
'Narnia: Dawn Treader' is a magical voyage that shows that we have to defeat the "evil" in us - greed; for superficial beauty, wealth and power.
Saturday, December 4, 2010
"The Next Three Days"
Wednesday, December 1, 2010
"Hemingway's Garden of Eden"
Tuesday, November 30, 2010
"Love & Other Drugs"
[From advanced press screening]
If you catch the "Love & Other Drugs" trailer recently and expect to see a cute story of boy meets girl... beware. It's a hard R-rated romcom - more on the comedy side but with doses of sappiness - for adult audience. It shouldn't be confused with a mild PG-13 romcom.
Jake Gyllenhaal (Jamie Randall) and Anne Hathaway (Maggie Murdock) reunite after their distinctive roles in "Brokeback Mountain." Jamie as a smooth-talker drug rep and a player among the ladies, and Maggie as a carefree artist with Parkinson's disease.
After an eye-popping encounter during an examination in a doctor's office (Hank Azaria), Jamie and Maggie seem inseparable while maintaining a non-committal relationship. Smitten and bitten by a love bug, the two share caring and heartbreaking moments. What started as a purely physical relationship is becoming real.
Things are complicated by Jamie's fast-track career to the top of the pharmaceutical industry and Maggie's incurable condition. They recognize the true person and potential behind the other's persona. Love may be the ultimate drug of all.
With product placements as co-star, it makes you question whether a certain drug prescribed to a patient is the best choice or because it's the one gets peddled by overzealous reps, with the likes of Jamie (and his boss, played by Oliver Platt) and Trey Hannigan (Gabriel Macht), to medical offices and hospitals. Josh Randall (Josh Gad), Jamie's wealthy, geeky brother cheers on and tags along for the ride with his gross-out gags.
The movie relies heavily on the couple's chemistry and all-around, in-your-face saucy antics and lewd humor. Its attempts to equally appeal to both male and female audiences come across as fragmented. Nevertheless, Hathaway deserves kudos for her sensitive portrayal amidst all the excessively gratuitous shots and crudeness. Gyllenhaal wears both aggressive and lovesick look well.
Personally, raunchy comedy is not my "cup of tea," but those who are into movies like "Knocked Up" or "40-Year Old Virgin" may find it just plain fun.
Saturday, November 27, 2010
"Tangled"
***At 10, Perry Chen is the youngest award-winning entertainment critic, TV personality, Annie Awards presenter, filmmaker/animator, and radio host, reviewing movies and entertainment from a child’s perspective. He has been interviewed by Katie Couric (CBS Evening News) and Liane Hansen (NPR). He has interviewed Pete Docter and Jonas Rivera, director & producer of Pixar's "Up." Perry is currently partnering with an Oscar-nominated animator, Bill Plympton, in a new animation about the Holocaust (2011 release).