Thursday, December 29, 2011
Upcoming Movies: January 2012
Friday, December 23, 2011
"Sherlock Holmes: A Game of Shadows"
Wilder adventures. Bigger firepower. While the novelty may have worn off, the comedic bromance between the two leads have not. More action-packed (albeit slow-mo overkill) and Captain Jack Sparrow-esque, but just like its predecessor, the second installment is a connecting game of observations, disguises and smarts. Who knew saving western civilization could be that much fun?
Wednesday, December 21, 2011
"Mission: Impossible - Ghost Protocol"
I loved Bird's award-winning animations "The Incredibles" and "Ratatouille," but thought the choice to put him in the director's seat for a blockbuster live action was a curious one. Turns out he manages to pair the word "mission" with "accomplished" with MI:4, transitioning successfully from pixels to people.
In MI:4 the IMF team globe-trots to Budapest, Moscow, Dubai and Mumbai. A botched mission and the death of an IMF agent in Budapest leads to Moscow. Since the bombing of the Kremlin, however, as relayed by the Secretary of Defense (Tom Wilkinson), the President has initiated 'Ghost Protocol' procedure, where the IMF team (Benji Dunn, Simon Pegg; Jane Carter, Paula Patton; William Brandt, Jeremy Renner) is falsely implicated in the attack and disavowed.
Agent Dunn, the tech wizard, has passed his field test and is finally going on field assignments. His interactions with the team provides a comic relief during tense situations. Agent Carter fills the role of a strong, beautiful, fierce agent. Agent Brandt, with a secret past linked to Ethan, was initially the wild card, but eventually becomes an integral part of the team.
Ethan is determined to clear the team's name. The team's mission is now to put a stop to an exchange of nuclear launch codes between the real terrorist, Kurt Hendriks (Michael Nyqvist), and Sabine Moreau (Lea Seydoux) in Dubai, and for Kurt to get to the satellite in Mumbai and incite a nuclear war. Having faced betrayals in the past, Ethan is forced to trust and rely on his team without the backup and support of IMF. The team works well together and the wisecrack moments are enjoyable. As a team leader, Ethan is visibly more human here. Less precise, riddled with doubts and missteps.
Unprepared and operating in the dark, at times, it doesn't feel like a "Mission Impossible" movie. There's lack of a domineering villain, although the stakes are high. But the MI hallmarks are there. Impossible missions. High-tech gadgetry. Larger than life actions. MI:4 is glossily made and smoothly shot with wide angle views of exotic locales and set pieces.
A clever trick involving camouflage via a projector brings out chuckles. The sandstorm adds a layer of challenge to the chase scenes. But the highlight is definitely the skyscraper scaling. Not just any skyscraper; Burj Khalifa, the tallest building in the world. Even more mind-blowing knowing that Cruise himself performed the death-defying stunt himself. Renner ("The Town" "The Hurt Locker") is certainly a very capable actor, but I hope Cruise remains a little longer on the franchise. 15 years after the first film, he still embodies the super-spy he's famously known for, with his daredevil and athletic prowess. The action sequences are episodic, but it's paced just right that you're looking forward to what's coming up next.
DVD (blu-player): http://tinyurl.com/7yf5jm3
Monday, December 19, 2011
Note: "Mission: Impossible - Ghost Protocol"
Thursday, December 15, 2011
2011: The Year In Films
Sunday, December 11, 2011
"New Year's Eve"
Saturday, December 3, 2011
Upcoming Movies: December 2011
Monday, November 28, 2011
"Arthur Christmas"
Tuesday, November 22, 2011
Season's Greetings: The Top 10 Most Anticipated Movies
Friday, November 18, 2011
"Immortals"
Along the lines of "300," "Immortals" set the bar for the swords-and-sandals epic genre. "Immortals" was the highlight of the Comic-Con feature film panels that I attended this year.
Henry Cavill ("Superman: Man of Steel") is Theseus, a humble stonemason, mortal man sought out by the King of Gods, Zeus (Luke Evans, "The Three Musketeers") to lead an army of men and put a stop to King Hyperion's (Mickey Rourke, "Iron Man 2") murderous rampage and save humanity.
King Hyperion's bloodthirst for ultimate power results in an at-all-cost quest for the Bow of Epirus, a long lost weapon that could overthrow the Gods and crown him as the master of the universe. The magical bow would set the Titans, imprisoned deep in the mountains for centuries, free and wage war against the Gods (Athena, Isabel Lucas; Poseidon, Kellan Lutz; Ares, Daniel Sharman; Apollo, Corey Sevier; Heracles, Steve Byers).
Zeus, in his human form of an old man (John Hurt), has been mentoring Theseus and believes that he's mankind's best hope. He has faith that humans can and should save themselves without God's interference. Any God or Goddess who directly interferes would be punishable by death. After his mother is killed before his eyes by King Hyperion's soldiers, Theseus vows to avenge her death. Fate leads him to the virgin oracle, Phaedra (Freida Pinto, "Rise of the Planet of the Apes"). The priestess has visions of Theseus rising up for a higher purpose and leading the Hellenics army.
"Immortals" is lavishly and gorgeously produced. It may not be faithful to the Greek mythology, but it's a heavenly feast for the eyes. Towering granite cliffs, mountain walls, shimmering seas, barren desert lands, edge-of-cliff villages, marbles palatial grounds, stone temples and giant statues. Bronze, toned bodies clad in flowing robes, warrior armors and clashing swords. Luminous Gods draped in gleaming gold and adorned with ornate headpieces. Such mesmerizing, living paintings.
Even with the highly stylized battles and surreal blood sputtering, "Immortals" is a very violent fantasy. Guts and gore galore with never-ending butchering, skewering, stabbing, slashing, beheading. It does showcase Cavill's capability in an extremely physical role. His fierce fights with Rourke are incredible. Since the filmmakers of 'Superman' was looking to create a more physical Man of Steel, it looks like they've found their star.
Tuesday, November 15, 2011
Note: "Immortals"
Saturday, November 5, 2011
Upcoming Movies: November 2011
Wednesday, November 2, 2011
"In Time"
Time. The beauty of time is that it's a great equalizer. Whoever you are, you always have 24 hours in a day, 7 days in a week, 12 months in a year.
There's a saying that time is money. What happens then if time replaces money as currency? Something that must be earned or traded in order to extend your life? Isn't it unfair that many must die for a few to live? But if you could, would you choose to live forever? How long do you think until enough is enough?
I first heard about "In Time" during this year's Comic-Con and was most intrigued by the premise. In this alternate reality, everyone is genetically engineered with an internal timer and aging stops at the age of 25. Once you hit 25, you would only have one year to live. If you can't extend your clock, you die.
Society is divided into "time zones" that segregate the rich from the poor. Timekeepers enforce order in order to prevent overpopulation. The haves, with excess amount of time, have the privilege to live to eternity. The have-nots live on a day-to-day basis and struggle without the possibility of upward mobility. Those who can't earn, beg, borrow or steal time, zero out their clock and die on the streets from a fatal shock to the heart.
Will Salas (Justin Timberlake, "The Social Network"), a laborer with a good heart, saves a wealthy man, Henry Hamilton (Matt Bomer) from time thugs led by 'Fortis' (Alex Pettyfer, "I am Number Four"). The suicidal man who possesses more than a hundred years has decided that he's done with life and donates all his time to Will, unbeknownst to him. Tragically, Will couldn't arrive in the nick of time to transfer some of his time to prolong his mother's (Olivia Wilde, "Tron Legacy") life.
With his newfound lease on life, Will gets out of the ghetto, skips zones and arrives at the well-to-do's doorsteps, with the intention of taking away what they've got. Having the wealth of time allows him to mingle with the well-off and catches the eye of an heiress, Sylvia Weis (Amanda Seyfried, "Letters to Juliet") . She's the daughter of billionaire Philippe Weis (Vincent Kartheiser). It's like a twilight zone to see Philippe's mother-in-law, wife and daughter all appear to be the same age, frozen in time.
When timekeepers, headed by Raymond Leon (Cillian Murphy, "Inception"), finds Henry's body and a security camera leads them to Will, Will becomes a wanted man, falsely accused of murder. He ensnares Sylvia, who eventually becomes his accomplice in his "Robin Hood" mode, in a race for survival and to distribute the gift of life to those less fortunate.
Aside from the futuristic aspect, the thought-provoking premise isn't helped by a mediocre script, a pace that drags and cardboard characters. There are chunks of Bonnie-and-Clyde actions with Will and Sylvia on the run. Actions that become rather lifeless after a while. A standout scene, of all things, is an arm-wrestling between Will and Fortis, a clever way for Will to gain time.
"In Time" is stylistically entertaining, but the story could have been a lot more developed.
Monday, October 31, 2011
Note: "In Time"
Sunday, October 23, 2011
"The Three Musketeers"
Thursday, October 13, 2011
"The Ides of March"
He's the real deal. That's what Stephen Myers (Ryan Gosling, "Drive"), a press secretary and political consultant to Governor Mike Morris (George Clooney, "The American"), thinks of his boss. Morris is running for the democratic presidential nomination.
Young and bright, Stephen is the idealist aide in the team led by senior campaign manager Paul Zara (Philip Seymour Hoffman). He's the one the governor turns to when looking for a more truthful picture about the campaign, as opposed to the more jaded Paul.
The opening speech provides a glance of the kind of candidate Morris is. Charismatic and presidential-looking, he claims that the constitution is his religion and appears to possess the kinds of ideals that people are aiming for.
In an exchange with Ida Horowicz (Marisa Tomei), a New York Times reporter, Stephen conveys his confidence that he truly believes Morris would make a difference in the lives of people should he be elected as president. He's not just a politician.
With Ohio being the battleground state, Morris must capture the state. In order to do so, he would need to have Senator Thompson's (Jeffrey Wright) endorsement to gain the support of his sizeable delegates. And with that, Morris would be able to lock in North Carolina, the senator's home state, and hit the home run with Pennsylvania, his state, and then clinch the nomination. Sounds like a decent plan, except that the senator would go with whoever could provide him with a certain guarantee about his lofty request, which Morris steadfastly refuses to do.
On the other hand, Morris' opponent, Senator Pullman (Michael Mantell), whose campaign is led by Tom Duffy (Paul Giamatti), would have no trouble in fulfilling Senator Thompson's ambition. Tom gets Stephen to secretly meet with him and plead with him to switch sides, with the argument that he would be on the winning team eventually when his team bags the crucial endorsement. Tom needs Stephen because of his expertise and likeability factor; simply put, he makes everything effortless and is adored by the press.
When the secretive meeting somehow gets leaked to the media, things snowball downward. This happens around the time when Stephen is also handling a delicate dalliance with an intern, Molly Stearns (Evan Rachel Wood), who has just dropped him a bombshell. Molly happens to be the daughter of the DNC Chairman, Jack Stearns (Gregory Itzin).
Whereas the news Stephen has received from Molly shatters his illusion about Governor Morris and his loyalty tested, he still feels compelled to take matters into his own hand on behalf of the campaign and moves on as planned. He declines Tom's offer and continues to remain on the Morris campaign. It's a game-changer, however, when Stephen finds out about the source of the leak and the fate of his promising career.
The way the story unfolds is fascinating to watch. Stephen learns the rope rapidly during this cruel political duel and morality tale, transforming him from fresh to seasoned. It's do or die. No longer naive, he becomes the type of shrewd you'd never imagine he'd be.
We're all shaped by the choices we make. Are you in it to win it at any cost or only as long as you believe in the cause? Would you always do the right thing even if you know it would not serve you right in the long run? Or would you choose whatever means necessary as long as the end justifies the means?
Monday, October 10, 2011
Note: "The Ides of March"
Saturday, October 8, 2011
Upcoming Movies: October 2011
Thursday, September 22, 2011
"Drive"
"Driver" (Ryan Gosling), a Hollywood stunt driver and mechanic by day, moonlights as a wheelman for robbers at night. He's the silent figure who drives the getaway car. He knows his escape routes. He drives. That's it. We know nothing else about him, not even his real name.
Driver maintains a cordial working relationship with "Shannon" (Bryan Cranston), his boss. Knowing how good Driver is at his job, his boss would like to install him as a race car driver and introduces him to his connections for financial backing, Bernie Rose (Albert Brooks) and "Nino" (Ron Perlman).
Driver is a loner. His work is his life. That changes when he runs into and befriends his neighbor, Irene (Carey Mulligan, "Wall Street: Money Never Sleeps"), and her son, Benicio (Kaden Leos). Trouble starts when Irene's husband is released early from prison and his past is catching up with him. Driver offers to help him out with a "last job" as a means to keep Irene and Benicio safe. It turns out that the job, a seemingly simple robbery of a pawn shop, is not as it appears to be. The botched job is linked to other connections beyond belief and things go very wrong from there.
Don't mistake "Drive" as a typical action movie. It has an arthouse feel to it, which reminds me of last year's "The American." You won't find endless car chases or explosions. What you will find are dramatic episodes of extreme violence interspersed with nearly wordless scenes. From an agreeable handshake to flesh slicing. Or a tender kiss to skull-crushing kicks. It's shockingly, mercilessly brutal and bloody.
"Drive" is a story about a someone who's always in the driver's seat, but goes overdrive to protect the people he cares about. Driver is a man of intense actions with a few words. Gosling owns every screen he's in and conveys much through a glance, stare, smile, hand or touch. Calm and controlled, but primal and deliberate.
As a whole, the film seems pointless and incredulous. Yet it's thoroughly absorbing and easy to suspend disbelief because of its noir style and trance-like atmosphere, underscored by its prevailing pulsing score, and maudlin in some. "Drive" is not for everyone. But this is one that will make a lasting imprint.
Monday, September 19, 2011
Note: "Drive"
"Drive" review is now up on http://www.sdentertainer.com/arts/reviews-arts/drive-movie-review-ryan-gosling/ It will be posted on the blog at a later time.
Tuesday, September 13, 2011
Wednesday, September 7, 2011
"The Debt"
A book launch, a heroic retelling about how three young Mossad agents brought down a Nazi war criminal, sets the stage for a dramatic spy story.
The book is penned by Sarah Gold, the daughter of Rachel Singer (Helen Mirren), the central hero of the story. A tragic news about one of the players and former colleague portrayed in the book, David Peretz (Ciaran Hinds) brings together Rachel and Stephan Gold (Tom Wilkinson), into unsettling conversations. Stephan happens to be Rachel's ex-husband, Sarah's father, and the former lead agent. Long-absent from the world, David has surprisingly come out to see Rachel earlier. The incident opens up the mystery about what really happened that rainy New Year's Eve over 30 years ago in East Germany, and what they need to do next as a result.
Flashback to 1965. The top covert mission is clear. First confirm the identity of the Nazi doctor, Dieter Vogel (Jesper Christensen), who did horrible experiments on the Jewish children. Then nab, drug and smuggle him across the border to Israel so that he will stand trial for his unspeakable crimes. The reality isn't so simple.
The three young agents, played by Jessica Chastain (Rachel), Sam Worthington (David) and Stephan (Marton Csokas), live and train together in a dingy flat - each plays a crucial role in the mission. Stephan, strong and dominant, is the team leader. David is strongly determined, but mostly private and quiet. Losing his entire family in the Holocaust, he keeps to himself most times. Rachel goes undercover as a patient with infertility issues to see Vogel, now "Doktor Bernhardt," a gynecologist. David, poses as her husband, accompanies her walks to the clinic. Considering what Vogel is capable of, the intimate nature of the examination, where Rachel has her feet up in the stirrups, would make anyone squirm.
While the nail-biting kidnapping is a success, the run toward freedom is not. Due to the covert nature of the mission, the trio doesn’t have any backup to support them. They find themselves stranded with Vogel tied up in their flat. The captured target is a master manipulator. It’s ominous to watch the effects of mind-manipulation even on the hardiest professionals. During the individual shifts to feed him, Vogel skillfully breaks down the agents’ personal defenses and turn them against one another. It doesn’t help that a love triangle is already formed. While it’s obvious that Rachel and David have developed feelings for each other, however restrained, it’s Stephan that Rachel ends up with during one forlorn night.
“The Debt” is stellarly set, shot, and acted. The dark and grubby abode heightens the claustrophobic tension. With plenty of old-fashioned suspense and action, the story (written by Matthew Vaughn, "X-Men: First Class") also zooms in on the relationships among the main characters, and their inner beliefs and values. All the actors rise up to the occasion.
How much does the truth cost? Would there ever be a case where the greater good matter more? How would one right a wrong if doing so would adversely affect their country and the lives of the people they care about most?
The messy ending is dissatisfying, but it doesn't take away from this morally ambiguous and emotionally compelling story. A taut thriller about secrets, lies, love, promise, honor, sacrifice, and truth.
Saturday, September 3, 2011
Upcoming Movies: September 2011
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Thursday, August 25, 2011
"One Day"
Emma (Anne Hathaway) is a middle-class bookish with a more realistic and at times pessimistic outlook on life. Dexter (Jim Sturgess) is a charmer from a wealthy family who could be anything he wants to be. Every July 15 we're shown snapshots of their lives - aspiration, career, love, loss, divorce, death - together and apart.
Hathaway fits the role of Emma, although it takes getting used to her British accent. While we get to see Dexter's side with his family, we do not get the same benefit with Emma. With booze and drugs and women, the character of Dexter isn't likeable; it is to Sturgess' fine performance and boyish charm that he's very much tolerable. While Emma's fashion sense and inner confidence blossom, it's actually Dexter that we see the evolution the most. The weary, older Dexter in the later part of 2000s is a world apart from the fresh-faced, eager Dex when he first appears.
There are adorable and tear-jerker moments for sure. The first July 15 carries great promise of what's to come. Although when part of the ending reveals the last half of their first day together, it's hard to believe that they would decide to remain just friends. The flirtatious French jaunt earlier in the years is fun and the later reunion an emotional one.
Based on a novel written by David Nicholls, the story does not translate well onto the screen. As the years progress, we see changes in Emma and Dexter and their surroundings, but it feels like the scenes are merely events moving along through the motion. In attempt to fit in as many years as possible, the result is almost like being read narratives about what they do. Instead of delving deeper into certain segments of their lives, investing in the characters and connecting more with their relationships in the process, the film inexplicably leaves pivotal milestones offscreen.
The execution makes it nearly devoid of what makes a story interesting; the build-up, character and relationship development, and payoff. The last third act leading to the ending is very anti-climatic. And the ending appears to be out of nowhere, aiming for a shock value. It's a shame for a story that has so much potentials to be a classic like "The Notebook."
"One Day" has a unique twist in telling an epic love story. Unfortunately, the intrigue stops short with the concept.
Tuesday, August 23, 2011
Note: "One Day"
Tuesday, August 16, 2011
"Another Earth"
In “Another Earth,” not only that another planet is discovered from behind the sun, but literally another Earth, a mirror of ours. And the inhabitants are not simply living and breathing things, but they are us.
Rhoda Williams (Brit Marling) is a promising astrophysics student who has just been accepted by MIT. In the evening of celebration, she parties and drinks too much. On the road, while looking out the window and staring up to the identical Earth in the sky, she crashes her car into a minivan. The crash leaves John Burroughs (William Mapother), a Yale music professor, in a coma and kills his wife and toddler son.
Four years later, instead of graduating from college, Rhoda is released from behind bars. She punishes herself and withdraws from the world. She takes a job as a high school janitor. That sole survivor, John, is now a shell of his former self. After finding out that this gifted composer spends his days sleeping in, drinking and on medication, and lives in an unkempt home, Rhoda commits in doing the unimaginable. The attempted suicide in the snow is a striking scene.
Rhoda weaves herself into John’s life in a desperate bid to help him. Her attempts to apologize fall through. Through her cleaning service and companionship, she and John eventually bond – without John knowing about her true identity. Her record is sealed since she’s a minor at the time of her conviction.
When a company offers a writing contest for a space travel to ‘Earth 2′ (as it’s called b by our Earth), Rhoda sends her essay and wins a ticket. She’s willing to venture out to the unknown universe for another chance, even though it’s not clear what kind of chance that is – perhaps changing the past, making a different decision, or a new beginning. There’s a theory that when each Earth is aware of the existence of another, the synchronicity would be broken and a new reality is formed.
“Another Earth” is a character-centered drama about anguish, guilt, grief, repetance and redemption – with science fiction as a backdrop. Throughout there’s a dreaded sense as the story moves along toward Rhoda’s eventual reveal to John. Marling is a darling here. She’s a natural with her soulful expressions. Somehow she succeeds in making you symphatize with her character.
“Another Earth” is quietly moody and haunting, with pensive looks, singular sounds and long walks. The photography is uneven between amateurish and arresting. I had to do a double take on the ending, as it could be interpreted in different ways. It’s a letdown initially, but it grows on me. Still, my curiosity nature would have liked to learn more about Earth 2.
The premise is incredibly intriguing that it’s hard to live up to its potentials. There are so many ways to craft and execute a story out of it. Personally, I hope that another filmmaker would run with the concept and do another take.
If you’re looking for a pure science fiction or action, you won’t find it here. But if you’re looking to ponder about possibilities, this is one of those films that will make you think.
Sunday, August 14, 2011
"Rise of the Planet of the Apes"
DVD: http://tinyurl.com/3fqndbs
DVD (blu-ray): http://tinyurl.com/3ks7uo7
Wednesday, August 10, 2011
Just For Fun: 100 Movie Lines in 200 Seconds
Thursday, August 4, 2011
Upcoming Movies: August 2011
August 12
August 19
Tuesday, August 2, 2011
"Cowboys & Aliens"
Favreau did it right by making it straight-laced. Any funny bits come out naturally without the goofiness. However, it lacks characters that we could care about. It has pacing and cohesion issues. And some things are either not explained or contradict the previous explanation. If you're in an 'unsure' camp, it would just depend on your expectations. The flick is flat overall, but even with the weird mashup of the wild west, Indians and aliens, and such issues, this sci-fi western does offer some action, suspense, adventure and humor of a summer blockbuster.
DVD: http://tinyurl.com/3lk26jg
DVD (blu-ray): http://tinyurl.com/3wyrsgc
Saturday, July 30, 2011
"Captain America: The First Avenger"
Red, white and blue. Marvel makes its patriotic entry as the last superhero flick this summer.
There is nothing more that scrawny, sickly Steve Rogers (Chris Evans) would like to do than serving his country on the front lines in WWII. Time and time again he applied to join the army and was rejected every time. A chance encounter with a German scientist, Dr. Abraham Erskine (Stanley Tucci) at a recruitment center, affords him the opportunity. Dr. Erskine witnesses a glimpse of Steve's goodness in his interaction with his good buddy, 'Bucky' Barnes (Sebastian Stan), who's readying for deployment.
Upon acceptance, Steve experiences the rigors of bootcamp. As expected, he falls behind due the physical nature of the exercises. However, he surprisingly excels in a couple of tests involving a flag and a grenade. These are the shining examples that showcase his smarts, brave and noble nature.
Dr. Erskine could see that Steve needs a purpose in his life. Having been a weakling, he would value strength and has compassion if transformed into something greater. Steve agrees to participate in a top secret government program where he's injected by an experimental serum, turning him into a super soldier.
While the new Steve doesn't have a unique superhero power, because he's inherently good, he turns into the very best version of a human can naturally be. While the government had hoped for an army of superhumans, Dr. Erskine was shot and Steve Rogers is all they have. Steve's pursuit of the shooter on the streets displays the wonders of the strength, speed, agility, durability and healing capacity of a superhuman.
On the other side, if the same super serum were to be given to the wrong character, it would end disastrously. Earlier Dr. Erskine was forced to give the serum to Johann Schmidt (Hugo Weaving), who runs the deep science division of the Nazi. With evil, world domination intentions, it deforms Johann's face and turns him into Red Skull. Red Skull is aided by an inventor, Arnim Zola (Toby Jones). Arnim develops advanced weapons for Hydra. When Red Skull discovers and harnesses the power of cosmic cube, its blue energy source allows Hydra's weapons to disintegrate targets instantly.
We're also introduced to Peggy Carter, an American agent with military training (Hayley Atwell), and Howard Stark (Dominic Cooper). Both are instrumental characters in Steve's life. It's refreshing to see a love interest who's an equal partner and strong in her own rights. If the name Howard Stark sounds familiar, it's because he's the father of Tony Stark (a.k.a. Iron Man) and founder of Stark Industries. It's easy to see how Tony Stark gets his brilliance and charm.
The army colonel, Chester Phillips (Tommy Lee Jones), doesn't initially allow Steve to be in a soldiering capacity. Steve ends up being a stage performer. Along with singers and dancers, he performs on stage to inspire the patriotic spirit all across the country. "Captain America," complete with its costume, was born. I liked that they explain how the Cap's costume comes about.
Discouraging news about his buddy on the warfront propels Steve to embark on a rescue mission. It is then he becomes Captain America for real. After a successful rescue, he leads the next mission to storm Hydra's base and abolish his armed forces. Cap is equipped with an indestructible shield made out of "vibranium," weighing a third less than steel, and can absorb vibration and energy. There's a very cool scene where soldiers zip-line to a speeding locomotive in a snowy mountain range. With Red Skull escaping to the air, Steve latches on and struggles for control of the stealth-winged plane. In the end, Steve makes an honorable choice and becomes the ultimate patriot.
"Captain America: The First Avenger" has a retro-futuristic look. WWII and flag-waving public keep the story squarely rooted in reality, but the fantasy element keeps it interesting. Unfortunately, Evans is frankly as bland as he was in "Fantastic Four" and Weaving is just not as chilling as he should be. Overall, it's a pretty solid effort for a straightforward story. I'd rank this third - considerably below "X-Men: First Class," underneath "Thor," but above "Green Lantern."
"Captain America: The First Avenger" is the last flick leading into next summer's "The Avengers." I found the last scene, set in modern Manhattan, most curious. Once again, sit through the credit and catch a sneak peek of the most ambitious superhero movie ever made. "The Avengers" premiers on May 4, 2012.
http://www.sdentertainer.com/arts/reviews-arts/movie-review-captain-america-the-first-avenger/
DVD: http://tinyurl.com/3bgaj3p
DVD (blu-ray): http://tinyurl.com/423cyt4