Friday, November 28, 2014
Upcoming Movies: January 2015
[Originally posted on 12/26/14]
[Note: Taking a break for the holidays and will be back with a review in January. Happy new year!]
January 2
"A Most Violent Year" - In New York City 1981, an ambitious immigrant fights to protect his business and family during the most dangerous year in the city's history.
January 9
"Taken 3" (http://www.taken3movie.com) - An ex-government operative is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, he brings out his particular set of skills to find the true killer and clear his name.
January 16
"Blackhat" (http://blackhat.legendary.com) - A man is released from prison to help American and Chinese authorities pursue a mysterious cyber criminal. The dangerous search leads them from Chicago to Hong Kong.
"Still Alice" - Alice Howland, happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a devastating diagnosis, Alice and her family find their bonds tested.
January 23
"Mortdecai" (http://mortdecaithemovie.com) - Art dealer Charles Mortdecai searches for a stolen painting that's reportedly linked to a lost bank account filled with Nazi gold.
"Black Sea" - In order to make good with his former employers, a submarine captain takes a job with a shadowy backer to search the depths of the Black Sea for a submarine rumored to be loaded with gold.
January 30
"Project Almanac" (http://www.projectalmanac.com) - A group of teens discover secret plans of a time machine, and construct one. However, things start to get out of control.
Labels:
2014,
2015,
Movies Schedule
Wednesday, November 26, 2014
Sunday, November 23, 2014
"The Hunger Games: Mockingjay Part I"
“If
we burn, you burn with us.”
“The Hunger Games” franchise has been a fierce success, both from the
critics’ and public’s side. Since it
premiere, there have been similar sci-fi YA adaptations; “Enders’ Game," “Divergent,” “The Giver” and “The Maze Runner.” I greatly enjoyed
every single one of them, but “The Hunger Games” reigns supreme.
“The Hunger Games: Catching Fire” was not only a game-changer; it
shattered everything. Everything that ace-archer
Katniss Everdeen (Jennifer Lawrence, “The American Hustle,” "X-Men: Days of Future Past," "X-Men: First Class," Silver
Linings Playbook”) knew, what went on behind the scene and right under
her nose, what she became and how she meant to the people in the downtrodden districts
of Panem. When her arrow disabled the
forcefield and obliterated the inhumane game, Katniss unwittingly transformed
into a mockingjay, a beacon of belief and hope, inciting the uprising against
the cruel Capitol regime.
Rescued
and safely ensconced in the underground base of district 13, Katniss is
reunited with her childhood friend, Gale Hawthorne (Liam Hemsworth), mother (Paula
Malcomson) and sister (Willow Shields).
She finds herself in a secret, militarized society led by President Coin
(Julianne Moore), who expects her to be the face of their cause. Katniss doesn’t agree right away, as her main
intention is to save Peeta Mellark (Josh Hutcherson), her loved one, captured by the
Capitol. She changes her mind after
finding her homebase, district 12, charred and ruined, filled with smokes and
skulls.
Working
together with strategist Plutarch Heavensbee (the late Philip Seymour Hoffman,
“The Ides of March”), the plan
is to develop a series of propagandas, broadcasted to all the districts. People need to see that the mockingjay is
alive and well, ready to lead. While the
concept is easy to understood, Katniss can’t act in front the camera and doesn’t
do green screen. It’s finally decided
that she goes into the field and gets filmed live by a film crew (led by
Natalie Dormer).
A
visit to a hospital filled with the wounded ends in a tragedy when President
Snow (Donald Sutherland, “The Mechanic”) orders an air
strike. It’s the moment that everyone’s
looking for, anguished Katniss speaks from the heart and fights back, uniting the
people to rise and rebel. She makes a
deal with President Coin to have Peeta and other tributes rescued
from the Capitol.
Peeta
appears in a series of television appearances, answering interview questions
from returning host Caesar Flickerman (Stanley Tucci, “Captain America: The First Avenger”). Peeta looks unharmed, physically, but it’s clear that he’s not the man
he used to be. He delivers messages that
are favorable to the Capitol.
From
an action standpoint, “The Hunger Games: Mockingjay Part I” is lacking compared to its predecessors. But don’t mistake the sparse action beats as
lacking elsewhere. While the filmmakers’
decision to split Suzanne Collins’ last book into two installments may have
slowed down the story’s progression, the film is equally suspenseful, and
emotional, as the previous movies. The stakes
remain sky-high and you’ve become incredibly invested in the characters that it
guts you to see the state they are in.
The
entire cast is terrific, including returning supporting actors Elizabeth Banks
(Eefie Trinket) and Woody Harrelson (Haymitch Abernathy), and a nod to Hutcherson
for his deepening range. But it’s Lawrence who fires all cylinders here, carrying the entire movie with a lightning bolt of emotions.
The
game was an all-encompassing piece in the earlier installments. However, its absence here doesn’t make “The
Hunger Games: Mockingjay Part I” a lesser film.
As a matter of fact, the story, which is now more of a political, war drama is refreshingly different. Adverse
repercussions, political weapons, moving speeches, jammed communications, covert
flyover to the enemy zone and tense stealth raid.
“The
Hunger Games: Mockingjay Part I” burns bright and explosively lays the groundwork for the revolution
of all time, fueling the anticipation for an extraordinary endgame. ‘Mockingjay Part II’ is set to release on November 20, 2015.
Labels:
2014
Sunday, November 9, 2014
"Interstellar"
If there's one movie I was most looking
forward to seeing this year, it was “Interstellar.”
With a story shrouded in mystery,
ambitious visual effects, directed by an acclaimed director and
starred by top flight cast, it's one of the most anticipated movies
of 2014. Attending the panel at Comic-Con with director
Christopher Nolan (“Memento, “Inception,” “The Dark Knight”) and star Matthew McConaughey (“Dallas Buyers
Club,” “The Lincoln Lawyer”) this summer only
skyrocketed the expectations.
Earth is on life support, on the edge
of extinction. Cooper (McConaughey), a former astronaut, is now a
farmer, working the corn fields. Overexploitation in the 20th
century has led into earth's rapid deterioration. It's functioning
at the most basic level; food, water and shelter. But there's no
such thing as dreams for a better life. Cooper lives in a humble
abode in the field, often engulfed in dust storms, with his two kids,
Murph (Mackenzie Foy) and Tom (Timothee Chalamet), and his father
(John Litgow).
When called by Professor Brand (Michael
Caine, "Inception," “The Dark Knight” trilogy) from NASA, Cooper
returns to his calling for a journey to the unknown. A wormhole has
been found, which may be the key to find another place in space for
humanity. Cooper's departure is not without sacrifice. It's
gut-wrenching to leave everything behind, especially saying goodbye to
his daughter, not knowing how long his intergalactic travel will be.
He promises his daughter that he will back, not knowing the full
picture.
Cooper blasts into space in Endurance
spacecraft, with the professor's daughter, Dr. Amelia Brand (Anne
Hathaway, “Les Miserables,” “The Dark Knight Rises”),
along with a couple other crew members and two robots. The robots
are great supporting characters, providing lighter moments in their
interactions with the humans. Midway through the voyage, they're
joined by another character, whose surprising appearance contributes
to one of the most intense sequences in the movie.
Time is truly of the essence. Every
decision must be thought out thoroughly and calculated carefully.
Once they surpass the wormhole, they must choose which planets to
land on, survey and gather data. There's a strong sense of scarcity.
Time is a precariously precious resource, not just fuel or oxygen.
In one planet, an hour translates to seven years on earth. One
mistake could cost them decades and humans' extinction. Further,
there's never any certainty in how far time or dimension would get
distorted. And unknown, foreign landscapes can transform a mild
exploration into a harrowing moment.
“Interstellar” is a duel of
philosophies, one for being human and feeling connected to our loved
ones and our generation, and the other obligations to reach higher
and do something greater for the future survival of mankind. And at
the heart of it, wholeheartedly acted, an emotional tale between
father and daughter (Jessica Chastain as adult Murph) that transcends
time and space.
The visuals are vast and victorious.
Majestically framed and filmed, they invoke a sense of awe,
reminiscent of last year's award-winning “Gravity.” Spinning and floating space station against the dark starry skies,
shining spheres, kaleidoscope of cosmic colors and lights, mountain of tidal
waves, sea of clouds, jagged ice tundra. The score (Hans Zimmer,
“Inception,” “The Dark Knight”) impeccably
underscores tense moments peaking with crescendo and cutting
into silence.
The film is not without flaws. The
running time of nearly three hours and verbose dialogue on quantum
physics, gravity and relativity can be toned down without impacting
the story. In real life, they don't withstand scrutiny anyway. But
in this universe, it's believable enough in its plausibility.
“Interstellar” is imperfectly
perfect in its stellar storytelling, simplicity of the plot and
complicated details. A celestial tapestry of space exploration, time
bender and heartfelt human story, it earns its place among the stars.
Labels:
2014
Sunday, November 2, 2014
"Nightcrawler"
“If it bleeds,
it leads.”
Lou Bloom (Jake Gyllenhaal, “Source Code”) is desperate for a job. He scours and scrapes for
anything. One night he runs into a freelance videographer
(Bill Paxton, “Edge of Tomorrow”) filming a crash
rescue, a footage that can be sold as headline exclusive to the
highest bidding news station. This speaks to him on a primal level.
Riding a beat-up car and equipped with an amateur police scanner
and cheap camcorder, Lou is in business. A
quick study, fast on his feet with a keen eye for detail, he trolls
the night for a crime scene worth shooting. He's able to sell his
first graphic shot to a night-shift news director (Rene Russo) in
need of booster for ratings. Their relationship morbidly blooms from
there. Lou takes advantage of a homeless man (Riz Ahmed) to be his
assistant; he's proven to be useful since he knows the ins and outs of
Los Angeles streets. He thrives and soon is able to buy a fancy car
and fancier equipments to run his business more professionally.
Lines are crossed, as Lou realizes that
power and dollars come with getting the right shots at all costs.
It's not just creeping or crawling into any crash, fire, murder,
stabbing or carjacking. There's such thing as the “right”
neighborhood, the “right” victim or the “right”
circumstance. So what's the harm in manipulating frames at crime
scenes when the police aren't looking? It gets the message across,
scores and praises. But at what point a line is crossed to the point
of no return? Setting up and staging scenes and gambling with
people's lives?
Gaunt, bug-eyed and detached with a
penchant for long, preaching monologue, Gyllenhaal plays the part like a pro, showing Lou's narcissistic hunger and smarm, opportunistic
instinct with no qualm for morals, driven to be somebody who holds
all the bargaining chips.
Natural light and neon-lit scenes are
perfectly photographed in “Nightcrawler.” The nighttime shots
remind me of the visually aesthetic “Drive." It's a notable debut from a first-time director, Dan Gilroy.
Notwithstanding the unsatisfying
ending, “Nightcrawler” is a great macabre satire about how news
are made, packaged and pushed to the limit behind the scene,
sensationalized and consumed by the public, and those who profit from
tragedies and atrocities. A dark comedy and thriller rolled
into one.
“Nightcrawler” may not be the
typical ghoulish movie for a Halloween weekend. And while it's easy
to say that Lou is one of the lowest kinds, there's something to be
said about the public's appetite for ghastly sensationalism. As long
as people are watching and ratings are soaring, the media would continue to publish. And that, is where the horror lies.
Labels:
2014
Sunday, October 5, 2014
"Gone Girl"
October is the month. Summer blockbusters become a memory as dramatic movies premiere,
starting the race to the awards. October gave us “The Social Network” (2010), “The Ides of March” (2011), “Argo”
(2012), “Gravity” and “Captain Phillips” (2013).
This year, we've got “Gone Girl,” starring Ben Affleck (“Argo,”
“The Company Men,” “The Town”) and Rosamund Pike
(“Jack Reacher”).
Affleck (Nick Dunne) and Pike (Amy)
play a married couple with marital woes. Laid off from their plum writing jobs in Manhattan during the recession, Nick and Amy
relocate to Nick's hometown in Missouri to care for his
cancer-stricken mother. Amy's trust fund finances a local bar that
Nick co-owns with his twin sister, Margo (Carrie Coon). He feels
right at home. Amy, a big city gal and scholar, not so much.
In the morning of their 5th
wedding anniversary, Nick comes home to find the door to his house
open, smashed coffee table, and no sight of Amy. Yet everything
else appears suspiciously neat and immaculate. Detective Rhonda
Boney (Kim Dickens) and officer Jim Gilpin (Patrick Fugit) get called
in and begin to investigate. It becomes very apparent right away
that things are not what they seem.
Nick's nonchalance and unsettling clues
left by Amy, along with Nick's own missteps make him a prime suspect.
Even the introduction of a mistress, Andie Hardy (Emily Ratajkowski)
and stalker ex-boyfriend, Desi Collings (Neil Patrick Harris) as potential suspects do not
take the spotlight off Nick. And in the modern age of media, Nick's
life gets scrutinized and spins. With Amy being
sensationalized as America's sweetheart, Nick is guilty in the eyes
of the public. It doesn't help that Amy's parents (David Clennon and Lisa Banes) end up turning on him.
While continuing to maintain his
innocence, Nick finds himself running out of options and turns to a
slick celebrity defense attorney, Tanner Bolt (Tyler Perry).
Together with Margo's unwavering support, Nick uncovers each layer of
mystery and finds out what really happens.
We learn through flashbacks Nick's and
Amy's relationship from the start, transgressing from lovey-dopey to
cynical, volatile and toxic. And gain insight into them as individuals,
especially Amy. Eventually facades fade and their relationship
degrade.
A force to be reckoned with, Pike
phenomenally handles the multifaceted role, effortlessly alternating
between scared and scary, from soft and sweet to crazed and steely.
Affleck brings in an affable charm, perfectly masking a nonplussed
husband's repressed emotions. Supporting characters turn out strong
performances. Coon as conflicted but ultimately supportive of her
beleaguered twin brother, and Dickens as tough-as-nails detective
who's not easily fooled.
At 149 minutes, the film does feel
long, but deft direction, sharp storytelling, purposeful pacing,
brisk dialogue intermingled with surprising dark humor, accompanied
by an eerie score maintain the suspense and keep us guessing. It's a
focused and fine creation from the director who put forth “The Social Network,” David Fincher. Fincher teams up with the author
of the best-selling novel, Gillian Flynn, who writes the screenplay
here, and Trent Reznor and Atticus Ross, Oscar-winning composers for
“The Social Network.”
“Gone Girl” is one of those films
best going in cold. Don't peek into the book. Steer clear from
spoilers. What begins as a whodunit puzzle unfolds as a complex,
character-driven page-turner, ending with a brutally bizarre twist.
Meticulously constructed, “Gone Girl”
is layered with intricacy and laced with dread and wit. A
deliriously diabolical psychological thriller, it won't be gone from
our collective mind anytime soon. “Gone Girl” will remain one of
the most talked-about films of the year.
Labels:
2014
Wednesday, October 1, 2014
Upcoming Movies: December 2014
[Originally published on 12/02/14]
December 5
"Wild" - A chronicle of one woman's 1,100-mile solo hike undertaken as a way to recover from a recent catastrophe.
"Comet" - Set in a parallel universe, Comet bounces back and forth over the course of an unlikely but perfectly paired couple's six-year relationship.
December 12
"Exodus: Gods and Kings" (http://www.exodusgodsandkings.com) - The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 600,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.
December 19
"The Hobbit: The Battle of the Five Armies" (http://www.thehobbitblog.com) - Bilbo and Company are forced to be embraced in a war against an armed flock of combatants and the terrifying Smaug from acquiring a kingdom of treasure and obliterating all of Middle-Earth.
"Night at the Museum: Secret of the Tomb" (http://www.nightatthemuseummovie.com) - Larry spans the globe, uniting favorite and new characters while embarking on an epic quest to save the magic before it is gone forever.
December 25
"Into the Woods" (http://movies.disney.com/into-the-woods/) - A witch conspires to teach important lessons to various characters of popular children's stories including Little Red Riding Hood, Cinderella, Jack and the Beanstalk and Rapunzel.
"Unbroken" (http://www.unbrokenfilm.com) - A chronicle of the life of Louis Zamperini, an Olympic runner who was taken prisoner by Japanese forces during World War II.
"American Sniper" (http://www.americansnipermovie.com) - A Navy S.E.A.L. recounts his military career, which includes more than 150 confirmed kills.
Labels:
2014,
Movies Schedule
Sunday, September 28, 2014
"The Maze Runner"
Notwithstanding that I was out of town
last week, as a sci-fi fan, I wasn't running to the theater to see
“The Maze Runner.”
The trailer first seen at WonderCon and 20th Century Fox press conference I attended at Comic-Con earlier this year didn't generate nearly as much anticipation as “The Hunger Games” or “Divergent.” And the story
didn't come across as thought-provoking as “The Giver.” Compared
to other YA dystopian adaptations, this one seems to be as simplistic
as a bunch of boys trapped in maze, banding together to survive and
escape, mixed with trite teen drama. To my surprise, the movie
ends up like “Ender's Game,” as in way better than I
initially thought.
Directed by Wes
Ball, The Maze Runner” is adapted from James Dashner's novel. A
teenage boy, Thomas (Dylan O'Brien), wakes up in an underground
elevator. The elevator ascends to a meadow called the Glade,
partially bordered by a forest and enclosed by towering walls. He
doesn't know who he is and has no memories of his past. Shortly after he's
surrounded by other boys, who have had similar experience and been
forced to live there for the last three years. In other words,
they're inexplicably trapped there. Each month a new boy arrives the
same way, accompanied by some supplies.
The Glade is
encircled by a massive, menacing maze. The entrance to the maze is
open during daylight and closed at sundown. At nighttime, scary
flesh-eating monsters, alien-like mechanical spiders, troll through
the maze. Anyone who has spent the night in the maze never returns
or lives to tell the tale.
Thomas finds a
makeshift society functioning, run by a self-anointed leader, Gally
(Will Poulter), along with his right-hand man, Newt (Thomas
Brodie-Sangster). People are assigned to certain functions to help
sustain their living, such as food-gathering, plant-growing,
shelter-building and glade-guarding. And perhaps most importantly,
there are “runners,” designated to enter the maze during daytime,
mapping out and memorizing routes in hopes that they would eventually
be able to find a way out.
As the sun sets
and the maze entryway closes, one runner, Minho (Ki Hong Lee), tries
fruitlessly to make it back towards the Glade. He's weighed down by
an unconscious fellow runner, Alby (Aml Ameen). Alby was the first
boy to arrive at the Glade. Thomas sprints towards them to help and
ends up trapped inside the maze. What happens next is one of the
most thrillingly terrifying scenes, a hide-and-seek and face-off with
a Griever.
When Thomas makes
it out alive, he collides with rules-enforcing Gally, but also makes
friends with those who now look up to him. He especially bonds with
the youngest in the bunch, Chuck (Blake Cooper). Complicating the
situation is the arrival of the latest member, unexpectedly, a girl
named Teresa (Kara Scodelario), holding a note that she will be the
last person to arrive at the Glade.
Officially
appointed as a runner, Thomas goes back into the maze along with
another runner to piece together clues and uncover an escape route.
If only it were that easy. Peril lurks at every turn. Both boys
find themselves running for their lives, as metal plates and stone
walls closing in, breaking apart or crushing down on them. Later
that night, for the first time ever, the Grievers come out from
hiding and attack.
For the most part,
indeed, the movie is about a bunch of boys trapped in a maze, banding
together to survive and escape. But all the elements, terrorizing
set pieces, claustrophobic atmosphere, capable acting, and well-shot
wall-to-wall action scenes, add up to constant suspense. And there's
a clash of ideals running through – security and comfort versus
risk and freedom. Would you stay in your comfort zone knowing that
you're reasonably safe and alive, or would you risk it all and fight
to the death as necessary for a chance of freedom?
While the
larger-picture ending provides more questions than answers, it does
give out a level of explanation to the remaining survivors about what
happened to them and why. The story, of course, doesn't end there.
Mystery remains as they take off to an unknown destination. It's
intriguing enough that I'm now anticipating the next installment,
“The Scorch Trials.” The sequel is set to premiere on September
18, 2015.
Labels:
2014
Sunday, August 17, 2014
"The Giver"
I
was never exposed to the controversial novel of Lois Lowry and I
learned about the movie, “The Giver,” at the 20th Century Fox press conference at Comic-Con this year.
Directed
by Phillip Noyce (“Salt”), “The Giver” is a story
about a perfectly peaceful, utopian society, unfolding onscreen with
the bland pleasantness of “Pleasantville.” The sets are
immaculately designed, minimalistic style. Communities built after the Ruins are
cocooned in a climate-controlled, clifftop mesa bordered by
clouds.
Communities are ruled with an iron-fist precision – past memories are erased, everything is strictly regulated. Assigned family unit, exact societal role, down to well-manufactured dwelling, impeccably lit pathways, uniform clothing and homogeneous food. Precise language, no lies, and obedience to curfew times.
Communities are ruled with an iron-fist precision – past memories are erased, everything is strictly regulated. Assigned family unit, exact societal role, down to well-manufactured dwelling, impeccably lit pathways, uniform clothing and homogeneous food. Precise language, no lies, and obedience to curfew times.
Regulations
set by political leaders, led by Chief Elder (Meryl Streep,
“The Iron Lady”), strip away what fundamentally makes us
humans, emotions. Conformity is a way of life and contentment is
ever-present. The premise reminds me of one of the most memorable
sci-fi films in the last decade, “Equilibrium.”
With the absence of emotions, everyone is equal and at peace, as there is no winner or loser. No war, hunger, racism or prejudice. No anger, fear, hatred, envy, confusion or chaos. At the same time, there is no love, passion, pride, joy or happiness.
With the absence of emotions, everyone is equal and at peace, as there is no winner or loser. No war, hunger, racism or prejudice. No anger, fear, hatred, envy, confusion or chaos. At the same time, there is no love, passion, pride, joy or happiness.
At
the Choosing Ceremony, three friends, Jonas (Brenton Thwaites,
“Maleficent”), Fiona (Odeya Rush) and Asher (Cameron
Monaghan) leave their childhood behind and each receives a pre-ordained role
in society. Fiona as a nurturer and Asher a drone pilot. Jonas,
deemed to possessed the ideal attributes of intelligence, integrity,
courage and capacity to see beyond, is selected to become a Receiver.
The Receiver will train with a spiritual leader, the Giver (Jeff
Bridges, “Edge of Tomorrow”), who will transmit memories of
the past and outside world. As the sole keeper of memories, he provides guidance to the Elders from time to time.
As
Jonas begins his training, he uncovers the truth about the world and
learns that there's more to life, much more. He begins to skip his
morning injection, which suppresses emotions. His increasingly unruly behaviors raise eyebrows of his assigned parents (Katie Holmes and Alexander Skarsgard).
Jonas' world is turned upside down, his vision gradually changing from monochromatic to technicolor. He's perplexed, curious, filled with awe when seeing visions and feeling the beauty and joy of living, and later recoiling in shock and horror when exposed to the cruelty, pain and suffering of mankind. He experiences stirrings of awakening, feelings toward Fiona, whom he starts to share with. He also learns about the unspeakable reality of what happens to the sick and old when they're “released” to place called Elsewhere.
Jonas' world is turned upside down, his vision gradually changing from monochromatic to technicolor. He's perplexed, curious, filled with awe when seeing visions and feeling the beauty and joy of living, and later recoiling in shock and horror when exposed to the cruelty, pain and suffering of mankind. He experiences stirrings of awakening, feelings toward Fiona, whom he starts to share with. He also learns about the unspeakable reality of what happens to the sick and old when they're “released” to place called Elsewhere.
When
Jonas discovers a plan that would release a baby that he has bonded
with, he knows he must take radical actions, and fast. The Giver,
who holds a painful past with the previous Receiver, agrees to help
him escape and venture out of the sterile communities, past the
boundary of memories. As one can imagine, the Chief Elder clashes
with the Giver, sees Jonas as a threat and haunts him down. What's
should be noted here is that the Chief Elder is not inherently evil.
She truly believes in protecting her people from the ugliness of the
world by taking away their free will.
For
the veteran actors, Streep is wasted; it's a role that doesn't
require such caliber. Bridges is perfectly cast, imbuing the Giver
with a world-weary wisdom, with hints of sarcastic humor. Thwaites is
adequately earnest in the role, as someone who's learning to experience
a spectrum of emotions.
Like
the other YA adaptations, “The Hunger Games” and
“Divergent," the provocative premise of “The Giver”
lends itself an interesting story. But with 94 minutes of running time, it would have benefited from additional scenes, showing a more detailed introduction to the new society rising from the ashes, segments of other unique rituals, the politics, instead of an extensive introduction narrative and rushing
through the third act with action towards a rather abrupt ending.
What stand out the most are the montages of memories, stunning in living color. The diversity of experiences of people of all colors and races. The manners of individuality and self-expressions through history, culture, art and music.
What stand out the most are the montages of memories, stunning in living color. The diversity of experiences of people of all colors and races. The manners of individuality and self-expressions through history, culture, art and music.
Being
alive means having the freedom to choose and experience all life has
to offer. The good, the bad, the ugly. After all, if you can't
feel, what's the point of living?
Labels:
2014
Friday, August 15, 2014
Upcoming Movies: November 2014
[Originally posted on 11/05/14]
November 7
"Intertstellar" (https://interstellar.withgoogle.com) - A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
"Big Hero 6" (http://movies.disney.com/big-hero-6/) - The special bond that develops between plus-sized inflatable robot Baymax, and prodigy Hiro Hamada, who team up with a group of friends to form a band of high-tech heroes.
November 14
"Beyond the Lights" - A talented young musician on the brink of super stardom struggles with the pressure of her new-found success.
"Dumb and Dumber" (http://www.dumblr.com) - 20 years after the dimwits set out on their first adventure, they head out in search of one of their long lost children in the hope of gaining a new kidney.
November 21
"The Hunger Games: Mockingjay - Part I" (http://www.thehungergamesexclusive.com) - Katniss Everdeen is in District 13 after she shatters the games forever. Under the leadership of President Coin and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta and a nation moved by her courage.
"The Imitation Game" (http://theimitationgamemovie.com) - English mathematician and logician, Alan Turing, helps crack the Enigma code during World War II.
November 28
"Horrible Bosses 2" (http://horriblebosses2.com) - Dale, Kurt and Nick decide to start their own business but things don't go as planned because of a slick investor, prompting the trio to pull off a harebrained and misguided kidnapping scheme.
"Penguins of Madagascar" (http://madagascar.dreamworks.com) - Discover the secrets of the greatest and most hilarious covert birds in the global espionage biz: Skipper, Kowalski, Rico and Private. These elitists join forces with a chic undercover organization, The North Wind, led by husky Agent Classified to stop the villainous Dr. Octavius Brine from destroying the world.
Labels:
2014,
Movies Schedule
Thursday, August 14, 2014
"Big Hero 6"
[Originally posted on 11/16/14]
I want my own Baymax... Inflatable, huggable and adorable, the marshmallow-like personal health care robot is absolutely freakin' hilarious! The way 'he' moves, reacts or responds is designed for maximum outloud laughs. The hybrid metropolis of San Franskoyo is superbly constructed and panoramic view spectacular. While "Big Hero 6" deals with themes of technology and creativity, loss and grief, friendships and teamwork, revenge and sacrifice, the sci-fi element and action-packed nature make this Disney-Marvel superhero animation super thrilling.
DVD: http://tinyurl.com/mssn7yd
Labels:
2014
Sunday, August 10, 2014
"The Judge"
[Originally posted on 10/18/14]
It's hard to remember Robert Downey, Jr. (“The Avengers”) before Iron Man or Sherlock Holmes. But “The Judge” shows that the charisma carries over and he really does drama well.
When a top Chicago lawyer (Downey) goes back to his hometown in rural Indiana for his mother's funeral, he finds himself defending his irascible father (Robert Duvall), a longtime judge facing a murder trial.
The movie tries to be everything; drama, thriller, comedy, romance with too many players. Although I wished it to be more of a legal thriller (anyone misses the heyday of John Grisham?), it's at its strongest as (and mostly is) a dysfunctional family drama. Once a fact about the judge is revealed, the story becomes predictable, yet, the way it's structured and acted makes it suspenseful still.
Duvall and Downey made the film, showcasing their father-and-son relationship from estranged to emotional and bonding. Go for the acting!
DVD: http://tinyurl.com/pq8lt2b
Labels:
2014
Sunday, August 3, 2014
Comic-Con 2014: Feature Film Highlights
[For preview night, please click here.
For coverage from previous years, click here]
Paramount Studios sneaked in brief presentations: “The SpongeBob Movie: Sponge Out of Water” and time-travel flicks, “Project Almanac” and “Hot Tub Machine 2. It was a rush hour stretched with larger blocks for “Teenage Mutant Ninja Turtles” and “Interstellar.”
“Teenage Mutant Ninja Turtles” (August 8, 2014)
In attendance: creator Kevin Eastman, director Jonathan Liebsman, producers Andrew Form and Brad Fuller, stars Megan Fox and Will Arnett
“Hitman: Agent 47” (February 27, 2015)
In attendance: stars Zachary Quinto and Hannah Ware
Among things they were able to say, Ware's character is searching for someone and Quinto's character presents himself as someone who could help her. There's certainly more than meets the eye, such as there's a femme fatale quality and heightened awareness of survival to Ware's character. This was her first action movie and the physicality was a good challenge, in which Quinto taught her the ropes. Stunts include being tied up and suspended by a rope and close-range gun shootings. Quinto said that there's a scale, style and scope to the movie, but it also tried to be rooted in characters and the dynamic of those relationships. Both commented that shooting on locations (Berlin, South Africa, Singapore) was a plus and helped bringing a real sense of place to the story, as opposed as pretending to be in other cities.
“Kingsman: The Secret Service” (October 24, 2014)
In attendance: co-creators Mark Millar and Dave Gibbons, stars Colin Firth, Samuel L. Jackson, Taron Egerton, Sophie Cookson and Sophie Boutella
***
20thCentury Fox also came out with a Latin-inspired animation, “The Book of Life,”a panel attended by director Jorge Gutierrez, producer Guillermo Del Toro, voice actors Christina Applegate, Ron Perlman, Samuel L. Jackson and Channing Tatum. The relatively calm press conference was in contrast with the lively fan experience in Hall H. In Hall H, rapper Biz Markie showed up, took the mic and sang “Just a Friend.” Each member of the panel rose from the seats and danced along.
The best party of the year arrived and it was one that fans
wish would end just a little longer. After so many years of Hall H (which now
arguably stands more for 'hassles'), where major films are featured, I chose a
different route last
year, alternating between the hall's mass-hysteria with subdued press
conferences (Marvel's “Captain
America: The Winter Soldier” and “Guardians of the Galaxy”) and relaxed,
artsy panels. Among stars attended include Chris Evans, Scarlett Johansson,
Chris Pratt, Zoe Saldana, Harrison Ford, Shailene Woodley, Theo James, Samuel
L. Jackson, and many others.
This year I did a similar approach and it was proven to be
leisurely enjoyable. As always, there are too many panels running concurrently,
public and press events alike, so I had to make a decision to pick some and
declined the rest.
***
Here are some of the most memorable highlights: (please note that TV coverage will be in a separate article later)
“Penguins of Madagascar” (November 26, 2014)
In attendance: co-directors Eric Dornell, Simon J. Smith and
Tom McGrath, voice actors John Malkovich and Benedict Cumberbatch
Dreamworks Animation booked an overlong (for animation) hour
and half slot of its animations, “Home, “Boo" and “Penguins of
Madagascar," with the latter being the most notable panel.
Benedict Cumberbatch made his very first trek ever to
Comic-Con, stomping for, of all things, an animation. While the movie offered
plenty of laughter, it's clear that most of the audience were enthusiastic for
Cumberbatch. Cumberbatch was attracted to the project because he wanted to do
something different and this made him laugh. He joked about working undercover
as a wolf in the Yellowstone National Park to prepare for the role, and then he
realized the other two wolves were Christian Bale and Daniel Day- Lewis. Here
he plays a smooth-talking wolf who recruits the penguins to get information and
are on the run from John Malkovich's geneticist-octopus. This action-packed
animation takes what typically are sidekicks, penguins, make them cool, and
have them involved in spy adventures across the globe.
***
“The Giver” (August 15, 2014)
In attendance: author Lois Lowry, producer Nikki Silver,
actors Jeff Bridges, Brenton Thwaites and Odeya Rush
Fans of YA dystopian movies," Divergent”
and “The
Hunger Games"), may find a welcome addition in “The Giver.” Based on a
book written by Lois Lowry, the story tells a future society without free will
or emotions. A society built after the ruins that is governed with an iron-fist
precision – no inequality, no winner or loser. Every morning people take their
morning injections, which suppresses their emotions. When an intelligent and
courageous teenage boy receives memories of the past and the real world, he
realizes that there's something more to life, and being human. He stands up for
what he believes in and it makes him a target. There's a struggle between the
political leader and spiritual leader about what is right and how to protect
children from suffering.
Lowry was asked about a change in the characters' ages, from
12 in the book to 16 in the movie, but she didn't see a problem with it. She
mentioned the similarity in traits; young, curious and intelligent.
Jeff Bridges wanted to bring in the story to the big screen
for nearly two decades and direct his own father to play the giver, but he's
always stuck in the financing stage due to the controversies surrounding the
story.
The movie promises montages of memories, an emotion-filled
experience of what it means to be alive. There's richness that arises out of
pain as humans, such as art, music, literature.
***
Paramount Studios sneaked in brief presentations: “The SpongeBob Movie: Sponge Out of Water” and time-travel flicks, “Project Almanac” and “Hot Tub Machine 2. It was a rush hour stretched with larger blocks for “Teenage Mutant Ninja Turtles” and “Interstellar.”
Aside from the panels, a fanfare of the day was The Rock.
Dwayne Johnson walked through the aisles, rock star style, amidst blaring rock
music and blazing fire onscreen, promoting “Hercules,” which opened last week.
He bought three theaters and was going to tweet at 5 p.m. that day to invite
fans to watch the movie, first-come first-served, free of charge. With people
cheering and leaping to their feet, whipping out smartphones and cameras, it's
a clever move to generate buzz and boost showing.
***
“Teenage Mutant Ninja Turtles” (August 8, 2014)
In attendance: creator Kevin Eastman, director Jonathan Liebsman, producers Andrew Form and Brad Fuller, stars Megan Fox and Will Arnett
No one could have expected the success and staying power of
these 30-year “heroes in a half shell.” The audience saw black-and-white
sketches, photos and clips from its early years before TMNT became mainstream.
An extended reel showed hostage-taking, storming and release
taken place in an underground subway station. Megan Fox' reporter character
gets in over her head when she discovers the identity of these heroes and meets
their rat leader. The final footage showed nonstop action with a truck
careening out of control and sliding down snow mountains. There's a lot more
cheese here than the standard superhero fare.
***
“Interstellar”(November 7, 2014)
In attendance: director Christopher Nolan, star Matthew
McConaughey
The most anticipated sci-fi film of the year got the biggest
applause of the day with surprise appearances from its visionary director,
Christopher Nolan (“Batman"
trilogy,” “Inception”)
and newly crowned Academy Award winner, Matthew McConaughey.
McConaughey took center stage first (and yes, he
delightfully quipped, “Alright, alright, alright,” after some cajoling from
fans), starting off with the story on how he became involved with the film. He
flew in to meet with Christopher Nolan for three hours and talked about
everything except the movie. He was eventually offered the role.
McConaughey divulged further details. In the story, he's a
former pilot and engineer, and a widow with two kids, living in a society in a
sustainable mode. The society is functioning with food and clean water, but
finds no need for bright ideas. There's no place for a pilot or engineer. Then
something happens and he finds himself taking part in the greatest mission
mankind has ever taken and has to leave his children behind. He professed that
Nolan was an original director and this was one of the most absorbing films and
Nolan's most ambitious project. Yet things moved really fast, takes, for
instance, often took 2-3, as opposed to 30-40.
Asked what else he could share about the movie, McConaughey
refused, but proceeded to introduce someone else who could do it better, and in
walked Nolan himself. He had heard so much about Comic-Con and wanted to see
what the fuss was all about. He thanked fans for supporting all his previous
movies. He humbly remarked that a movie wasn't finished until it's dissected by
fans. The crowd lapped it up.
Nolan said that the highest ambition of children of his
generation was to become astronauts and he gained inspiration from it. Even
with incredible technological changes, he's known as a practical filmmaker,
eschewing 3-D for his films. In this space movie, he put in innovative
techniques, making things as realistic as possible for the actors, while taking
the audience for a ride, a journey through the stars.
Starred by Oscar winners, the film has been shrouded in
mystery from the get-go. Even after an extended trailer was played, which
includes a narrative on love through time and space, it remains cryptic. Nolan
added that the film touched on what makes us human and why we explore space in
the first place. One thing is for sure, whatever's mystery is left, it would be
a stellar surprise.
***
From 20th Century Fox press conferences: (each
press conference was short, so I also attended Hall H partially afterwards)
“The Maze Runner” (September 19, 2014)
In attendance: author James Dashner, director Wes Ball,
actors Dylan O'Brien, Will Poulter, Kaya Scodelario
Another YA adaptation, I first became aware of “The Maze
Runner” at WonderCon
this spring. A teenage boy wakes up without memories of his past or outside
world. Along with other boys, he's doesn't know who and where he is, and why
they're trapped in a menacing maze. He must piece together clues in order to
discover his true purpose, survive and escape. The trailer showed a glimpse of
the terrifying Grievers, whose look was inspired by “Jurassic Park” and “Alien.”
With the popularity of YA movies these days, the filmmakers
weren't afraid that this would get lost in the maze (no pun intended). James
Dashner gave thumbs up for the finished product and said that it's true to the
vision of his novel. The concept would stand on its own; kids working together
to survive in a new society, brotherhood, along with ballsy, wall-to-wall
action. The panel was proud of how unique and original the movie was. Assuming
the movie does well, they're hoping to move forward with the sequel, “The
Scorch Trials" (seen with a concept art at the end of the presentation).
***
“Hitman: Agent 47” (February 27, 2015)
In attendance: stars Zachary Quinto and Hannah Ware
Rupert Friend, who plays Agent 47, was not present due to a
conflicting filming schedule, but Zachary Quinto and Hannah Ware actively
addressed questions. Although since the filmmakers would like to keep things
under wrap, they had to stop themselves in occasions from revealing too much.
Among things they were able to say, Ware's character is searching for someone and Quinto's character presents himself as someone who could help her. There's certainly more than meets the eye, such as there's a femme fatale quality and heightened awareness of survival to Ware's character. This was her first action movie and the physicality was a good challenge, in which Quinto taught her the ropes. Stunts include being tied up and suspended by a rope and close-range gun shootings. Quinto said that there's a scale, style and scope to the movie, but it also tried to be rooted in characters and the dynamic of those relationships. Both commented that shooting on locations (Berlin, South Africa, Singapore) was a plus and helped bringing a real sense of place to the story, as opposed as pretending to be in other cities.
The exclusive footage featured a cool interrogating scene,
where agent 47, stronger and faster than normal human beings, swiftly flips a
table, turns around a sniper rifle aimed at him and has the bullet breaking the
glass wall, releases himself from the handcuff and disarms the interrogator.
Based on a video game, the movie is visually sleek and looks thrilling.
***
“Kingsman: The Secret Service” (October 24, 2014)
In attendance: co-creators Mark Millar and Dave Gibbons, stars Colin Firth, Samuel L. Jackson, Taron Egerton, Sophie Cookson and Sophie Boutella
Based on a comic-book series by Mark Millar, “Kingsman: The
Secret Service” is a love letter to spy movies, stepping into an era we grew up
in, stuff we love when we were kids, with manifestations of all things spy,
including James Bond and the Avengers. It tells a story about a secret super
spy agency that recruits street kids into its competitive training program.
Samuel Jackson signed on because he always wanted to be in a
Bond movie. Colin Firth was drawn into the film because it's something he'd
like to do for a long time, like stepping into the shoes of the people who were
your heroes growing up. He said it's his chance to be in a movie he spent all
day watching as a kid. He further said that he had never done something as
physical as this before and that the training was extraordinary. It's intense
and unfamiliar, but incredibly gratifying. Firth was an unexpected choice
because he's the last person people would expect to kick anyone's ass. There's
an elegance to a British spy gentleman, which Firth would play believably.
Firth gave high marks for his young co-star, Taron Egerton. As a mentor in the
movie, he actually learned a lot from Egerton.
“Kingsman: The Secret Service” has a unique style, sharp and
stylized. The first footage showed a massacre taken place in a snowy mountain
cabin, surrounding a man tied up in a chair. A man cleanly cut in half and a
killer with blade feet were standout scenes. The second depicted Firth's character's
expert skill, nonchalantly taking down a group of bullies in a bar, using his
umbrella, beer mug and dart, and then sitting back to sip the rest of his drink
and converse with the young prospect recruit in front of him.
***
20thCentury Fox also came out with a Latin-inspired animation, “The Book of Life,”a panel attended by director Jorge Gutierrez, producer Guillermo Del Toro, voice actors Christina Applegate, Ron Perlman, Samuel L. Jackson and Channing Tatum. The relatively calm press conference was in contrast with the lively fan experience in Hall H. In Hall H, rapper Biz Markie showed up, took the mic and sang “Just a Friend.” Each member of the panel rose from the seats and danced along.
***
Other buzzes coming out of Comic-Con this year are DC's
“Batman vs. Superman:
Dawn of Justice” and Marvel's “The Avengers:
Age of Ultron.”
The former showed a teaser trailer with Batman in a battle
armor with eyes glowing white and red-eyed Superman hovering over a lit-up Bat
signal. DC also offered a first-look of Wonder Woman in a sleek costume,
standing against a fiery landscape, bronzed and ready for battle.
The latter served up a startling footage, which begins with
a lighthearted scene with the Avengers gathering to see who's able to lift
Thor's hammer and then fights with Ultron minions, and ends on an alarming
note, a cracked shield of Captain America and Iron Man standing over strewn
bodies of his cohorts. There's also an unveiling of the most talked-about
poster, an eight-parter, each is a part of the larger poster of the Avengers'
war against Ultron.
***
In addition to feature films, I caught a couple of TV pilots
premiering this fall,“The Flash” and “Gotham,” and attended the biggest panel
in history, with Stephen Amell, star of “Arrow”
as MC. DC Entertainment pulled all the stop as the last hoorah, as the
convention was winding down on Saturday evening. It's an unprecedented night of
entertainment attended by 33 panelists from shows "Arrow," “The Flash,”
“Gotham” and “Constantine.” More on “The Flash” and “Gotham,” coming up in another article.
As I was about to leave the press section, Amell and Emily
Bett Rickards (“Arrow”) were also leaving the stage. The journalist standing
next to me called out Amell's name; Amell extended his hand,
reached down and gave us 'high-five' as he was exiting.
***
The exhibit halls displayed a plethora of exhibits. Visitors
saw Batman's capes and cowls, and costumes from different eras, masks of
villains the Joker, Scarecrow and Bane. Marvel showcased agent Phil Coulson's
flying red car from “Agents of S.H.I.E.L.D” and the space pod from “Guardians
of the Galaxy.”
Oculus Rift, a virtual reality experience, debuted this
year. “X-Men” came in with the premise of Professor X looking for mutants at
Comic-Con. “Pacific Rim” offered a simulation of piloting a Jaeger. “Into the
Storm” promised an immersive experience of being closed in by an approaching
storm, which includes wind blowing inside the booth. I tried both “X-Men” and
“Into the Storm.” While it isn't anywhere close to rival any 3-D rides at amusement
parks, I'd imagine it offers a different level of experience than playing video
games at home.
With family in town from overseas, I ended up spending more
time outside, viewing outer exhibits, which was a whole experience on its own.
A variety of activities were available this year, both interactive and for
promotional purposes. “The Assassin's Creed” laid out a parkour obstacle course.
Pizza Hut partnered up with “Teenage Mutant Ninja Turtles” and brought in
12-foot tall pizza thrower. Fans of “24” were treated to a drones-flying
experience. And for the more daring ones, one could zip line across the
Godzilla cityscape. “Sin City: A Dame to Kill for” showcased rows of cars used in
the movie against the backdrop of the fantasy city skyline. Across town Playboy
teamed up with “Bates Motel” and hosted one of the hottest parties in town.
As always, Comic-Con was an unparalled experience. No other
city went all out for pop culture like San Diego does. Looking forward to an
epic 2015!
http://www.sdentertainer.com/arts/comic-con-2014-feature-film-highlights/
[click to enlarge pictures]
[click to enlarge pictures]
Labels:
2014,
Comic-Con,
Special Notes
Friday, August 1, 2014
Upcoming Movies: October 2014
[Originally posted on 10/01/14]
October 3
"Gone Girl" (http://www.gonegirlmovie.com) - With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
"The Good Lie" (http://www.thegoodliemovie.com) - Sudanese refugees given the chance to resettle in America arrive in Kansas, where their encounter with employment agency counselor forever changes all of their lives.
October 10
"The Judge" (http://thejudgemovie.com) - A big city lawyer returns to his childhood home where his father, the town's judge, is suspected of murder. He sets out to discover the truth and, along the way, reconnects with his estranged family.
"Kill the Messenger" (http://www.focusfeatures.com/kill_the_messenger/) - A reporter becomes the target of a vicious smear campaign that drives him to the point of suicide after he exposes the CIA's role in arming Contra rebels in Nicaragua and importing cocaine into California. Based on the true story of journalist Gary Webb.
October 17
"Fury" - April 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines. Out-numbered, out-gunned, and with a rookie soldier thrust into their platoon, they face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
"The Best of Me" - A pair of former high school sweethearts reunite after many years when they return to visit their small hometown.
October 24
"John Wick" - When Russian mobsters kill his beloved dog, a retired hit man returns to the game he played best and brings bloody vengeance with him.
"White Bird in a Blizzard" (http://www.magpictures.com/whitebirdinablizzard/) - In 1988, a teenage girl's life is thrown into chaos when her mother disappears.
October 31
"Nightcrawler" - A young man stumbles upon the underground world of L.A. freelance crime journalism.
"Before I Go to Sleep" - A woman wakes up every day, remembering nothing as a result of a traumatic accident in her past. One day, new terrifying truths emerge that force her to question everyone around her.
Labels:
2014,
Movies Schedule
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