Sunday, May 20, 2012
"Battleship"
Monday, May 7, 2012
"The Avengers"
http://www.sdentertainer.com/arts/reviews-arts/movie-review-the-avengers/
Friday, May 4, 2012
Free Comic Book Day: May 5
Wednesday, May 2, 2012
Upcoming Movies: May 2012
Sunday, April 22, 2012
Summer Blockbusters 2012
Thursday, April 19, 2012
"The Raid: Redemption"
If you're wowed when Luc Besson's "District B-13" (French) came out years ago and launched Parkour to the world, or even simply enjoy John Woo's movies, get ready for another level of 'wow.'
"The Raid: Redemption" is the first Indonesian movie internationally released and gained rave reviews at film festivals, among critics and audience alike. Originally titled "Serbuan Maut" or "The Raid," Sony Pictures added the word "Redemption" when it acquired the rights, in hopes to make it a trilogy and a Hollywood remake.
Set in Jakarta with largely an Indonesian cast, "The Raid" introduces Pencak Silat, an Indonesian style martial arts. There's not much of a story, but there's a clear hero that you would root for and a vicious villain who puts most villains to shame. A secret tie to someone in the building named Andy (Doni Alamsyah) is also revealed.
The hero, Rama, (Iko Uwais) is a rookie cop with a pregnant wife, and part of a SWAT team being tasked to take down a cruel crime lord, Tama (Ray Sahetapi), and its thugs-occupied, high-rise apartment building. When the sergeant, Jaka, (Joe Taslim) who heads the task force goes down, Rama must find a way out to survive and lead a few remaining members of the team out of the death trap. Aside from the head mob, his right-hand, Mad Dog (Yayan Ruhian), has a penchant for dragged out, in-your-face combats, as opposed to easy killing with guns.
"The Raid" is a non-stop, violent rush, filled with no-holds barred, head-bashing, throat-slashing, heart-stabbing, gut-kicking, and all that gory goodness - in close quarters. Weapons include rifles, guns, knives, swords, machetes, axes, and even makeshift ones such gas tank-stuff refrigerator and light bulb.
As a native Indonesian speaker, it's actually harder for me to focus because of my divided attention between listening and understanding what the actors are saying, and observing, noticing, and comparing with the recurrently mismatched subtitle. Also, having 'grown up' with Pencak Silat (which is as common as Karate in the U.S.), the level of amazement is not the same for me.
That said, I can highly recommend "The Raid." Welsh-born director, Gareth Huw Evans, skillfully executes and maintains the hold-your-breath thrill and tension with complex choreography of fight sequences, performed by real-life fighters, at a breakneck speed throughout the duration of the movie. No shaky cam, no cutaway shot, no slow-mo. There are multitude of memorable scenes, but the single, most nail-biting scene involves Rama crouching with a wounded cop behind a slim wall trying to avoid getting sliced by a sword.
If you're an action movie or martial arts fan, "The Raid" is a must-see. Once in a blue moon, comes a genre-defining picture. "The Raid" is one of them.
http://www.sdentertainer.com/arts/reviews-arts/movie-review-the-raid-redemption/
Thursday, April 5, 2012
Upcoming Movies: April 2012
April 13
April 20
April 27
Sunday, April 1, 2012
"Mirror Mirror"
Tuesday, March 27, 2012
"The Hunger Games"
Hook, line and sinker.
I've never read the books that the movie is adapted from, and I wasn't sure if I would be entertained to see a seemingly simplistic story about teenage gladiators fighting to their deaths on reality TV. I was wrong. Perhaps "entertained" is not the right word. But it's certainly a sublime movie that leaves a lingering mark.
Set in a disturbing dystophian in a distant future, Panem, with a totalitarian government, the Capitol, mandates that two dozens teenagers, one boy and one girl between the age of 12-16 called "tributes" from 12 districts, be selected from a drawing every year and succumbed to a series of televised games where they would fight for survival. Kill or be killed. In the end there's only going to be one winner, who will be awarded extra supplies of food.
This is the punishment, in the name of honor, from the government handed down to the twelve districts for a failed unrest in the past. The people in the districts are confined with a wired fence, resigned to their fate, impoverished and exist merely to feed themselves. With extreme poverty, starvation is a constant companion.
On the other side of the world, with abundance of wealth and power, its inhabitants live in limitless luxury. Contrast to the grim and gray world of the districts, everything is bountiful and colorful. Polished halls, fabulous feasts, fantastical makeup and dresses. People have nothing better to do than watch live talk shows and consider savage sports an entertainment.
The stark contrast between the two worlds, physical and otherwise, have never been greater. The great disparity between the haves and the have-nots; poverty and prosperity, oppression and freedom, despair and power.
A brightly cheery handler dressed straight out of "Alice in Wonderland,", Effie Trinket (Elizabeth Banks, "Man on a Ledge"), rounds up her district's population like leading cattle to slaughter. Katniss Everdeen (Jennifer Lawrence, "X-Men: First Class"), daughter of a late coal-miner and a skilled hunter, is a girl from district 12 who volunteers herself to participate in the death race, to replace her younger sister, Prim (Willow Shields), who gets picked from the drawing.
Her fellow combatant from the district is Peeta Mellark (Josh Hutcherson), the son of a baker. He later proclaims his crush in front of a live audience, although it's not clear at the time whether he's just playing the game to win the support of the audience, which may translate into "sponsorship" for extra supplies in the game. The flashback where he tossed a burnt bread to Katniss in the rain reveals a deeper connection between the two, and the bond they forge during the game may prove to be problematic since Katniss is close to another boy back home, Gale Hawthorne (Liam Hemmsworth).
The first half of the movie is spent on the selection of the tributes, a parade of introductions of Katniss and Peeta along with the other districts' tributes to the Capitol, an evaluation of each tribute to attract attention, training exercises, pageant-like interviews (Caesar Flickerman, Stanley Tucci) to gain support of the audience, and finally, the game. It's explained that tributes could die from anything other than weapons, such as starvation, infection, dehydration or exposure to other things. Katniss and Preeta are coached by a former champion, a drunken Haymitch Abernathy (Woody Harrelson) and styled by a stylist, Cinna (Lenny Kravitz).
The game, played out in an artificial forest, can be manipulated by the game-makers to suit ratings. The organizer, Seneca Crane (Wes Bentley), and his team pull the strings from the control room. There's an interesting conversation between him and the President Snow (Donald Sutherland) about control, fear and hope. When the game starts, I couldn't take my eyes off of the screen. With knives, rocks, swords and arrows at their disposal, it's off to a brutal start. Alliances form and break, and it's not easy to tell who's going to die next and how. The sound of canon signals that a tribute has died.
Lawrence is superb in her role. A strong heroine who is smart, brave, independent, resourceful and compassionate. The way the story goes, I pictured Peeta's portrayal to be stronger, but Hutcherson is an adequate partner. Initially Katniss and Peeta's connection is not apparent, but it's all changed during some affectionate moments in the cave. Naturally, there's always a question on who's going to be standing last. After all, for nearly a third quarter of centuries, only one winner is allowed. But with Katniss in the game, the Capitol may not anticipate someone like her.
The filmmakers did the movie justice by bringing the fantasy to life, as real of a story as it can be. While it had the potential to be a caricature, it's executed so well that it turns out to be thoroughly engrossing throughout its 2.5 hours of running time. It's both grand and personal.
The Hunger Games is not a game. In reality, it's a story about survival. The sense of dread or danger is ever-present. The horror of the killings is conveyed just right, with shaky cam and quick cuts at the right moments, without having to resort to gore.
Suffice it to say, I'm hungry for more. "Catching Fire" is next. With the completion of "Harry Potter" and "Twilight" riding off into the sunset, this is one series that audience could look forward to.
Wednesday, March 21, 2012
WonderCon 2012: Feature Film Highlights
WonderCon is a smaller convention, Comic-Con's little sister, if you will. Although, using last year's figure, WonderCon is 50,000-attendees strong. It's funny how your perception gets skewed when you're used to a behemoth 130,000 of attendance of Comic-Con (check out the full article from last year here).
With more manageable number of attendees, shorter days, less programming and star-wattage, much smaller exhibitions and freebies, WonderCon was also a lot more predictable. No parade of stars making surprised appearances and no extra footage that would induce mass-hysteria. At the same time, it's also nice that the lines weren't nearly as long, no expertly engineered arrangement that would make the lines appear much shorter, no ever-present guards guarding those lines, floors and seats.
***
Here are the feature film highlights of the day:
Trailer Park
“The Sound of My Voice”
“Abraham Lincoln: The Vampire Hunter”
“Prometheus”
“Snow White and the Huntsman”
“Battleship”
“Lockout”
“Looper”
“Resident Evil: Retribution”
“The Amazing Spider Man”
***
WonderCon was certainly wondrous and worth driving through slick roads and standing in line for the shuttle in wind-whipped rain. Stay tuned for Comic-Con!
[left click to enlarge pictures]
Future of Blog: Posterous Acquired by Twitter
The good thing is I've set up the Posterous blog (http://themoviemaven.posterous.com) nearly two years ago to automatically cross-post to Blogger (and Wordpress, although WP doesn't retain the tags or categories), so the content is by and large, safe (although a few articles are not searchable or missing, or corrections/minor edits made on Posterous after posting did not get posted). The bad thing is there are live links or image galleries within the posts that point back to Posterous. Unfortunately, if Posterous were gone completely (ala Gowalla once they're acquired by Facebook), there might likely be a mass of broken links... I don't think there's any way to re-map those links.
Anyway, I will keep posting to Posterous in the meantime (which is automatically cross-posted to Blogger), but will start directing any future links (to select prior articles) to Blogger.
Check out the blog on Blogger: http://sdmoviemaven.blogspot.com Aside from the look of the site, it has nearly identical content. Thanks for reading!
Friday, March 9, 2012
"Perfect Sense"
It all starts with the loss of the sense of smell. It grows and becomes an epidemic. Proceeded by an episode of inconsolable grief and regret, people gradually lose the ability to smell anything. Yet, it's not time to panic and there's hope that this ailment is merely temporary or curable.
Not only that the sense of smell disappears permanently, taste begins to evaporate, proceeded by a primal hunger that results in bizarre behaviors. People uncontrollably grab and gorge anything in sight like hot sauce, gallons of cooking oil, raw meat, fresh whole fish, bouquet of flowers, or worse.
The scenes shockingly unfold and elicit your sense of fear. What would happen if you couldn't tell the difference between what you eat and drink? Without smell and taste, people initially stop going to restaurants because foods have no smell or taste. But humans adapt. Meals are cooked and prepared more boldly, emphasizing extreme flavors, temperature, texture and appearance. A lot saltier or sweeter, freezing cold or scorching hot, spongy or crispy, artful shapes and colors. People begin to savor the sound of trickling wine or clicking of glasses, or nature outside. It heightens the other senses and thus awareness of the world around them.
Hearing loss is next, proceeded by a period of inner terror and outward rage. Collectively, the compounding loss of senses lead to destructions, death, misery and anarchy. Those who have lost their ability to hear are quarantined in their homes. Government officials ask that they turn on their televisions to stay tuned for directions, which appear on the screen like subtitles, on what to do.
Eventually, people find ways to accommodate their hearing loss through posting symbols on the walls and learning sign language to communicate to one another. With powerful mind and heart, humans are resilient beings. While the quality of life has diminished, people deal with the new reality as best as they can and they evolve to survive. Life goes on.
By then, however, everyone is all aware of what's coming. And it is inevitable. The loss of the mighty sight. Social structure and order would continue to collapse, and civilization will forever be lost. Before the world descends into darkness, an event of euphoria is experienced to the fullest. Joy, happiness, sense of togetherness with loved ones are truly felt and cherished.
We don't know what the global impact of the final loss of sense, touch, would be, since the story ends. Suffice it to say, you could use your imagination... imagine the world inhabited by humans without senses.
Throughout these gradual slaughtering of senses, striking images from around the world are shown. While the story also focuses on the two central characters, chef 'Michael' (Ewan McGregor, "Haywire") and scientist 'Susan' (Eva Green), as a whole, the film is larger than their relationships, chemistry or lack thereof.
Like breathing, we take our senses for granted. While the use of emotional episodes of grief, regret, horror, rage or euphoria may seem gimmicky, but there's no mistaking that our senses make us who we are. They protect us from harm and make us feel alive. If there were any doubt, none would remain after witnessing the incomparable disaster that results from the deterioration and loss of senses.
With an original premise, "Perfect Sense" offers an intriguing look at human behaviors as their sensory perceptions are deprived when the world approaches the apocalypse. Compared to the latest crop of movies this year, this limited-release indie is startlingly profound.
DVD: http://tinyurl.com/76w9uwe
Thursday, March 1, 2012
Upcoming Movies: March 2012
Sunday, February 26, 2012
Academy Awards 2012
http://www.sdentertainer.com/arts/events/academy-awards-2012/
Best Director: Michel Hazanavicius - "The Artist"
Best Actor: Jean Dujardin - "The Artist"
Best Actress: Meryl Streep - "The Iron Lady"
Best Supporting Actor: Christopher Plummer - "Beginners"
Best Supporting Actress: Octavia Spencer - "The Help"
Best Original Screenplay: "Midnight in Paris" - Woody Allen
Best Adapted Screenplay: The Descendants" - Alexander Payne, Nat Faxon, Jim Rash
Best Visual Effects: "Hugo" - Robert Legato, Joss Williams, Ben Grossmann, Alex Henning
Best Art Direction: "Hugo" - Dante Ferretti, Francesca Lo Schiavo
Best Cinematography: "Hugo" - Robert Richardson
Best Sound Mixing "Hugo" - Tom Fleischman, John Midgley
Best Sound Editing: "Hugo" - Philip Stockton, Eugene Gearty
Best Editing: "The Girl with the Dragon Tattoo" - Angus Wall, Kirk Baxter
Best Makeup: "The Iron Lady" - Mark Coulier, J. Roy Helland
Best Costume Design: "The Artist" - Mark Bridges
Wednesday, February 22, 2012
Oscars 2012 Best Picture Nominees & Filmography
Wednesday, February 15, 2012
"Safe House"
No one is safe. It's an appropriate tagline for “Safe House.”
Denzel Washington ("Unstoppable") is Tobin Frost, a rogue ex-CIA agent on the run for selling intelligence secrets to the highest bidder. When he finds himself cornered in Cape Town, South Africa, he turns himself in to the U.S. Consulate, which leads him to be transferred and interrogated in a safe house guarded by a young, rookie agent, Matt Weston (Ryan Reynolds).
Action thriller is a fail-safe genre for Washington and he doesn't disappoint. It's Reynolds (“Green Lantern”), known for his comedic talent in lighthearted romcoms, who surprises the most. When the safe house is stormed by armed thugs, he's left with no one to trust and in charge of the dangerous traitor. Outrageous car chases, brutal hand-to-hand combats, nonstop shootouts, he gets down and dirty with the best of them.
Washington and Reynolds never develop the kind of rapport that we would expect, but their interactions are enjoyable, and frankly, a relief in between the super-charged, high-body-count violence. With choppy cuts and chaotic closeups, sometimes it's hard to tell what's going on.










