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Wednesday, January 30, 2013

Upcoming Movies: February 2013

February 1
"Bullet to the Head" (http://bullettothehead.warnerbros.com/) - After watching their respective partners die, a cop and a hitman form an alliance in order to bring down their common enemy.

February 8
"Side Effects" - A woman turns to prescription medication as a way of handling her anxiety concerning her husband's upcoming release from prison.

February 15
"A Good Day to Die Hard" (http://www.diehardmovie.com/) - John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working to prevent a nuclear-weapons heist, causing the father and son to team up against underworld forces.

"Safe Haven" - A young woman with a mysterious past lands in Southport, North Carolina where her bond with a widower forces her to confront the dark secret that haunts her.

February 22
"Snitch" (http://www.snitch-movie.com/) - A father goes undercover for the DEA in order to free his son who was imprisoned after being set up in drug deal.

Sunday, January 27, 2013

"Gangster Squad"

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Nonstop gung-ho gun-blazing gangster actions.  Loosely based from real events, it goes for gloss than grit.  The stylized violence in Hollywood's golden era is done with glam and humor.  You'll easily root for the squad to rid of the mobsters' ops from the City of Angels.  Far more entertaining than it probably should be!

Saturday, January 19, 2013

"Zero Dark Thirty"

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Fresh off her win at the Academy Awards a few years ago, Kathryn Bigelow teamed up again with Mark Boal to produce "Zero Dark Thirty," chronicling a decade worth of intelligence efforts that ended with the death of Osama bin Laden on May 6, 2011.

The film shows the controversial "enhanced interrogations" that involve degradation, humiliation and waterboarding, but also analytical research and mundane briefings, meeting up with foreign sources and following up on leads, as well as bribery when the situation calls for it. It also shows frustrations and failures that result in costly lives, as can be seen from actual news footage on TV.

"Maya" (Jessica Chastain) is a CIA analyst with a single-minded focus and relentless determination in zeroing on bin Laden. Her life is her work and her work is finding bin Laden. As far as acting goes, she's got better performances in "The Debt." There are moments here where she overemotes and her outburst feels like staged. Chastain is the center of the movie, with numerous interactions with Jason Clarke, Jennifer Ehle ("The King's Speech"), Mark Strong ("Green Lantern"), Kyle Chandler ("Argo").

The film does a good job in showing how risky it is to come up with the decision to storm the fortress. They evaluate options to obtain visual or audio confirmation first, such as using satellite pictures, taking photos from behind the trees, obtaining samples from the trash, sending a doctor in as part of a ruse. But in the end, none of the options would work, at least not without getting suspected and discovered. Aside from Maya's unflinching confidence about the exact whereabout of bin Laden, there is really no certainty; only a relatively strong probability.

"Zero Dark Thirty" is well-crafted, but it's very clinical. There's no character or plot development, background on the characters or side stories. Aside from rare fragments of tension, the first two-thirds of the film is, bluntly put, pretty boring. The last third picks up pace, starting with the discovery of the courier that leads to the compound that harbors bin Laden in the middle of the city in Pakistan.

While the film feels cold, it has a real sense of unpredictability and danger, without any glorification or glamorization. It's especially apparent in the stealth raid in the darkness of the night. From preparing themselves in the air and on the ground, these soldiers courageously risk their lives. They don't know what to expect when they walk into the compound. With no blaring music and actions seen through night goggle vision, the eerily quiet scenes look a lot less "Hollywood."

The final moment of bin Laden's life might have been met with a shot by a member of the SEAL Team Six, but a lot of blood, sweat and tears had been shed prior to the mission. "Zero Dark Thirty" doesn't offer anything extraordinary. But it's a reminder of and insight into the extraordinary efforts that went into capturing and killing the world's number one terrorist. The greatest manhunt in history was no single shot. It also brings a somber sense of closure to 9/11, even when the war on terror never ends.

Sunday, January 13, 2013

Golden Globes 2013

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The 70th Golden Globes aired and it's a great one filled with surprises. Compared to last year, the caliber of films competing for the awards certainly helped.

Tina Fey and Amy Poehler certainly weren't shy as hosts and darted off one arrow after another, picking on select nominees, as well as the Hollywood Foreign Press Association. At one point, they were holding glasses of liquor. I thought they struck the right balance by being entertaining but without being offensive.

"Ricky Gervais could not be here tonight because he is no longer technically in show business."

"When left untreated, HFPA (Hollywood Foreign Press Association) can lead to cervical cancer."

"When it comes to torture, I trust the lady (Kathryn Bigelow for "Zero Dark Thirty") who spent three years married to James Cameron."

"His (Ben Affleck) first two movies took place in Boston, but they moved this one to Iran because they wanted to film somewhere that was friendlier to outsiders."

"I have not seen someone so totally alone and abandoned like that since you (Anne Hathaway in "Les Miserables") were on stage with James Franco at the Oscars."

President Clinton, hilariously referred to as "Hilary Clinton's husband," made a special appearance and was an appropriate special guest presenting the "Lincoln" clip to the audience. Tony Mendez, real-life CIA operative that "Argo" was based on, introduced "Argo." Arnold Schwarzenegger read the winner of Best Foreign Language Film, "Amour," both from Austria.

Daniel Day-Lewis, as the incomparable Lincoln, took home Best Actor award as predicted. But Christoph Waltz was a surprise win as Best Supporting Actor and Quentin Tarantino for screenplay for "Django Unchained," bucking predictions that favored "Lincoln."

I was overjoyed that "Argo" reeled in the big catch of the night.  Ben Affleck, unfairly snubbed by the Academy for Best Director nomination, was anointed Best Director, and his "Argo" as Best Picture. He looked genuinely taken back by the victory and was very humble in his acceptance speech. It's simply wonderful to see that he got the recognition he so deserved. After seeing and reviewing many movies, and even though "Lincoln" may get the gold at the Oscars, I honestly still think "Argo" was the best film of 2012.

Adele was the inevitable winner for Best Original Song in "Skyfall." I was hoping for "Cloud Atlas" to get Best Score nod, but it went to "Life of Pi." With Scottish and scenery elements, Best Animated Feature fell on "Brave."

"Les Miserables" was the theater event of the year and a shoe-in for Best Picture under musical/comedy. Hugh Jackman and Anne Hathaway, the most talked about stars of the musical, claimed Best Actor and Best Supporting Actress, respectively.

Naomi Watts was robbed for Best Actress with her impossibly impressive performance in "The Impossible." The prize went to Jessica Chastain for "Zero Dark Thirty"; she was sincerely appreciative in her speech, tipping her hat off to Kathryn Bigelow (director of "Zero Dark Thirty"), an expert filmmaker who goes against conventional wisdom and inspires women. Jennifer Lawrence as a grown-up in the "Silver Linings Playbook" not surprisingly was selected as Best Actress in the musical/comedy category, giddily mentioned that she beat Meryl Streep.

Jodie Foster received the Cecil B. DeMille Lifetime Achievement Award. She had a lengthy rambling with some touching and funny moments, having been in the movie business since she was a toddler, proudly being 50 years old and "coming out."

And the winners are...

Best Motion Picture - Drama
Winner: Argo

Best Performance by an Actor in a Motion Picture - Drama
Winner: Daniel Day-Lewis for Lincoln

Best Performance by an Actress in a Motion Picture - Drama
Winner: Jessica Chastain for Zero Dark Thirty

Best Motion Picture - Musical or Comedy
Winner: Les Misérables

Best Performance by an Actor in a Motion Picture - Musical or Comedy
Winner: Hugh Jackman for Les Misérables

Best Director - Motion Picture
Winner: Ben Affleck for Argo

Best Animated Film
Winner: Brave

Best Screenplay - Motion Picture
Winner: Django Unchained - Quentin Tarantino

Best Performance by an Actress in a Supporting Role in a Motion Picture
Winner: Anne Hathaway for Les Misérables

Best Performance by an Actress in a Motion Picture - Musical or Comedy
Winner: Jennifer Lawrence for Silver Linings Playbook

Best Original Song - Motion Picture
Winner: Skyfall - Adele, Paul Epworth (Skyfall)

Best Original Score - Motion Picture
Winner: Life of Pi - Mychael Danna

Best Performance by an Actor in a Supporting Role in a Motion Picture
Winner: Christoph Waltz for Django Unchained

For a complete list of the winners, please check out the official website.

Stay tuned for the Oscars!

http://www.sdentertainer.com/arts/reviews-arts/golden-globes-2013-recap-and-winners/

Golden Globes 2013 Predictions

Best Picture (Drama) - "Argo" should win, but "Lincoln" may likely win
Best Picture (Comedy/Musical) - "Les Miserables"
Best Animated Feature - "Wreck-It Ralph" should win, but "Brave" may likely win
Best Director - Ben Affleck ("Argo") should win, but Steven Spielberg ("Lincoln") may likely win

Best Actor (Drama) - Daniel Day-Lewis, "Lincoln"
Best Actress (Drama) - Naomi Watts, "The Impossible"
Best Actor (Comedy/Musical) - Hugh Jackman, Les Miserables
Best Actress (Comedy/Musical) - Jennifer Lawrence, Silver Linings Playbook
Best Supporting Actor - Tommy Lee-Jones, "Lincoln"
Best Supporting Actress - Anne Hathaway, "Les Miserables"

Best Screenplay - "Argo" should win, but "Lincoln" may likely win


Best Score - "Cloud Atlas" should win, but "Anna Karenina" may likely win
Best Original Score - Adelle ("Skyfall")

The 2013 Golden Globes is tonight, January 13!

Thursday, January 10, 2013

"The Impossible"

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Over 230,000 lives lost in 14 countries.  This is a survival story of one family during the 2004 tsunami. 

Based on a true story, "The Impossible" recounts an unbelievable tale of survival of Enrique Alvarez (Ewan McGregor, "Haywire," "PerfectSense"), Maria Belon (Naomi Watts), and their three young sons, Lucas (Tom Holland), Thomas (Samuel Joslin), Simon (Oaklee Pendergast).  Only Enrique's name is changed to Henry; everyone in the family uses the real names. 

The film will grab you from the start.  Even as the family's vacation in Thailand begins on a relaxing note, seeing them and all those happy people in a tropical paradise, I couldn't help feeling knots in my stomach.  Nobody could have predicted the horror and suffering that would await them.  It makes the little family quibbles poignant and lantern release on the beach even more ethereal.

Within moments of impact, the monstrous tidal waves engulf and steamroll everything and everyone in its path.  And the aftermath, unimaginable.  The wounded and the dead, and miles and miles of destruction and desolation.  The wrath of nature is re-created so masterfully by filmmaker Juan Antonio Bayona that it feels like a documentary. 

Maria and Lucas quickly find each other, and cling to a tree until getting dragged to safety, but not until they have to figure out what to do when they hear cries of a trapped toddler.  It's visceral filmmaking at its finest.  It's excruciating to witness human beings drowning, getting tossed, turned, hit, poked and punctured.  The aftermath really shows how dangerous and frightening to get swept away among downed trees, power lines, cars, boats, sharp debris and anything in between could be.  With his mom sustaining life-threatening injuries, Lucas is forced to be the grown-up one.  Not knowing that his father and younger brothers survive, feeling overwhelmingly scared and alone, he proves himself to be such an incredibly strong and brave boy.  The rest of the story tells about the rest of the family's survival and their finding their way back to one another.  

Watts deserves every praise that comes her way for her acting.  I really feel her utter terror, pain, agony, sadness and hopelessness.  Physically and emotionally, she reeks death and despair, but still exhibits strength and spirit.  McGregor's performance, with less screentime than Watts, is heartfelt, as a wrecked husband and father.  The child actors are adorable, but Holland is exceptional.  Mature beyond his years, he equally carries the film with Watts.  He and Watts have a genuine mother-son connection.   

"The Impossible" is a real tear-jerker.  It's impossibly gut-wrenching, and often times, difficult to watch.  At the same time, it's also uplifting and healing to see resilience, kindness and love of families and community coming together and helping one another.  Miracles do happen and "The Impossible" is an example of that.




Saturday, January 5, 2013

Upcoming Movies: January 2013

January 4
"A Dark Truth" - A former CIA operative turned political talk show host is hired by a corporate whistle blower to expose her company's cover-up of a massacre in a South American village.

January 11
"Gangster Squad" (http://gangstersquad.warnerbros.com/) - A chronicle of the LAPD's fight to keep East Coast Mafia types out of Los Angeles in the 1940s and 50s.

January 18
"Broken City" (http://www.brokencitymovie.com/) - An ex-cop trailing the wife of New York City's mayor finds himself immersed in a larger scandal.

January 25
"Hansel and Gretel with Witch Hunters" (http://www.hanselandgretelmovie.com/) - In this dark spin on the fairy tale, siblings Hansel and Gretel are a formidable team of bounty hunters who track and kill witches all over the world.

Sunday, December 30, 2012

"Les Miserables"

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Directed by Tom Hooper ("The King's Speech"), "Les Miserables" tells a story about a man, Jean Valjean (Hugh Jackman, "X-Men Origins: Wolverine"), who is imprisoned for stealing a loaf of bread to feed his sister's child, gets freed after 19 years, but breaks parole and continues to be on the run from a relentless inspector, Javert (Russell Crowe, "The Next Three Days"). He makes an honest and respectable life for himself after a kind gesture from a priest gives him a chance to turn his life around.

Jean's run-in with a poor factory worker turned dying prostitute, Fantine (Anna Hathaway, "The Dark Knight Rises"), affects her life considerably, and he eventually becomes a protector of her daughter, Cosette (Isabelle Allen). The story extends through the years with Cosette (Amanda Seyfried, "Letters to Juliet"), now grown-up, and is experiencing her first love with a young man, Marius (Eddie Redmayne, "My Week with Marilyn"), during the turbulent post-revolutionary times in France.

It feels awkward at first when the first song is sung when it's supposed to be a dialogue, but soon it becomes almost organic. There are solitary, haunting scenes that will stay in your mind. Jackman is a seasoned stage actor and it shows, but Crowe is surprisingly impressive. Hathaway's performance is all-encompassingly heartrending. Redmayne and Seyfried give a fine performance, but Samantha Barks as impassioned Eponine, the third wheel between the star-crossed lovers, is a revealation. She emerges as the breakout performer. Aaron Tveit memorably takes on the task of being a co-leader of the rebellion, and along with a brave child, (Daniel Huttlestone), become the face of the failed uprising. Sacha Baron Cohen ("Hugo") and Helena Bonham Carter ("The King's Speech"), as a couple owning a brothel, provide a welcome respite in the grim tale. All the actors sing their hearts out (live!) and pour their souls into their performance, including all the supporting players and extras.

A spectacular musical adaptation, "Les Miserables" is a mind-boggling production. One could only imagine the herculean efforts that go into this kind of undertaking. Hooper struck gold with "The King's Speech" two years ago. Not surprisingly, this is also one of those period films that gets mentioned by the awards circuit. With over 2.5 hours, it's overlong and may test one's patience, especially those who are not into Broadway shows or musicals, but it's definitely worth seeing on the big screen.

DVD (blu-ray): http://tinyurl.com/ajmswg4




Tuesday, December 25, 2012

"Jack Reacher"

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Adapted from Lee Child's best-selling books, Jack Reacher (Tom Cruise, "Mission Impossible: Ghost Protocol") is a former military investigator who has disappeared without a trace.  He only comes back to society only when he feels he's needed, to right wrongs or makes sure that justice is served.

Directed by Christopher McQuarrie, the film opens with an incredibly chilling sequence of sniper attack, even more disturbing in light of the recent tragedy in Newton.  The sequence is effectively shot, using the sniper's vantage point, with the rifle moving back and forth, randomly selecting its victims.  The police (David Oyelowo), predictably catches the wrong guy, James Barr (Joseph Sikora), and Reacher shows up.

Working with a defense lawyer, Helen (Rosamund Pike) with a frayed relationship with her District Attorney father (Richard Jenkins), Reacher reviews evidences, questions misinterpreted conclusions or overlooked connections.  Aside from learning the background of the suspected shooter and victims, a parking meter quarter, bar fight, auto parts store, house trap become the keys in uncovering a conspiracy.  

In Child's books, Reacher is supposed to be this hulking, 6'5" physically imposing guy.  While Cruise certainly doesn't fit the physical description, he surprisingly nails the role. On the brawn side, he fights convincingly.  On the brain aspect, he brings out the character's cool confidence (or smugness, depending on how you see it), competence, intellect, not to mention charismatic presence.  Cruise and Pike have great chemistry, although romance is kept at bay here. Robert Duvall makes quite an impression as a gun range owner.  Werner Herzog and Jai Courtney complete the supporting cast as creepy and cold-blooded bad guys.

Judging from the trailer, "Jack Reacher" may be mistaken for an action flick.  It's more like a crime thriller with a few action sequences.  While the story loses steam towards the end and the conspiracy may not be as big as one might have conjured up, it is one engaging movie.  A story-driven one with a strong and interesting protagonist, it's actually most enthralling during the investigative process in which Reacher piecing together clues.  Not only that, it is unexpectedly funny, with a lot of situational, perfectly timed comical one-liners.

The holiday season has no shortage of movie selections, including those accumulating accolades and gearing up for the primary award shows come January and February 2013.  If you're looking for an alternative flick over the holidays other than vampires, hobbits, musical or history lessons, "Jack Reacher" is a solid, whodunit mystery that will keep you entertained.

Sunday, December 23, 2012

2012 Movies: Year in Review

182 movies, under 7 minutes.  Happy Holidays and Happy New Year!

Sunday, December 16, 2012

"Lincoln"

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Long, laborious... yet fascinating. 

Irish-born and British actor Daniel Day-Lewis disappears and becomes a real, living, breathing Lincoln.  He truly captures the most beloved and storied American political figure, down  to the hunched posture, slight limp of gait, war-weary eyes, high-pitched voice, sunken cheeks and chin-strap beard. 

A skilled statesman and good man, Lincoln leads the country, divided by years of civil war and dark period of slavery.  He does what's necessary for the greater good - negotiating, persuading, cajoling, compromising, convincing, biding time, trading favors, bribing. 
It's one thing to read books, it's another to see history unfold onscreen.  It's almost unfathomable that there was a time in the history of this great nation where people believed that not all was created equal, that equality was merely in the eyes of the law, and progression, such as the rights to vote for certain segments of the population and women's rights, was feared and opposed. 

Day-Lewis is supported by heavy-hitters; David Strathrairn, James Spader, Tommy Lee Jones, Jackie Earle Haley, Hal Holbrook, among others.  His most powerful, emotional scenes, however, appear in individual moments with his patriotic son, Robert (Joseph Gordon-Levitt, "The Dark Knight Rises") and unstable wife, Mary (Sally Field, "The Amazing Spider Man"), over Robert's wish to join the army and the loss of their first-born son in the war. 

Authentic look into life in the late 18th century is accurately depicted through cinematography, set design, lighting, costume and makeup.  From dimly-lit and smoke-filled rooms, horse-drawn carriages and dirt-covered roads, to the stovepipe hats, boots, gloves and hoop skirts.  Two striking scenes come to mind.  One when Lincoln quietly stands by the window with his younger son, knowing that the 13th Amendment has been passed, in contrast with the cacophony on the voting floor.  And when a shell-shocked Robert Lincoln sees what war really does to soldiers; the ghastly find actually compels him even more to enlist.

Weighed by heavy dialogue, "Lincoln" may not be easy to digest, but with sustained attention, you'll get the essence.  Director Steven Spielberg picks the right moments to tell.  "Lincoln" is not a biography, but a window into the most historic time in the life of  the 16th President of the United States. 

"Lincoln" is a revealing window of the backroom political deals that go into the process of the abolition of slavery and uniting of the nation, as well as Lincoln's own personal relationships with his family.  When it boils down to it, this is Day-Lewis' picture; he's perfection.  Like Colin Firth before him in 2010's historical drama "The King's Speech," it wouldn't be a surprise if he nabs an acting nod for his presidential performance comes awards time.

Sunday, December 2, 2012

"Life of Pi"

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Based on a novel written by Yann Martel and directed by Ang Lee, “Life of Pi” tells an unlikely, simple tale of an Indian boy stranded in the middle of the Pacific Ocean with a tiger.

As told by an older Pi Patel (Irrfan Khan) to a writer (Rafe Spall), the parable begins with Pi's lively childhood (Gautam Belur as a young child, Ayush Tandon as an early teen) in the French part of India, his relationship with his family who owns a zoo, and his growing interest in different kinds of religions.  One day Pi learns an honest lesson about the nature of animals in an encounter set by his father (Adil Hussain), which might just save his life later on.

Facing hard times, the family decides to sell the zoo, cross the Pacific ocean, and start a new life in Canada.  On one stormy night, raging seas sinks the ship, and as fate would have it, pushes teenage Pi (Suraj Sharma) into a lifeboat, along with several animals – zebra, orang utan, hynea, bengal tiger.  With a hungry tiger onboard, one could guess what would happen next. In order to survive, vegetarian Pi must find ways not only to feed himself, but also co-exist with a wild beast, and maintain his sanity.

Considering how the majority of the film is spent in the vast emptiness of the ocean, it's remarkable to see how natural the scenes flow and time flies.  Sharma is the heart and soul of  Pi, conveying the many facets of emotions, with no other human in sight.  “You don't know the strength of your faith until it has been tested."  And tested it has.  His survival depends on his faith, belief, hope, spirit to go on, endurance, and at some point, acceptance of what is and letting go.

The visuals and special effects are imaginatively exquisite.  Dreamlike imageries will linger in your mind.  The rough storms that wreck the ship and makeshift raft. A floating, stunned Pi underwater witnessing the capsized ship and all lives lost.  The glassy surface of the seas mirroring the sunset skies and clouds.  The crystal clear water giving glimpses of the rich marine life, aglow at nighttime against the backdrop of millions of shining stars. A glowing, jumping humpback whale and flying fishes.  The lush, mysterious meerkat-flooded islands.  A digitally rendered bengal tiger that is vividly real.

“Life of Pi,” filled by magical visuals, is an artistic achievement.  It's a fantasy fable, at the same time, somehow the story feels real and plausible.  It's a testament of its captivating storytelling and convincing acting.  When another story is revealed toward the end, the ending will let you choose which journey you'd like to believe.  Spiritual or realistic, or both - what you believe may possibly reveal more about yourself and your own belief. 

Saturday, December 1, 2012

Upcoming Movies: December 2012

[Note: I'm behind in movie reviews again; I was out of town for Thanksgiving and been out sick.  I was planning to review "Flight" but had to skip it due to lack of time. Highly recommended!  "Life of Pi" is next.  Lots of good movies coming up for the end of the year!]

December 7
"Hyde Park on Hudson" (http://focusfeatures.com/hyde_park_on_hudson) - The story of the love affair between FDR and his distant cousin in 1939 when the King and Queen of the United Kingdom visited upstate New York.

"Deadfall" (http://www.magpictures.com/deadfall/)- A thriller that follows two siblings who decide to fend for themselves in the wake of a botched casino heist, and their unlikely reunion during another family's Thanksgiving celebration.

December 14
"The Hobbit: An Unexpected Journey" (http://www.thehobbit.com/) - A curious Hobbit, Bilbo Baggins, journeys to the mountains with a vigorous group of Dwarves to reclaim a treasure stolen from them by a dragon.

"Save the Date" - A woman begins to confront her shortcomings after she rejects her boyfriend's hasty proposal and soon finds herself in a rebound romance. Meanwhile, her sister is immersed in the details of her wedding.

December 21 
"Zero Dark Thirty" (http://zerodarkthirty-movie.com/) - A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the 9/11 attacks, and his death at the hands of the Navy SEAL Team 6 in May 2011.

"Jack Reacher" (http://www.jackreachermovie.com/) - A homicide investigator digs deeper into a case involving a trained military sniper who shot five random victims.

"The Impossible" (http://theimpossible-movie.com/) - An account of a family caught, with tens of thousands of strangers, in the mayhem of one of the worst natural catastrophes of our time.

"On the Road" (http://www.ontheroad-themovie.com/?lang=en) - Young writer has his life shaken by the arrival of free-spirited soul and his girl. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.

December 28
"Django Unchained" (http://unchainedmovie.com/) - With the help of his mentor, a slave-turned-bounty hunter sets out to rescue his wife from a brutal Mississippi plantation owner.

"Les Miserables" (http://www.lesmiserablesfilm.com/) - In 19th-century France, Jean Valjean, who for decades has been hunted by a ruthless policeman after he breaks parole, agrees to care for a factory worker daughter, Cosette. The fateful decision changes their lives forever.


Thursday, November 15, 2012

"Skyfall"

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Directed by Sam Mendes, "Skyfall" marks 50 years of the most enduring icon in the world of espionage. Daniel Craig ("Cowboys & Aliens") returns as James Bond after four years of hiatus.

After all the flash and flair with Pierce Brosnan, it took a lot of adjustment to get used to Craig, but with "Skyfall," he has finally made the role into his own. A different kind of Bond, Craig gives a more intense and realistic feel to the character.

With a straightforward story concerning a stolen classified list of undercover agents embedded in terrorist cells around the world, the strength of “Skyfall” lies in the relationships. Bond's relationship with M (Judi Dench) is dynamic, touching on elements of duty, betrayal, trust and loyalty. Ben Whishaw (“Cloud Atlas”) makes an interesting Q as the youngest techie in history. Javier Bardem (Silva) is most entertaining as villain, deliriously ruthless and wicked. The Bond girl, Severine (Berenice Marlohe), is a disposable plot device connected to Shiva. The introduction of Ralph Fiennes (Gareth Mallory) and Naomie Harris (Eve) makes sense and leads to a nostalgic transition, smoothly giving way to a renewed chapter of James Bond.

When it comes to gadgets, less is more in “Skyfall.” But action-wise, it's pretty packed. Relentless street and rooftop pursuit on foot, cars and motorcycles. Hard-hitting fight atop a moving train. A derailed tube plunging underground. It all climaxes with Silva's army of men closing in on a trapped M, Bond, and the gamekeeper of his family estate, Kincade (Albert Finney), while the trio also set up traps on their own.

"Skyfall" is luminously filmed, making the most of aerial views of the locales, including closeup shots of the action, or standstill moments. Its use of light, shadow, water, fire and ice is artfully beautiful, especially surprising considering that it's an action flick. Shanghai and Scotland are particularly standouts, where fight manifests in shadows against glowing light and glass walls, or an old chateau set ablaze in the vastness of a remote field in the darkness of the night. The soundtrack by Adelle memorably compliments the scenes.

Compared to “Casino Royale” and “Quantum of Solace,” "Skyfall" is the most personal installment of the superspy franchise. It's back to basic and and the best one yet.

Sunday, November 11, 2012

250 Movies in 2.5 Minutes

Have 2.5 minutes?  Watch a mashup of 250 top movies of all time:

Sunday, November 4, 2012

"Cloud Atlas"

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“Our lives are not our own. From womb to tomb, we are bound to each other, past and present. And by each crime and every kindness, we birth our future.”

The word “epic” is often overused. “Cloud Atlas,” a global journey of lives through time and space, is the epitome of epic. Adapted from "unfilmable” novel by David Mitchell, the extraordinary efforts of the Wachowskis (“The Matrix”) and Tom Twyker embarked on possibly the most ambitious film ever made. Main characters (Tom Hanks, Halle Berry, Jim Sturgess, Doona Bae, Xun Zhou, David Gyasi, Ben Whishaw, James D'Arcy, Jim Broadbent, Susan Sarandon, Hugh Grant, Hugo Weaving) impressively embody multiple roles in different ages, races, gender and gender orientation spanning over 500 years.

Six storylines take place in 1849 Pacific Ocean, 1936 Cambridge and Edinburgh, 1973 San Francisco, 2012 London, 2144 Neo-Soul, 2321 post-apocalyptic Hawaii, creating a brilliant fusion of genres. Period drama, romance, thriller, comedy, action, sci-fi. In 1849, a young lawyer from a privileged background finds a slave stowaway in the ship. In 1936, an aspiring classical composer musters the guts to work with an elderly, temperamental maestro, while carrying a painful, private secret. In 1973, an investigative journalist risks her life to uncover a nuclear power leak conspiracy. In 2012, a publisher finds himself in a bind, on the run from debtors, and trapped in a nursing home against his will. In 2144, a fabricant (clone) discovers the truth about her fellow fabricants, falls in love with the commander of the rebel forces, rises and inspires the masses, and eventually becomes an important symbol for humankind. In 2321, after the fall of civilization, a tribesman struggles with his demon, faces constant threat from cannibal warlords, and teams up with a space traveler to survive and preserve human race.

Cinematography, production design, art direction, score, costume and makeup deserve recognition, but the most outstanding accomplishment perhaps goes to editing. What seem to be insurmountable complexity, moving forward storylines of a massive number of characters in multiple distinct eras, somehow, flawlessly flows. An act in one scene is deftly cut and continues on to the next scene in a different era. By nature, the immense scale of the film, nearly three hours in length, demands full attention and patience. About halfway through, confusion will subside and you'll find yourself immerse in the experience.

There are “forces (that) begin long before we are born and continue after we perish.” Whether or not you believe in reincarnation of souls, there will be things from the film that will stay with you long after. Some storylines may be more compelling to you than others. You'll be touched, awed, horrified, enraptured, wonder and laugh. Be it breathtaking imageries (most notably dystopian Neo-Soul) that stun or lavish the eyes, stirring score that shift emotions, fragments of profound human moments, or recurrent and universal themes through generations of civilization – kindness, love, courage, dignity, oppression, sacrifice, equality, truth, freedom, fate, free will, destiny – and interconnectivity of lives where one's choice has consequences, impacts another life and another lifetime, and reverberates through eternity.

Sit through the credit and see which actors play which roles. Some are obvious, others not so much. Some disguises push the boundaries of imagination and a treat to discover.

It's not easy to encapsulate "Cloud Atlas" into words. This daring, mind-bending soul journey is a spell-binding extravaganza. Its transcendent quality has earned its place in history and will not be forgotten.