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Sunday, September 29, 2013

"Cloudy with a Chance of Meatballs 2"


I love food.  I love animation.  "Cloudy with a Chance of Meatballs" is one of my all-time favorites for that reason.   In the first movie, Flint Lockwood's invention make food fall out of the sky like rain in Swallow Falls island.  While it sounds fantastic at first, of course, it does more harm than good. 

The sequel begins with the realization that Flint's machine isn't turned off successfully as he thought it was.  Cleanup crew from LiveCorp, headed by Flint's childhood inventor hero, Chester, informs him that the machine has turned fruits and vegetables into hybrid of food and animals... foodimals.  And these foodnimals are frightening and they have to be stopped before they swim and reach the mainland.  Flint and friends find that there's more to Chester's story and work to uncover his motive.  

Among the creatively cute foodimals are shrimpanzees, flamangos, watermelephants, potatotamus, banacheetas, scalliosaurus, subwhales, cheespiders, burger monsters, tacodiles.  One baby strawberry inadvertently takes on the role of ambassador and carries the role adorably. 

A light serving for smaller kiddies, the story touches on bullying, friendships, family and community.  While it's not fresh as the first, the foodnimals and food puns make the movie deliciously delightful. 




Monday, September 16, 2013

Comic-Con 2013: New TV Previews

[Note: I know it's not movies, but as promised, a continuation of 2013 Comic-Con coverage, Feature Film Highlights]
 
A celebration of science fiction. With the success and staying power of shows like "Person of Interest," "Arrow" and "Revolution" (debuted at Comic-Con in years past), TV creators are going geek with a bunch of new shows with a sci-fi bend this fall.  I attended this year's Comic-Con's pilot previews and caught a few gems.

 ***
"Almost Human" (FOX).  Starring: Karl Urban, Michael Ealy

In the future, law enforcement teams up with androids to help maintain law and order.  A detective returns to work after a leave of absence; he was ambushed and his team killed on assignment a couple of years ago.  

Initially, the human detective is assigned a robot partner, whom he humorously disposes.  Then finds himself partnered with a synthetic, a human-like android.  Not only he's not 100% functional physically, he has to accept that synthetics (and robots) are now fully integrated into the police force, and he has to learn to trust and work with his synthetic partner.  There's good buddy humor, where he's trying to communicate with a non-human partner built with a human-like, emotional response.  On a personal level, there's also the mystery of his girlfriend suspiciously gone missing.  He soon realizes that there are major advantages of working with a synthetic.  Synthetics possess computer-like ability, which is proven to be useful during interrogation.  Together they successfully solve a crime against cops.  

Produced by the prolific J.J. Abrams, this high-concept procedural, action-packed show has a lot of potentials.  

***

"The Hundred" (CW).  Starring: Henry Ian Cusick, Eliza Taylor

Post-nuclear war, surviving humans live in space stations.  97 years in the future, the lawenforcer ships 100 juvenile delinquents, expendable and monitored via electronic bracelets, into earth.  To avoid overpopulation, any adult age 18 and over who commits a crime is punishable by death.  They're sent to earth to test the air and survive the wild.  It's also a social experiment; a new civilization with no rules.  Cliques emerge, with those who want to remove their monitoring bracelets and go off on their own, and those who want to follow through with their mission and hopefully bring their families down to earth.  The first scene on earth is a breath of fresh air.  Green forest, water streams and sunlight give new hopes, although danger lurks.  It's alive and a contrast of colors with the cold, grayish-bluish shade up in space.  

While the concept is intriguing, the story would have been better executed with adults.  The drama is better in space with adults.  There's a crime, cover-up and near execution.  On earth, cheesy scenes abound.  Teenagers fit into the stereotypes; the jock, the tough chick, the nerd, the followers, and so on.  Whether or not this show could last remains to be seen.  

 ***

"Sleepy Hollow" (CW).  Starring: Tom Mison, Nicole Beharie

The scene opens in 1776, where the protagonist beheads a soldier, a horseman in the woods.  He falls down unconscious and wakes up in our time, nearly getting struck by passing vehicles in the village of Sleepy Hollow.  An officer sees a headless horseman killing his partner and pursuing the 18th century man.  The man is linked to the killing and imprisoned.  He claims he was a spy and worked under George Washington during the revolution.  There are fish-out-of-water scenes between him and the female cop, considering events that have taken place over a couple hundreds years, like modern inventions, civil war and civil rights. While the cop remains skeptical, she has seen something mystical as a child, and now seeing proofs that there's truth to his story, she begins to side with him.  They team up to solve a mystery that involves four headless horsemen of the apocalypse, demons, a witch and a bible.

This is the one show that I had no interest in and didn't think could work.  But it does.  Director Len Wiseman and writers Alex Kurtzman and Roberto Orci create a pilot that defies logic.  It's hard to describe, but somehow all the elements, supernatural, mystery, fantasy, adventure, hauntingly work, creating an suspenseful show that blows past any pre-conceived notions.

***

While I didn't get to see the pilots of two shows in particular that I'm looking forward to, "The Tomorrow People" (CW; starring Robbie Amell, Amanda Clarke) and Marvel's "Agents of S.H.I.E.L.D" (ABC; starring Clark Gregg, Ming-Na Wen), put these on your must-see list if you're a sci-fi fan.  "The Tomorrow People" reminds me of "Heroes."  Several young people with special powers, such as teleportation and telepathy, band together to defeat dark forces.  Director Joss Whedon parlays the popularity of the billion-dollar movie, "The Avengers" into "Agents of S.H.I.E.L.D."  S.H.I.E.L.D. stands for Strategic Homeland Intervention, Enforcement and Logistics Division.  The division is headed by Agent Coulson, who's last seen dead in the movie.  Unlike their superhero counterparts, this is a story about ordinary people, albeit with exceptional abilities, who undertake extraordinary missions to protect the world.  

***

The most exciting TV season is around the corner...  to all TV fans out there, happy watching!

http://www.sdentertainer.com/arts/new-fall-tv-2013-previews/

Sunday, August 25, 2013

"JOBS"


One-of-a-kind visionary.  Calculating businessman.  Marvelous marketer.  Driven problem-solver.  Out-of-the box creative thinker.  By and large," JOBS" conveys all these about Steve Jobs (Ashton Kutcher), the legendary founder of Apple.  It also conveys the not-so-nice, personal side of Jobs as it relates to the way he treats his pregnant girlfriend and first-born child, and loyal employees in the early stage of his success. 

A temperamental perfectionist, Jobs has his own vision of the world and pushes the limit of the people around him to continuously create and innovate.  He has no qualm in tossing aside those who don't share his vision for the future.

Kutcher is earnest in his portrayal of Jobs.  He does mimic him in so many ways, although there are scenes that we don't forget it's Kutcher, the actor.  Josh Gad shares the spotlight in a sensitive, humble performance, as Steve Wozniak, co-founder of Apple.  He counterbalances Jobs' ambitious, idealistic persona. 

The opening, introducing the iPod, successfully grabs your attention, but the movie doesn't delve into how he gets up to that star moment in the podium.  No progress is shown from his early days of revolutionizing personal computer.  If you're an Apple fan, know that it also omits completely the story of how other live-changing devices, such as iPhone or iPad, came into existence. 

There are inspiring scenes, showcasing Job's rare talent to rally people around him and buy into his crazy idea that they can will people into buying something they haven't seen and don't know they need or want.  And making that something easy, practical and cool at the same time.  He challenges conventional belief and doesn't put a limit of he can do.  By thinking differently and limitlessly, he's able to achieve what he did and changed the world in the process. 

As a biopic, what it lacks is storytelling.  It labors too much on the technical minutiae and boardroom politics (CEO John Sculley and original funder Mike Markkula, played by Matthew Modine and Dermot Mulroney, respectively), but skims the surface of the character.  We don't get to see why Jobs becomes the way he is and how he evolves as an individual.  And when the story jumps into the future, it's not clear how he gets there. 

With the right script, one that makes "The Social Network" award-winning, "JOBS" could have been larger-than-life.  Here, it's just passable, which would not have passed Jobs' own standards.

DVD (blu-ray): http://tinyurl.com/ltx8347

Tuesday, August 20, 2013

Upcoming Movies: October 2013

[Originally posted on 10/03/13]

October 4
"Gravity" (http://gravitymovie.warnerbros.com/) - A medical engineer and an astronaut work together to survive after an accident leaves them adrift in space.

"Runner Runner" (http://www.runnerrunnermovie.com/index.html) - When a poor college student who cracks an online poker game goes bust, he arranges a face-to-face with the man he thinks cheated him, a sly offshore entrepreneur.

October 11
"The Fifth Estate" (http://www.dreamworksstudios.com/films/the-fifth-estate) - A dramatic thriller based on real events, the film reveals the quest to expose the deceptions and corruptions of power that turned an Internet upstart into the 21st century's most fiercely debated organization.

"Captain Phillips" (http://www.captainphillipsmovie.com/site/) - The true story of Captain Richard Phillips and the 2009 hijacking by Somali pirates of the US-flagged MV Maersk Alabama, the first American cargo ship to be hijacked in two hundred years.

October 18
"Escape Plan" - When a structural-security authority finds himself incarcerated in a prison he designed, he has to put his skills to escape and find out who framed him.

"12 Years of a Slave" (http://www.foxsearchlight.com/12yearsaslave/) - In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.

October 25
"The Counselor" (http://www.thecounselormovie.com/us/#!/characters) - A lawyer finds himself in over his head when he gets involved in drug trafficking.

Sunday, August 18, 2013

"Elysium"



[Note: Out-of-town last week and just caught up with "Elysium"]

In 2154, the world's population occupy two very different places.  The poor live in a diseased, polluted and overpopulated earth.  The rich reside in a heavenly space station called Elysium, disease-free, exclusive and luxurious.

While mainly a sci-fi, the film is an allegory to our society, and depicts real issues, such as illegal immigration, fake citizenship, healthcare access, and politics, and how those in power choose to handle these issues. 

One of the opening scenes is a striking sequence where the robots, under the command of cold-hearted Elysium's Secretary of Defense Delacourt (Jodie Foster), target hordes of people coming in space shuttle, breaching into Elysium in hope for better lives, including a mother desperately trying to get her sick daughter to a healing body-scanning machine. 

Matt Damon ("The Adjustment Bureau") is Max, a reformed ex-con and droid assembler, living in the slum.  When he's exposed to a radiation blast in the factory and his days are numbered, he gets in touch with a former friend, Spider (Wagner Moura), a criminal who runs an underground high-tech network.  He makes a deal with Spider - he'd become a walking data storage and agree to download the contents of the brain of an Elysium industrialist overseeing his factory, John Carlyle (William Fichtner), in exchange for a ride into space and thus heal himself. 

Unbeknownst to Max and crew, John's brain contains classified data, including  a secretive agreement between John and Secretary Delacourt to stage a political coup and the key to Elysium's existence.  Embedded with exoskeleton, Max is hunted by a souped-up sleeper agent, Kruger (Sharlto Copley).  Tangled in the manhunt are Max's childhood friend, Frey (Alice Braga), and her dying daughter.

Director Neill Blompkamp creates a disturbingly realistic portrayal of the two worlds, a reality that might actually exist in a distant future.  The degraded earth appears believable.  The paradise in space is sleekly futuristic with a tropical touch.  Facial reconstruction, courtesy of special effect, looks very cool.

"Elysium" would have a better film by thoughtfully exploring the human themes and developing the characters, instead of focusing on merciless actions, excessively shot with shaky cams.  The brutality, with a gore factor, is a surprise.  At 109 minutes, this is one movie that could benefit from a longer running time.

"Elysium" is big and bombastic, but it doesn't live up to its potential. 



Sunday, August 4, 2013

"The Wolverine"


13 years after the premiere of "X-Men" and four years after "X-Men Origins: Wolverine," Hugh Jackman ("Les Miserables") is back in prime physical form as Logan/Wolverine. 

An explosive and effective opening sets the expectations high; thankfully, the movie continues to its momentum to the end.   Flashing back to World War II, Logan saved the life of a young soldier, Yashida (Hal Yamanouchi), during the nuclear bombing of Nagasaki, shielding him with his body while getting burned to a crisp.  The soldier witnessed first hand how Logan was miraculously self-healed.

In the present time, Logan lives as an isolated life in the Alaskan wilderness.  He's haunted by nightmares of his dearly departed love, Jean Grey (Dark Phoneix), whom he had to kill to save everyone when she turned dark.  Blessed with self-healing power, Wolverine may be physically supreme, but emotionally scarred.  Eternity has its price; one may lose his purpose in life, outlive everyone and run out of things to live for.  

Logan is tracked down by a nimble, flaming-haired fighter, Yukio (Rila Fukushima), who has the ability to see the future.  She brings a message from her employer, Yashida.  The former World War II soldier is now a business tycoon, and dying.  He has invited Logan to come to Japan so that he could say goodbye in person. 

When Logan arrives in Japan, Yashida, accompanied by his mutant physician, snake-tongue Viper (Svetlana Khodchenkova), entices him with a tempting proposal, an end to his eternity by transferring his self-healing power to Yashida.  This will allow Logan to live a normal life. 

Yashida tells Logan that he's not ready to die yet as he has to protect his business empire and granddaughter, Mariko (Tao Okamoto), from the Yakuza (Japanese mobs).  Logan knows something is off as he catches Mariko try to commit suicide.  He refuses Yashida's proposal, although it's clear that something must have happened since his self-healing power has diminished while he's fighting off mobs and ninjas during Yashida's funeral procession. 

Wounded and on the run with Mariko, Logan now has to adjust to his newfound vulnerability.  With help from Yukio, who unwittingly becomes his "bodyguard" in his human state of weakness, Logan and Mariko have to figure out how to survive, uncover unsavory family ties, regain Wolverine's power and sense of purpose as a warrior. 

The movie makes a full use of the Japanese locale.  It's a world of contrast between frenetic and vibrant modern Tokyo with beautiful and tranquil ancient Japan.  One outstanding action sequence is the ferocious fight atop the bullet train.  This sequence really shows a real sense of speed and danger.  Another standout is when the ninjas shoot hundreds of arrows in the snow and target Wolverine's back like a bullseye.  The closing combat with the robot samurai is fierce and reveals a twist.  

Directed by James Mangold, "The Wolverine" delivers the beloved sharp-clawed mutant story on an emotional and visual level.  Fast-paced, the movie is engrossing not only during its action-packed sequences, but also quieter moments.  The overall tone is serious, although there are sprinkles of humor.

If you're a fan of "X-Men," sit tight as the credit rolls.  The post-credit gives a glimpse of what's to come in the upcoming sequel of "X-Men: First Class," which is "X-Men: Days of Future Past."  Wolverine will be back for another adventure!

http://www.sdentertainer.com/uncategorized/the-wolverine/

DVD: http://tinyurl.com/k9f85sj
DVD (blu-ray): http://tinyurl.com/lffnawk



Thursday, August 1, 2013

Fall Movies 2013 Preview

[Originally posted on 9/15/13]

Summer movie season has come to a close, leaving us with the other exciting movie time of the year: fall!   Big, trophy-worthy dramas and a few smaller gems start to appear. There are also some hotly anticipated sci-fi flicks, plenty of laughs, family fare, and a potential animated classic or two. Start filling up your must-see movie calendar with Moviefone's 2013 Fall Movies Preview:

http://news.moviefone.com/2013/09/09/fall-movie-preview/

Thursday, July 25, 2013

Comic-Con 2013: Feature Film Highlights

[Note: I've been sick all week, so this is later than scheduled.  TV pilots segment is coming up]

Preview night: http://sdmoviemaven.blogspot.com/2013/07/comic-con-in-night.html

July means one thing in San Diego... Comic-Con!  As always, the biggest party of the year brings in tons of geek energy and star power.  Last year's highlights include appearance by Robert Downey Jr. and Henry Cavill, among many others, helming the panels of the two most anticipated movies of 2013, "Iron Man 3" and "Man of Steel."  Superheroes, warriors and vampires dominate again this year, with astronauts tagging along. 

As with anyone who has attended Comic-Con knows, there are too many concurrent panels, too long lines, and too little time, so you're forced to be selective and choose which panels you could have the best chance to get into without camping out or wasting all day.  Having attended most major feature film panels for many years (for coverage from previous years, click here), I've noticed the lines have grown out of control over the years due to the extreme popularity.  The only solution is to expand the space of the convention center to accommodate the swelling interest and size of the crowd. 

This year I did something different by attending a mix of smaller art-related panels, a number of pilot and established TV shows, and several feature films, including a press conference. 

***

Here are some of the highlights of several feature films: (check back later for TV pilots)

Europa Report (August 2, 2013)
In attendance: director Sebastian Cordero, composer Bear McCreary, producer Ben Browning, actress Karolina Wydra, scientists Steve Vance and Kevin Hand; moderated by astronomer Dr. Phil Plait

"Europa Report" puts more emphasis on science in 'science fiction.'  It's a faux documentary ("found footage" style) of a space exploration to investigate whether there are elements of life in Europa, one of Jupiter's moons, with its vast liquid water and ocean.  The imageries that are not only clear and striking, but also realistically shot (based on actual images from NASA), evoking a sense of awe, discovery and danger.  The filmmakers really go for realism, at the same time, understands that science has to find a balance with a story and characters that are compelling.  The space suit weighs 50 lbs. with a camera attached in the helmet, so the audience would see images directly from the astronaut's eyes.  As far as music goes, they try to strike that balance between cold and mechanical, and orchestra-like music typical for movies, and aiming for a melody that is beautiful and evocative, and hopefully connect with the audience.  The film has been compared to "Moon" and "2001: A Space Odyssey." 

"Ender's Game" (November 1, 2013)
In attendance: writer/director Gavin Hood, producer Roberto Orci, stars Harrison Ford, Asa Butterfield, Hailee Steinfield

The trailer showed an impressive space war with a boy soldier (Ender) in command.  The movie is based on a novel by Orson Scott, a story about gifted children learning the arts of war in an advanced military school in preparation for battle with the aliens to save the human race. 

According to Hood, the movie isn't just about good vs. evil with simple characters; it has a complex moral story.  While the trailer doesn't show anything more than actions, the story is supposedly about leadership, compassion, empathy, tolerance, self-identity, and how you define your moral position in the world. 

Hailee mentioned that she had to train boot camp to prepare for the physically demanding role, including learning to march and salute.  Ford's role in the movie is mentor-manipulator.  An iconic figure, Ford made his second appearance in Hall H (first was 2010 for "Cowboys & Aliens") and was the highlight of the panel.  Fans were clamoring and lining up to ask him questions, including goofy questions about Han Solo and Indiana Jones. 

"Divergent" (March 21, 2014)
In attendance: author Veronica Roth, director Neil Burger, main stars Shailene Woodley and Theo James, joined by supporting stars,  Mekhi Phifer, Maggie Q, Miles Teller, Ansel Elgort, Zoe Kravitz, Ben Lloyd-Hughes, Christian Madsen, Amy Newbold, Ben Lamb

The ensemble cast came to Comic-Con fresh from finishing shooting just two days ago.  Woodley sounded endearingly nervous and commented about how huge the crowd in Hall H was.  The moderator made a good-natured joke about the accent of the good-looking James, who was the target of affection from female fans. 

Based on the best-selling young adult fiction by Veronica Roth, "Divergent," is an intriguing story about a fragmented society in a distant future, where it's divided into five factions; bravery, selflessness, intelligence, kindness, honesty.  Each person belongs to and must conform to the virtue of his or her faction. 

One member of the selflessness faction (Woodley) is dissatisfied with her faction and wishes to move to another faction.  Mentored by a member of the other faction (James), she has to undergo rigorous training and prove herself.  The footage shown is action-packed, involving leaping off train and buildings, martial arts training, crowd surfing and knife-throwing.  One particular standout scene is the knife-throwing scene with Woodley's character standing still, and having her ear nicked by the last throw.  Done right, "Divergent" could be the next "The HungerGames."  

When asked about bravery, Woodley emphasized that her character was not a superhero;  she's a normal person put in an extraordinary position, who would rise to the occasion. James responded that it's how you deal with what's asked of you and in the face of fear, and that's what would define you.  It's about not being afraid to demonstrate what you're afraid of and deal with things that are scary. 

"Captain America: The Winter Soldier" (April 4, 2014)
In attendance at the Marvel press conference: directors Anthony Russo and John Russo, stars Chris Evans, Scarlett Johansson, Samuel L. Jackson, Sebastian Stan, Anthony Mackie, Emily VanCamp, Frank Grillo, Cobie Smulders

The next installment of "Captain America" would be modern and edgy.  Johansson talked about working more intimately and close on the ground than in "The Avengers."  Evans discussed about working closely with Johansson as Black Widow. Something happens in the relationship and they would need to rely on each other.  Van Camp's character, 'Kate,' has been rumored to be Cap's love interest, but Van Camp wasn't allowed to divulge what role she's playing and how she's introduced in the movie.  Stan mentioned about the similarity of his character, Winter Soldier, with Cap, as a lost man in a new world, discovering his role and identity. 

Evans also discussed about Cap's conflicts in the modern world.  It's a more challenging world than the 1940s in a sense that it's not as black and white anymore; it's gray.  Back in the day, Nazi's were the bad guys.  Now we're dealing with a blurred line between civil liberty and security.  Cap, viewed as a boy scout and lacking in humor, can't rely on being fish-out-water situation anymore to be entertaining.  He's been briefed about the world and he has a cell phone. 

"Guardians of the Galaxy" (August 1, 2014)
In attendance at the Marvel press conference: director James Gunn, stars Chris Pratt, Zoe Saldana, Dave Bautista, Lee Pace, Michael Rooker, Benicio del Toro, Karen Gillan

Gunn clarified the basic premise of the movie.  It's family coming together, individuals who have acted selfishly throughout their lives learning things about themselves and act as heroes.  The movie's tone will be lighter and more family-friendly.  It's revealed that villain Thanos, seen in post-credit "The Avengers" will connect this movie to the larger Marvel Universe. 

Pratt mentioned about how great Marvel movies were and it's because of the great stories, singling out how Iron Man became so well-known to people outside comic fans.  He thought it's the same thing with this movie, which has a cool story.  He joked about his physical training and transformation to be fit for the movie.  Zaldana was excited to do something different, sort of an anti-hero movie.  The characters - rebels, thieves, assassins - are learning their lessons, and with Gunn's interpretation, there will be a lot of levity. 

***

Another lively panel I attended was Q&A with directors Marc Webb ("The Amazing Spider-Man"), Alfonso Cuaron ("Harry Potter and the Prisoner of Azkaban" and upcoming "Gravity") and Edgar Wright (upcoming "Ant-Man").

Other scoops coming out of Comic-Con include:
  • "Age of Ultron" is the title of "The Avengers 2" (2015).  The movie is said to be darker and more global in scope.  Ultron is a super-intelligent robot with a conquest to rule earth.
  • Superman will face off  Batman in "Man of Steel 2" (2015).  There have been debates about whether this is a desperate move from DC to catch up with Marvel by having the two biggest superheroes in the world dueling out in one movie.
  • "Flash" is slated for 2016 and "Justice League" (DC's all-star superheroes ensemble) 2017.
***

While it might be cool to attend a Marvel press conference, it's certainly different from marveling in a fan-centric event.  Some members of the press may be fans themselves and humorous exchanges take place occasionally, but a press event is mostly devoid of excitement.  The interactions are lot more measured, subdued.  None of the thunderous cheers, wild surprises or overall mass hysteria.  Passionate fans, devoted and star-struck, make up most of the fun and create an electrifying experience.  There is simply no comparison. 

In addition to star-studded panels, frenzied exhibits halls, costumed characters and outer exhibits in downtown San Diego entertained fans and visitors alike.  If you've never attended or don't intend to attend Comic-Con next year, walk around downtown and soak in the ambiance.  It's perfect for people-watch, take silly pictures, party or just hang out.  And that's a wrap!

http://www.sdentertainer.com/arts/comic-con-2013-feature-film-highlights/

[left click to enlarge pictures]















Wednesday, July 24, 2013

Upcoming Movies: September 2013

[Originally posted on 9/01/13]


September 6
"Riddick" (http://www.riddickmovie.com/) - Left for dead on a sun-scorched planet, a man finds himself up against an alien race of predators. Activating an emergency beacon alerts two ships: one carrying a new breed of mercenary, the other captained by someone from Riddick's past.

September 13
"Insidious: Chapter 2" - A haunted family seeks to uncover the mysterious childhood secret that has left them dangerously connected to the spirit world.

"The Family" - One family, a notorious mafia clan, is relocated to Normandy, France under the witness protection program, where fitting in soon becomes challenging as their old habits die hard.

September 20
"Prisoners" (http://prisonersmovie.warnerbros.com/) - When his daughter and her friend go missing, one man takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?

September 27
"Rush" (http://www.rushmovie.com/) - A big-screen re-creation of the merciless 1970s rivalry between Formula One rivals James Hunt and Niki Lauda.

"Baggage Claim" - Pledging to keep herself from being the oldest and the only woman in her entire family never to wed, a woman embarks on a thirty-day, thirty-thousand-mile expedition to charm a potential suitor into becoming her fiancé.

Monday, July 22, 2013

"Red 2"


I LOVED the first "Red," (Retired-Extremely Dangerous) an over-the-top and comically combustible ride, and looked forward to the sequel.  But too much "Red" may not necessarily be a good thing. 

"Red 2" continues to follow the spy-adventures of retired CIA operative, Frank (Bruce Willis, "A Good Day to Die Hard"), bug-eyed girlfriend Sarah (Mary-Louis Parker), old buddy Marvin (John Malkovich), and MI6 cohort Victoria, Helen Mirren ("The Debt"). 

This time the gang goes international - Paris, London, Moscow.  They're tracking down a bomb smuggled and planted in Moscow during the Cold War.  In a document leak, Frank's and Marvin's names have been falsely linked to it.  They're branded as domestic terrorists and pursued by intelligence agencies, including a contract killer, Han (Byung-hun Lee). 

They encounter Frank's former flame, Katja (Catherine Zeta-Jones, "Side Effects"), an agent with Russian intelligence.  They eventually find the architect of the device, Dr. Bailey, Anthony Hopkins ("Thor").  Bailey has been locked up for over 30 years; there's a reason for it and it may not be what you think it is. 

The movie is an action comedy, it's packed with action, but with an emphasis on comedy.  As basket-case Marvin, Malkovich supplies a lot of one-liners.  Willis still has that cool guy persona, who can cleverly defeats a dozen of armed men with ease.  Parker has a much more prominent role in this installment and becomes an integral part of the team.  Han rounds up the group and is a good addition as an outcast.  Brian Cox makes a cameo as a KGB agent and Mirren's partner in love.  The most sophisticated of the bunch belongs to Mirren.  Her chic, ice-cold portrayal is hard to beat.  She doesn't miss a beat; be it disposing a body in a bath tub, dishing out a relationship advice, or firing double guns in a fast-spinning car. 

There are a couple of cool car stunts.  One in full speed with Mirren as a passenger and Lee in the driver's seat involving a trailer truck.  The other with Willis stepping right into the car driving as Zeta-Jones moving out and into the passenger's seat; a homage to the first movie where Willis steps out of a spinning car and onto his feet shooting bullets.  

While the first installment is fresh and fluid, "Red 2" feels segmented and bloated.  There are also nonsensical resolutions where you're expected to buy things without knowing how they come about.  Too much spotlight is shined on Frank's and Sarah's comedic relationship, and one upmanship with Katja.  It becomes too silly for its own good.  The cast members have terrific chemistry, but you may not get the nuances among the relationships unless you see the first one.

If you've never seen the original "Red," you will still enjoy "Red 2" because of the action, comedy and chemistry.  It could have been much better, but it's passable entertainment.



Monday, June 17, 2013

"Man of Steel"

What if Superman really does exist?

As much as I was looking forward to the most anticipated movie event of the year, “Man of Steel,” I was nervous with all the hype and especially with Zack Snyder (“300,” “Watchmen”), who is known for visual overload, at the director's chair. But when I caught a footage shown at the 2012 Comic-Con, I thought this retooling of Superman had a chance to be awe-inspiring. Christopher Nolan, director of the groundbreaking Batman trilogy, acting as producer, might have a hand in grounding “Man of Steel” in reality. "Man of Steel" revolves around the issue of what would happen if Superman really did exist in real life, in our time.

Unlike Batman, Superman has never been a dark character, but he's hard to capture because of his perfect nature. Superman is an ideal that people strive towards. The team of Synder, Nolan and David S. Goyer (writer) turn out to be a winning combination. The origin story doesn't depart from the fundamentals, but it realistically tells a story that makes sense. It manages to tell a story about how this godlike being is not perfect, rather, conflicted and alienated, struggling to trust, adjust and find his place in the world. The film balances the lighter nature of Superman with a darker reality of being an alien superhero in the gritty 21st century. “Man of Steel” revolutionizes Superman like “Batman Begins” with Batman. And the result is utterly phenomenal.

“Man of Steel” first introduces us to Krypton; a whole other world alien to us, like Asgard in “
Thor.” Baby Kal-El (future Clark Kent and Superman) is the son of Jor-El (Russell Crowe, "The Next Three Days") and Lara Lor-Van (Ayelet Zurer); the first natural birth in Krypton in centuries. Kryptonians are artificially engineered, bred for a special purpose in the multi-layered robe and cape-wearing society, such as warrior, worker or leader. General Zod (Michael Shannon , "Premium Rush") and his crew are exiled after staging a coup against the ruling council and facing off with Chief Scientist Jor-El. Because they're banished from the doomed planet, ironically, they're the ones who survive since the planet bursts into flames. Jor-El and Lara launch baby Kal-El to earth, bringing along Codex with him, the DNA code of Kryptonians.

On Earth the scene opens with an adult Clark Kent (Henry Cavill, "
Immortals"), a scruffy drifter and loner, hitchhiking and working odd-end jobs. While he's anonymously doing some life-saving work during an oil rig explosion, we see flashbacks to his troubled childhood and adolescence. The special relationships between Clark and his parents, Jonathan (Kevin Costner, "The Company Men") and Martha Kent (Diane Lane, "Under the Tuscan Sun") are poignantly shown in a number of touching moments. An event that results in a painful personal loss could spark a debate of what Clark should have done.

Alone and bullied, the lonely kid grows up being different, isolated of having to keep his superpowers a secret. The scenes are truly heartfelt that it's believable to see how unsettling it is to be so powerful yet powerless. Being confused and trying to control the overwhelming powers, having to hide your identity while saving lives and pretending to be a normal kid. Fear of the unknown is a powerful thing and if the world is not ready, getting discovered could mean that Clark would be trapped and experimented on.

Clark has to decide what kind of man he wants to become, and never doubt that eventually the time will come where he will have to decide what kind of world he chooses to live in. He will have to make a choice, and sacrifice, if he intends to become greater than society intends him to be. There's a reason that he's put on Earth and it is his destiny to change the world.

In the Artic Clark runs into Lois Lane (Amy Adams, "
Leap Year") for the first time. She's there to investigate a spacecraft buried in ice. In the spacecraft, Clark encounters the ghost of his biological father and comes to terms with his identity and destiny. His journey as Superman begins. His first flight (and stumble) traipsing the varied landscapes of earth and soaring into space is divinely exhilarating. As far as Lois goes, she's more than a love interest, or even a Pulitzer-winning reporter; she's proactive and very involved in the world's affairs, an active participant and a confidant right from the start. She's someone that the privately guarded Clark and Superman, in all his extraordinary strength and vulnerability, could simply be himself. She is actually someone that Superman couldn't help but fall for.

When General Zod finds that Kal-El has been living his whole life on Earth, he and his army, led by ruthless Faora-Ul (Antje Traue), comes calling and demands that earthlings surrender him. What's unique about Zod here is that he doesn't have a villain's typical motivation to conquer Earth. His motivation is refreshingly understandable and there's a strange sense of honor in his brutally deplorable actions. The newly minted Superman must take a leap of faith and lead the way. As a symbol of hope, he must decide whether to trust and protect the skeptical humans, or join his own people and ensure the survival of his race. Spectacular destructions and explosions ensue; fiery, all-out war on an unprecedented scale, surpassing even “
The Avengers.” While they could seem repetitive for some, the extent of decimation is plausible when alien superpowers collide. Interestingly, the end of Zod ends on a personally agonizing note, but it fits the theme of this film.

Casting is absolutely impeccable. Cavill's path to don the supercape has been paved with trials. He was the guy who lost out. He first auditioned for the Superman role with one director over a decade ago. He was so close to being Edward Cullen in "Twilight" and lost out to Robert Pattinson. So close to being James Bond and lost out to Daniel Craig. And finally, so close to being Superman himself and lost out to Brandon Routh when the project switched director. As it turns out, he's destined to be Superman. The guy who lost out is the right guy after all, a winner by all accounts with his human portrayal as Clark Kent, and the last son of Krypton and savior of mankind. A real Man of Steel, Cavill carries the weight of the iconic superhero's future franchise and potential for the all-star ensemble “Justice League.” In some ways, Christopher Reeve will forever be Superman, but Cavill is the Superman for this generation.  He is exactly how I'd imagine what Superman would be, even without the suit.

 “Man of Steel” is grandeur and epic, but it's also deep and personal. The vast scope, intense and extensive battles, modernized suit, extravagant visual effects and thunderous score are amazing, but it's the powerfully realistic story that makes this Superman relatable and thus an enduring superhero. The closing scene is perfect and shows great promise of what's to come.

"Superman Returns" was immensely lovely, but Superman returns at last with "Man of Steel." This is The Superman movie we've all been waiting for. 


Comic-Con 2012


Sunday, June 16, 2013

Comic-Con 2013 Preview Night

[Originally posted on 7/19/13]

Comic-Con in the night.... a quick note and select pictures from downtown San Diego.  Attended a promising preview night, showcasing a few TV pilots for the fall 2013 season. 

Since I had a previous engagement, unfortunately, I missed the first showing, which could possibly be one of the more intriguing ones, a story about genetically evolved humans blessed with special powers, "The Tomorrow People" (although doesn't this remind you of "Heroes?").  The other two are high-concept and pretty interesting as well; a futuristic cop drama where humans and androids working together to solve crimes ("Almost Human"), and social experimentation/survival in post-apocalypse earth and space station drama "The 100").  Today I caught a superb pilot, with elements of time travel, supernatural, mystery, fantasy and adventure ("Sleepy Hollow").  It works surprisingly well.  

Will be back with more!

For previous stories and pictures, check out: http://sdmoviemaven.blogspot.com/p/comiccon-wondercon.html

[left click to enlarge pictures]