2016 Movies Preview Mashup

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2016 movies in 2:04 minutes:

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"Trumbo"

"Are you or have you ever been a member of the communist party?"

That was the question asked by the House Un-American Activities Committee (HUAC) at congressional hearings.  And the question doesn't stop there.  They want names; they want people subpoenaed to name names.

"Trumbo" chronicles the life of Dalton Trumbo (Bryan Cranston), one of Tinseltown's most successful and highest paid screenwriters in the 1940s and 1950s.  It's a dark time in Hollywood and American history; the Red Scare period post-World War II where thousands and thousands of people suspected for or believed in communism are targeted unjustly.  Some jailed for not committing any crime, but simply for holding such political ideology.  Dalton Trumbo is one of them.

The hostile air blows wide, fanned by an influential gossip columnist, Hedda Hopper, wickedly played by dramatically dressed Helen Mirren ("RED," "The Debt").  With powerful connections, Hedda makes certain that Dalton and his colleagues are fired from and blacklisted by studios, which means that they would never be able to work again as screenwriters.

Lives are in shambles.  Destroyed careers, broken families, ruined friendships and shunned by the paranoid society.  Dalton, for his part of refusing to testify at the hearing, is hauled to jail in contempt of Congress, along with a number of producers, directors and writers.  They're dubbed as the Hollywood Ten.  One particular scene in prison is so disgraceful that it makes your heart stop in disbelief.

After serving 10 months in federal prison, Dalton is released.  Back in the world, life is never the same.  While he's fortunate to have his family intact, he realizes he has to earn a living.  So why not doing the one thing he loves to do most?  Writing. Dalton knows he can write; he just can't put his name on paper or publicly gets paid for it.

Even branded as a traitor, Dalton never lets darkness dims his survivor spirit.  He has a perpetual sense of optimism and idealism, even when the systems or the people fail him.  And he has the smarts to reinvent himself and navigates his way around.

Dalton starts ghostwriting for other writers, working for a fraction of his fees for B-rated producers (John Goodman, Roger Bart) producing movies starring A-list stars.  Even more fascinating, he establishes a homebased screenwriting business, working with other unemployed screenwriters and cranking out script after script.

With the  help of his wife, Cleo (Diane Lane, "Man of Steel," "Under the Tuscan Sun") Dalton operates under multiple pseudonyms and delivers scripts discreetly.  His oldest daughter, Niki (Elle Fanning, "Maleficent," "Super 8"), stands out as the one who pushes him back into the spotlight.  And thankfully, his wife, while loyal, is no wallflower herself.  The family scenes, even with squabbles, are heartwarming.

The shenanigan eventually pays off, with films like "The Roman Holiday," "The Brave One," "The Exodus" and "Spartacus" grace the silver screen, furtively netting Dalton two Oscars.  Whilst the golden statues are undoubtedly a validation of his talent, more importantly, there's an illuminating light at the end of the warped tunnel.   When a famous actor and director back him up, there's no more hiding.

Cranston lifts the film with his performance. One may think that with such a heavy subject, "Trumbo" is a drab movie.  On the contrary, it is oddly delightful.  Dalton Trumbo could have appeared as a caricature had it not been portrayed skillfully and sprightly.  Like the bathtub scenes, where the chain-smoking writer props up a wooden table over the tub and types away, digging in for booze and pills from time to time.

"Trumbo" is a movie about Hollywood, but the importance can never be understated.  A blemished chapter in the American history, it is astonishing how un-American the entire racket was.  The land of the free repressing the freedom of expression and infringing upon its citizens' constitutional rights.  The news reel throughout the picture help transport us back to the era.  Stay through the credit and watch a clip of the real Dalton Trumbo's interview.

If you're into the movies scene, politics and civil liberties, you'll enjoy the film's history lesson, old-fashioned Hollywood feel, witty wordsmithery and joie de vivre spirit.

http://www.sdentertainer.com/movies/movie-review-trumbo/

DVD: http://tinyurl.com/trumbodvd
Book: http://tinyurl.com/trumbobook

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"Spotlight"

"You want to sue the Catholic Church?"

That was the implication when the Boston Globe newspaper would like to file a motion to unseal court documents containing allegations of child sexual abuse cases by pedophile priests.  And that is, if the paper trails exist at all. 

The film takes us back to 2001 for a behind-the-scene look at "Spotlight, " a team of professional journalists working tirelessly to uncover the truth, unravel and assemble information piece by piece, yielding chilling revelations that rock one of the oldest and most esteemed institutions, the Catholic Church.  Their year-long investigative work and news story won them a Pulitzer award in 2003. 

The tenacious team, led by Walter 'Robby' Robinson (Michael Keaton), consists of three reporters - Mike  Rezendes (Mark Ruffalo, "Avengers: Age of Ultron," "The Avengers"). Sacha Pfeiffer (Rachel McAdams, "Sherlock Holmes") and Matt Carroll (Brian d'Arcy James) - reporting to deputy managing editor Ben Bradley Jr. (John Slattery) and the new managing editor, Marty Baron (Liev Schreiber, "Pawn Sacrifice," "X-Men Origins: Wolverine"). 

Nobody wants to touch the topic.  The victims are typically vulnerable kids from broken homes, poor families or bad neighborhood, preyed upon by a trusted figure they believe might be sent from God.  Filled with shame and guilt, and discouraged by others, they are reluctant to come forward.  And when they do, its tales are told behind closed doors, in hushed whispers or agonizing tears.  And then covered up, swept under a maze of red tapes and under-the-table settlements with lawyers (Stanley Tucci, Billy Crudup).  Many of those kids, robbed of their innocence, turn to bottles, needles or suicides.

Some, perhaps, refuse to believe that evils lurk behind the holy masks.  53% of the readers of the newspaper are Catholic and the influential religion does a lot of charity work for the city.  But everyone knew.  It's a horrific, systematic pattern hidden by a broad network of  religious figures, law enforcement authorities and the legal system at the highest level.  The priestly predators, instead of facing justice, are simply moved from one parish to another, with the full knowledge of the Archbishop and Cardinal (Len Cariou). 

This is more than chasing a story,  making a mark or generating money for the publication.  While it's an explosive expose, it is not sensationalized.  This is a hard-hitting storytelling, conducted with sensibility and acted with remarkable realism.  The film also shows the power of the press.  That when a focus of a story is carefully selected, thoroughly investigated, responsibly corroborated, persistently followed through and timed well for publishing can make a far-reaching and lasting difference.  Parts of the in-depth investigation takes place in the shadow of 9/11 and timing crosses over Christmas.  There's a talk about when the scandalous news should break.

Directed by Tom McCarthy and jointly written with Josh Singer, "Spotlight" not only demonstrates investigative journalism at its finest, but perhaps more importantly, it shines a spotlight on a previously untouchable story.  As the credit rolls, scrolling through a massive list of  cases will send shiver down your spine. 

"Steve Jobs" is one of the best films of 2015.  "Spotlight," not only one of the best, but quite possibly the most important film of the year. 

Book: http://tinyurl.com/spotlightbook

http://www.sdentertainer.com/movies/movie-review-spotlight/

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