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Thursday, November 15, 2012

"Skyfall"

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Directed by Sam Mendes, "Skyfall" marks 50 years of the most enduring icon in the world of espionage. Daniel Craig ("Cowboys & Aliens") returns as James Bond after four years of hiatus.

After all the flash and flair with Pierce Brosnan, it took a lot of adjustment to get used to Craig, but with "Skyfall," he has finally made the role into his own. A different kind of Bond, Craig gives a more intense and realistic feel to the character.

With a straightforward story concerning a stolen classified list of undercover agents embedded in terrorist cells around the world, the strength of “Skyfall” lies in the relationships. Bond's relationship with M (Judi Dench) is dynamic, touching on elements of duty, betrayal, trust and loyalty. Ben Whishaw (“Cloud Atlas”) makes an interesting Q as the youngest techie in history. Javier Bardem (Silva) is most entertaining as villain, deliriously ruthless and wicked. The Bond girl, Severine (Berenice Marlohe), is a disposable plot device connected to Shiva. The introduction of Ralph Fiennes (Gareth Mallory) and Naomie Harris (Eve) makes sense and leads to a nostalgic transition, smoothly giving way to a renewed chapter of James Bond.

When it comes to gadgets, less is more in “Skyfall.” But action-wise, it's pretty packed. Relentless street and rooftop pursuit on foot, cars and motorcycles. Hard-hitting fight atop a moving train. A derailed tube plunging underground. It all climaxes with Silva's army of men closing in on a trapped M, Bond, and the gamekeeper of his family estate, Kincade (Albert Finney), while the trio also set up traps on their own.

"Skyfall" is luminously filmed, making the most of aerial views of the locales, including closeup shots of the action, or standstill moments. Its use of light, shadow, water, fire and ice is artfully beautiful, especially surprising considering that it's an action flick. Shanghai and Scotland are particularly standouts, where fight manifests in shadows against glowing light and glass walls, or an old chateau set ablaze in the vastness of a remote field in the darkness of the night. The soundtrack by Adelle memorably compliments the scenes.

Compared to “Casino Royale” and “Quantum of Solace,” "Skyfall" is the most personal installment of the superspy franchise. It's back to basic and and the best one yet.

Sunday, November 11, 2012

250 Movies in 2.5 Minutes

Have 2.5 minutes?  Watch a mashup of 250 top movies of all time:

Sunday, November 4, 2012

"Cloud Atlas"

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“Our lives are not our own. From womb to tomb, we are bound to each other, past and present. And by each crime and every kindness, we birth our future.”

The word “epic” is often overused. “Cloud Atlas,” a global journey of lives through time and space, is the epitome of epic. Adapted from "unfilmable” novel by David Mitchell, the extraordinary efforts of the Wachowskis (“The Matrix”) and Tom Twyker embarked on possibly the most ambitious film ever made. Main characters (Tom Hanks, Halle Berry, Jim Sturgess, Doona Bae, Xun Zhou, David Gyasi, Ben Whishaw, James D'Arcy, Jim Broadbent, Susan Sarandon, Hugh Grant, Hugo Weaving) impressively embody multiple roles in different ages, races, gender and gender orientation spanning over 500 years.

Six storylines take place in 1849 Pacific Ocean, 1936 Cambridge and Edinburgh, 1973 San Francisco, 2012 London, 2144 Neo-Soul, 2321 post-apocalyptic Hawaii, creating a brilliant fusion of genres. Period drama, romance, thriller, comedy, action, sci-fi. In 1849, a young lawyer from a privileged background finds a slave stowaway in the ship. In 1936, an aspiring classical composer musters the guts to work with an elderly, temperamental maestro, while carrying a painful, private secret. In 1973, an investigative journalist risks her life to uncover a nuclear power leak conspiracy. In 2012, a publisher finds himself in a bind, on the run from debtors, and trapped in a nursing home against his will. In 2144, a fabricant (clone) discovers the truth about her fellow fabricants, falls in love with the commander of the rebel forces, rises and inspires the masses, and eventually becomes an important symbol for humankind. In 2321, after the fall of civilization, a tribesman struggles with his demon, faces constant threat from cannibal warlords, and teams up with a space traveler to survive and preserve human race.

Cinematography, production design, art direction, score, costume and makeup deserve recognition, but the most outstanding accomplishment perhaps goes to editing. What seem to be insurmountable complexity, moving forward storylines of a massive number of characters in multiple distinct eras, somehow, flawlessly flows. An act in one scene is deftly cut and continues on to the next scene in a different era. By nature, the immense scale of the film, nearly three hours in length, demands full attention and patience. About halfway through, confusion will subside and you'll find yourself immerse in the experience.

There are “forces (that) begin long before we are born and continue after we perish.” Whether or not you believe in reincarnation of souls, there will be things from the film that will stay with you long after. Some storylines may be more compelling to you than others. You'll be touched, awed, horrified, enraptured, wonder and laugh. Be it breathtaking imageries (most notably dystopian Neo-Soul) that stun or lavish the eyes, stirring score that shift emotions, fragments of profound human moments, or recurrent and universal themes through generations of civilization – kindness, love, courage, dignity, oppression, sacrifice, equality, truth, freedom, fate, free will, destiny – and interconnectivity of lives where one's choice has consequences, impacts another life and another lifetime, and reverberates through eternity.

Sit through the credit and see which actors play which roles. Some are obvious, others not so much. Some disguises push the boundaries of imagination and a treat to discover.

It's not easy to encapsulate "Cloud Atlas" into words. This daring, mind-bending soul journey is a spell-binding extravaganza. Its transcendent quality has earned its place in history and will not be forgotten.





Wednesday, October 31, 2012

Upcoming Movies: November 2012

[Note: I'm behind in reviews; next is "Cloud Atlas."  Recommended!]

November 2
"Flight" (http://www.paramount.com/flight/) - An airline pilot saves a flight from crashing, but an investigation into the malfunctions reveals something troubling.

"Wreck-It Ralph" (http://disney.go.com/wreck-it-ralph/?cmp=wdsmp_wir_url_dcomwreckitralph) - A video game villain wants to be a hero and sets out to fulfill his dream, but his quest brings havoc to the whole arcade where he lives.

November 9
"Skyfall" (http://www.007.com/skyfall/) - Bond's loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.

"Lincoln" (http://www.thelincolnmovie.com/) - As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves.

November 16
"The Twilight Saga: Breaking Dawn - Part 2" (http://www.breakingdawn-themovie.com/) - After the birth of Renesmee, the Cullens gather other vampire clans in order to protect the child from a false allegation that puts the family in front of the Volturi.

"Anna Karenina" (http://focusfeatures.com/anna_karenina) - Set in late-19th-century Russia high-society, the aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.

November 23
"Silver Linings Playbook" (http://silverliningsplaybookmovie.com/) - After a stint in a mental institution, a former teacher moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when he meets a mysterious girl with problems of her own.

"Life of Pi" (http://www.lifeofpimovie.com/) - The story of an Indian boy named Pi, a zookeeper's son who finds himself in the company of a hyena, zebra, orangutan, and a Bengal tiger after a shipwreck sets them adrift in the Pacific Ocean.

November 30
"Killing Them Softly" (http://killingthemsoftlymovie.com/) - A professional enforcer investigates a heist that went down during a mob-protected poker game.

Monday, October 15, 2012

"Argo"

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Around this time last year, one of the best films of 2011, "The Ides of March," officially started the race for best pictures.  This time a similarly sharp political thriller-actioner, "Argo," graces the screen. 

On November 4, 1979, an angry crowd storms the U.S. Embassy in Tehran, demanding return of its deposed leader, Shah of Iran, who was granted asylum in the New York. With the rush of mobs breaking in amidst shattered glass and shots of tear gas, some of the remaining, foreign-service workers take great length to protect national security.  Classified information are shredded, hammered or incinerated during those last frenzied minutes of freedom in revolutionary Iran.

What ensues is a national ordeal where 52 people taken as hostages for 444 days.  Unbeknownst to the Iranians, six Americans (Tate Donovan, Clea Duvall, Scott McNairy, Rory Cochrane, Christopher Denham, Kerry Bishe) are able to escape through the back door and end up holing up in the abode of the Canadian's ambassador, Ken Taylor (Victor Garber), as "houseguests."  

Back in the U.S., government officials discuss extraction plans, all prove to be unworkable, such as the bike route that would require the six people cycle 300 miles to the Turkish border, or the English teachers when the English language school in Tehran has been closed months ago. 

Tony Mendez (Ben Affleck), known as an expert in "exfiltration" is brought in.  The CIA operative comes up with "the best bad idea" to execute.  Akin to a suicide mission, he leads the covert operation with an outlandish extrication plan.  Inspired by "Planet of the Apes," pose the six Americans as Canadian film crew scouting an exotic location for a couple of days for a fake sci-fi movie and then depart from the airport.   

If they couldn't withstand the scrutiny of tight airport security and their cover is blown, they would be caught as spies and face a firing squad.  But this far-fetched mission is the only thing that stands between their lives and certain, eventual execution.  The kind where their bodies might be dragged through the streets and hanged in broad daylight in public. 

In order to credibly create a faux film, Mendez goes to Hollywood and lays the groundwork.  He gets in touch with an Academy Award-winning makeup artist, John Chambers (John Goodman).  They persuade a veteran filmmaker, Lester Siegel (Alan Arkin), to form a phony production company, back it up with media promotion, and thus legitimizes the production in the eyes of the general public.  After all, "If you want to sell a lie, you get the press sell it for you."

"Argo," a rip-off of "Star Wars," is born.  With script, storyboards, poster, business cards, actors in costumes at table read, press event, it gains media recognition.  The daringly outrageous operation is underway.  Acting as producer, Agent Mendez flies out to Tehran and assigns new identities to the terrified six as director, associate producer, screenwriter, production designer, location manager and cameraman based on their appearance and background. 

The walkthrough in a crowded Tehran marketplace during the location scouting, intercutting with Iranian children meticulously piecing together paper shreds of documents and pictures, is a nerve-wracking dry-run.  Soon the Iranians would realize that six diplomats are missing. 

When American officials pull the plug on the operation at the last minute for fear of utter failure and worldwide mockery, Mendez takes it upon himself to go through with the plan.  It results in frantic attempts by his supervisor, Jack O'Donnell (Bryan Cranston), and colleagues at the CIA, along with the White House Chief of Staff (Kyle Chandler), to put things back together in the nick of time.  The hairy drive through the streets filled with demonstrators, just-in-time airport reservation check-ins and passing through immigration, tense interrogation by armed guards, dramatic tarmac pursuit, and risky run to the skies are incredibly pulse-pounding.

Not only that "Argo" is both intelligent and entertaining, it's riveting from start to finish.  Supremely-crafted script and storytelling.  Brisk pace, witty dialogue and suspenseful actions, with tonal balance between lighter humor and dour reality.  Authenticity with period costume and design, newsreels and footage from the era weaved into the story.  Human approach provides connection to the characters and care about their fate.  Solid, ensemble acting.  Arkin, Goodman and Cranston have some of the most memorable one-liners.  With critically praised "Gone Baby Gone" and "The Town," "Argo" places Affleck firmly in one of first-rate director's chairs.

Stay as the credits roll to see frames from the film juxtaposed with photos and news from the real event; they bear remarkable resemblance.  Based on a true historical story, "Argo" is stranger than fiction.  An absolute feat, it's an Oscar contender. 

http://www.sdentertainer.com/arts/reviews-arts/movie-review-argo/

Saturday, October 6, 2012

Upcoming Movies: October 2012

[Note: I was out of town and under the weather and missed "Looper."  Hope to see it soon.  October looks like an interesting mix of genres]

October 5
"Taken 2" - In Istanbul, retired CIA operative and his wife are taken hostage by the father of a kidnapper he killed while rescuing his daughter.

"Frankenweenie" (http://disney.go.com/frankenweenie/) - A kid conducts a science experiment to bring his beloved dog back to life, only to face unintended, sometimes monstrous, consequences.

October 12 
"Argo" (http://argothemovie.warnerbros.com/) - As the Iranian revolution reaches a boiling point, a CIA 'exfiltration' specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador.

"Seven Psychopaths" (http://www.sevenpsychopaths.com/) - A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.

October 19 
"Alex Cross" - A detective is told that a member of his family has been murdered. He vows to track down the killer.

"Paranornal Activity 4" (http://www.paranormalmovie.com/) - It has been five years since the disappearance of Katie and Hunter, and a suburban family witness strange events in their neighborhood when a woman and a mysterious child move in.

October 26 
"Cloud Atlas" (http://cloudatlas.warnerbros.com/) - An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.

"Chasing Mavericks" - When a young surfer discovers that the mythic Mavericks surf break, one of the biggest waves on Earth, exists just miles from his home, he enlists the help of local legend to train him to survive it.

Wednesday, September 19, 2012

"Arbitrage"

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In "Arbitrage," Richard Gere is a man in deep trouble. As Robert Miller, he's the head of a hedge-fund empire and appears to be the symbol of success. Wealth, Wall Street fame, a beautiful wife (Ellen; Susan Sarandon), son, and daughter (Brooke; Brit Marling) as likely successor.
At a glance, the corporation is doing well and in the process of being bought for massive profit. Robert seems content to step aside to pursue other interests or spend more time with family. In reality, however, the company has suffered hundreds of millions of losses due to some bad investments, and Robert has inflated the value by cooking the books and plugging the holes through a temporary loan. The buyout process, which involves a number of prolonged audits and reviews, ends with a cool ping-pong of power and deal closing over a napkin.
As if it's not complicated enough, Robert tops it off by having an affair with a French art-gallery owner, Julie Cote (Laetitia Casta) until tragedy strikes. With a detective (Det. Michael Bryer; Tim Roth) hot on his trail, he's forced to turn to an unlikely source, and a young man's life hangs in the balance as a result.
Gere still has "it." Throughout his indiscretion and predicament, he expresses a range of emotions well. And he has the charm and shrewdness to play the game of duplicity and infidelity, and layers of cover-ups that you'll almost want to root for him to beat the system and get away with all. Marling and Sarandon are strong supporting casts, although underused.
There's nothing particularly memorable about "Arbitrage," but anyone who is into crime drama would enjoy. Studios rarely makes this type of film anymore; it's a solid thriller.
http://www.sdentertainer.com/arts/reviews-arts/movie-reviews-premium-rush-arbitrage/  

DVD: http://tinyurl.com/cxfa7af
  

Tuesday, September 11, 2012

Fall 2012 Movies Preview

Though the summer movie season is winding down and the holiday movie season doesn't really ramp up until Thanksgiving, there are still going to be some pretty great flicks coming out this fall, from a time-travel thriller to a high-profile presidential bio-pic to the return of everyone's favorite British spy and sparkly vampires.   

Check out 10 of the fall's most anticipated movies, including synopsis and theatrical trailers, on Yahoo! Movies:

"Looper," "Argo," Cloud Atlas" are my most anticipated fall 2012 films.

Saturday, September 8, 2012

"Premium Rush"

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'Wilee' (Joseph Gordon-Levitt, "Inception," "The Dark Knight Rises") is a law school graduate who chooses to forgo the suits for the streets. As a bike messenger, he lives on the edge and thrives on the thrill of speed and simplicity.
One afternoon an urgent delivery goes wrong. A seemingly simple task of delivering an envelope from a sender to the recipient turns into a life-and-death chase through the crowded streets of Manhattan. He gets tailed by a determined, bad cop, Bobby Monday (Michael Shannon) and equally determined, good cop on bike wheels (Christopher Place), albeit each with a different purpose. Meanwhile, competition with a fellow bike messenger, 'Manny' (Wole Parks) is also heating up, involving a girl 'Vanessa' (Dania Ramirez), also another messenger. Wylie's interactions with and pursuit from the bad and good cops generate a lot of laughter. The final escape out of the impound lot is inventive.
Alternative routes show visually interesting (not to mention incredibly hilarious!) scenarios with people flying in the air, a bystander gets run over by a truck, bike messenger gets hit by a bus or "doored" by a cab. The story is skimpy story but delivers premium thrill. This bare bones, intense bike chase flick is a late summer rush of fun!

http://www.sdentertainer.com/arts/reviews-arts/movie-reviews-premium-rush-arbitrage/
  DVD: http://tinyurl.com/9ohytwp
  DVD (blu-ray): http://tinyurl.com/8c8wu87


Wednesday, August 29, 2012

Upcoming Movies: September 2012

[Note: I went to see "Premium Rush" but still don't have time to do a review.  Highly recommended!]


September 1
"Cosmopolis" (http://cosmopolisthefilm.com/en) - Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager's day devolves into an odyssey with a cast of characters that start to tear his world apart.

September 7
"The Words" (http://www.thewordsmovie.com/) - A writer at the peak of his literary success discovers the steep price he must pay for stealing another man's work.
"The Cold Light of Day" (http://www.thecoldlightofday.com/) - After his family is kidnapped during their sailing trip in Spain, a young Wall Street trader is confronted by the people responsible: intelligence agents looking to recover a mysterious briefcase.

September 14
"Resident Evil: Retribution" (http://www.residentevil-movie.com/site/) - Alice fights alongside a resistance movement in the continuing battle against the Umbrella Corporation and the undead.
"Arbitrage" - A troubled hedge fund magnate desperate to complete the sale of his trading empire makes an error that forces him to turn to an unlikely person for help.

September 21
"Dredd" (http://dreddthemovie.com/) - In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, a cop teams with a trainee to take down a gang that deals the reality-altering drug, slo-mo.
"End of Watch" - Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel, during a routine traffic stop.

September 28
"Looper" (http://www.loopermovie.com/) - In 2072, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits. Someone like Joe, who one day learns the mob wants to 'close the loop' by transporting back Joe's future self.
"Hotel Transylvania" (http://www.welcometohotelt.com/) - Dracula, who operates a high-end resort away from the human world, goes into overprotective mode when a boy discovers the resort and falls for the count's teen-aged daughter.










Friday, August 17, 2012

"The Bourne Legacy"

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When the Bourne series premiered over a decade ago, it's groundbreaking and made Matt Damon a bona fide action star.  It's a gritty, grounded action film.  The actions were realistically audacious.  Instead of heavily stylized, longer range shots, the hand-to-hand combat seemed realistic and performed with bravado.  The "parkouring" into compact spaces looked cool. And the chases and crashes were spectacular.   At the same time, we're also engrossed in a human story.  We had a real hero, Jason Bourne, who's not a superhero or James Bond, one that we cared about and rooted for. 

Tony Gilroy, co-writer of the Bourne trilogy, takes the helm as director (replacing Paul Greengrass) this time with "The Bourne Legacy."  While Greengrass and Damon are out of the picture, 'Legacy' has some of the look and feel of a Bourne movie. 
"There was never just one."  Jeremy Renner ("The Avengers") is Aaron Cross a super agent of "Project Outcome."  The story runs parallel to the "Bourne Ultimatum," where the powers pulling the strings behind the scene (Edward Norton and Stacey Keach), are in panic mode due to the threat of being exposed to the public, courtesy of Jason Bourne. 

There are references to Operations Blackbriar and Project Treadstone from the trilogy.  The impact of Jason's actions reverberate throughout different government agencies.  It's severe enough that a decision is made to wipe out the programs as part of the cover-up, along with its super agents and the doctors who help create them.  One of the doctors survives the massacre, Dr. Marta Shearing (Rachel Weisz, "Runaway Jury").  Once Aaron and the good doctor realize that they have a deadly target on their back, they have no choice but go on the run together.  The story starts rather slow but once the first explosion and shooting rampage begin, it maintains its tense pace till the end. 

Acting-wise, Norton is good as always.  He does the best with the material he's given.  Weisz has a couple of intense scenes that stand out.  Whereas Jason Bourne is a more appealing character, I think it's also because he's a real human being.  Aaron Cross, while still human, is genetically-altered and chemically-dependent.  He depends on "chems" or super pills to survive.  The blue and green pills are part of the regiment to maintain the enhancements to his physical abilities and stamina, such as strength and agility, and mental capabilities, such as intelligence, sensory perceptions and pain suppression.  Damon may be the only Jason Bourne, but Renner is a decent replacement.  As a programmed operative, he shows rare moments of quiet desperation and vulnerability.  And judging from his scene-stealing performance in "The Town"), Renner is capable of going further if provided with a more compelling script. 

The actions, without a doubt, are the best parts of the movie.  There are exhilarating extended sequences of foot and motorcyle chases throughout the tightly packed and frenzied streets of Manila and Bangkok, where Aaron and Marta attempt to outrun local police, SWAT team, and one particularly determined CIA super agent.  The latter is almost comical in his Terminator-like determination to pursue and kill at all cost.  Having Asia as a backdrop is a refreshing change of scenery from Europe. 

In the end nothing is resolved; the movie is clearly set up for a sequel (think "Salt" from 2010 starring Angelina Jolie).  While it may not be satisfactory, both protagonists seem to be in a good place - at least for now.  I, for one, look forward to seeing the next chapter of Aaron Cross' adventure.

http://www.sdentertainer.com/arts/reviews-arts/bourne-legacy-movie-revie/

Tuesday, August 7, 2012

"Total Recall"

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"Total Recall" (directed by Len Wiseman) made a splashy, star-studded appearance last year at Comic-Con and it's the non-superhero sci-fi flick I was most looking forward to see this year. Inspired by a short story by Phillip K. Dick "We Can Remember It for You Wholesale" and a remake of the 1990 film with the same title starring Arnold Schwarzenegger and Sharon Stone, its escapist concept is a dream. Who wouldn't want to go on a virtual world where all your fantasies come true?

In a dystopian future, most of the earth is uninhabitable after a global chemical warfare. Living space is the most valuable asset. The only remaining land mass are the United Federation of Britain (UFB) and the Colony. People from the Colony (the have-nots) travel daily across the globe through the earth's core to UFB (the haves) via a planetary commuter train called "The Fall."

Colin Farrell ("Fright Night") is Douglas Quaid, a factory worker from the Colony. He's married to his childhood sweetheart, Lori (Kate Beckinsale, "Whiteout"), an emergency paramedic. Restless with his mundane existence of living in a wet, dark and dingy Colony, assembling synthetic cops every day and getting passed over for a promotion, Douglas visits Rekall, a company that promises to provide the ultimate virtual vacation.

At Rekall, a visitor is implanted with a memory, containing a fantasy life that he or she always dreams of. The only caveat is the fantasy has to be just that, fantasy, it can't have any resemblance to any part of the real life or the brain would get blown out. For Douglas, his fantasy is being a spy agent. Unbeknownst to him, however, he was one, in the past. He just didn't know it since his memory was erased and implanted with a false one. Things go awry in an instant. UFB officers and robotic soldiers resembling stormtroopers from Star Wars storm in, killing everyone in sight and capturing him. To avoid capture, Douglas innately reacts and decimates the armed officers with force.

From the point of discovery, Douglas is on the run for his life. There are quiet, disorienting moments where he's trying to putting together pieces of his life and figuring out his real identity. "What is real?" "If I'm not me, then who am I?" The most nail-biting moment involves a standoff where Douglas must determine whether what he's going through is real or fantasy and he's still hooked into a machine at Rekall. Wouldn't reality is just what our brain perceives what it sees? His true identity is tied to the UFB and a key to a larger plan plotted by its chief, 'Cohaagen' (Bryan Cranston), beyond disarming a group called the Resistance, led by 'Melina' (Jessica Biel, "The A-Team") and 'Matthias' (Bill Nighy) and labeled as terrorists.

The story and characters are spoonfed quickly without much development. It's a non-stop action fest to the finish. And that's where the movie excels. The action sequences, from fierce fights to chases, crashes and shootouts through rooftops, tunnels, elevator shafts and roadways, are dizzyingly dazzling. While it's not easy to swallow Biel as a fierce fighter, Beckinsale is terrific as a ruthless assassin. The honors also go to set design and special effects. The futuristic universe include vertically stacked structures suspended in mid-air, sleek hover cars, elevated byways, gravity reversal elevator train, hand-implanted cell phone. The design of the Colony (formerly Australia) is interesting with its neon-lit Hong Kong style.

There's nothing really memorable about "Total Recall," but it fits the bill as a mindless summer blockbuster. It's a cool thrill ride.
DVD (blu-ray): http://tinyurl.com/8qjbkja

Comic-Con 2012




Tuesday, July 24, 2012

"The Dark Knight Rises"

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"The Dark Knight," proved that a superhero movie could be a critical acclaim and commercial success. I noted in my review that it's a spine-tingling spectacle. Aside from "The Avengers," "The Dark Knight Rises" is the most anticipated movie event of the year. A lot is riding on the final installment of the franchise.
The story picks up eight years after the murder of Harvey Dent, the late District Attorney (aka Two-Face) of Gotham City. Police Commissioner Gordon (Gary Oldman) still could not bring himself to tell the truth about what happened all those years ago, except stating that Harvey's death wasn't for a naught. Organized crimes were obliterated under the Dent Act.

Having taken the fall for Harvey's death and unable to prevent the death of the woman he loved, Rachel Dawes, at the hand of the Joker, Batman hasn't been seen in Gotham since then. An older and crippled Bruce Wayne (Christian Bale), is now a recluse. He has isolated himself in the Wayne manor, and is only accompanied by his loyal butler and confidante, Alfred Pennyworth (Michael Caine). Not only has he retreated from being the caped crusader, he has also abandoned Wayne Enterprise.

Bruce seems to be destined living in this state, even as Alfred emotionally pleads with him to move on. That is, until a visionary criminal, Bane (Tom Hardy, "Inception"), first seen in a jaw-dropping mid-air escape, emerges and terrorizes the city. A resourceful rookie police, John Blake (Joseph Gordon Levitt, "Looper"), with an unexpected connection to Bruce, challenges him to return. At the same time, a masked jewel thief, Selina Kyle (Anne Hathaway, "One Day"), slinks her way all over town in a black leather outfit with night vision goggles and spike heels as Catwoman. She tightly walks the rope between right and wrong. On the corporate side, Bruce faces Miranda Tate (Marion Cotillard, "Midnight in Paris"), a board member of Wayne Enterprise, who also serves as his love interest.

The gritty Gotham is not stylized here. Gotham looks like a real, 21st century city. The film explores current economic and social themes, mirroring Occupy Wall Street, and its potential implications in these anxious times. Bane's strategy is basically to divide and conquer, and it works. It plunges the society into mass chaos.

Bane holds the city hostage by staging a set of explosions and turning a fusion reactor, intended as a source for clean energy, into a nuclear bomb. He commands his underground army of mercenaries, frees up inmates, traps police officers underground, supports putting the rich on trials without due process and sends them into exile or to their death.

With the city he loves under siege, Bruce could have abandoned it, considering how they have turned their back on Batman. Yet he rises above and gives everything he has. Bale's agonizing scenes in the secretive prison deep beneath the earth are incredibly powerful. An encounter with an aging prisoner makes Bruce realize how to best utilize his anger and fear to climb out and break free. And once out, he fires up and inspires people to fight for a chance of survival.

On the gizmos side, Batwing (or simply known as the "Bat"), a jet plane, makes its appearance here and it's way cool. Even the Batcycle is more than a cool-looking motorcycle. The wheels have an effective 360 degree turn when the vehicle turns corner.

Seeing Bale, Caine and MorganFreeman (Lucius Fox) together again for the last time was bittersweet. Bale is a gifted actor capable of diverse roles, but he will always be remembered best as Batman. Caine's exchange with Bale about not wanting to bury another member of the Wayne family is very heartfelt. Levitt, initially thought of playing as a minor role, is a solid character and ends up being a significant one in the story. Hathaway is sleek, playful and dangerous. Her Catwoman is as realistic as it could be. Freeman is like an old friend, providing a steady, supporting hand. Hardy, while not as memorable as Heath Ledger's Joker, is physically imposing and poses a credible threat. Cotillard is just fine as a wildcard. Along with Bane, her character's surprising backstory provides a welcome twist and emotional punch.

Minor quibbles about the film include plot holes and occasionally choppy scenes, jumping in time and place. You'll also have to remember about the League of Shadows from the first installment, or be familiar with the comics because it's not explained as clearly in the film. The league's main purpose is to "restore environmental balance" by wiping out some of the population, which includes corruption. In this case, the Dent Act, based on a lie, has incarcerated inmates without the possibility of parole. The wealthy continues living large and leaves little for the rest.

It's hard to imagine how TDKR (or the inevitable reboot for that matter) would top TDK; it didn't. With the depth of the story, complexity and dynamics of the characters, TDK is stunningly brilliant. The intimate focus of the twisted relationships and the Joker's haunting performance carry a disturbing feel that stays with you long after. However, TDKR holds its own. The best way to describe it is that it's different.  With 2 hours and 45 minutes of running time, it's still gripping.  But because it's created in a much grander scale and covers a larger ground, it doesn't have the same level of intensity as TDK.

Director Christopher Nolan has created a perfect trilogy. "Batman Begins" drills deep into the core of Bruce Wayne's character, background, and development. "The Dark Knight" focuses on the relationships and impact on Batman. "The Dark Knight Rises" ties up loose ends and brings closure to Bruce, Batman, the city and the people he cares about. Bruce Wayne has always been a troubled soul and darker superhero, so it's good to see him in a good place in the end.

"The Dark Knight Rises" provides a satisfying ending to the superhero saga. The legend may end, but it leaves a lasting legacy.
DVD (blu-ray): http://tinyurl.com/cwkmdff

Comic-Con 2011



Friday, July 20, 2012

Comic-Con 2012: Feature Film Highlights and TV Previews

Preview night: http://sdmoviemaven.blogspot.com/2012/07/comic-con-2012-preview-night.html

Last year's Comic-Con was a sensational, multi-sensory experience with endless presentations attended by stars such as Charlize Theron, Chris Hemsworth, Kristen Stewart, Collin Farrell, Jessica Biel, Kate Beckinsale, Andrew Garfield, Emma Stone, Henry Cavill, Kellan Lutz, Luke Evans, and many more. Directors Steven Spielberg, Peter Jackson, Francis Ford Coppola and Tarsem Singh were also in attendance, to name a few.
This year Marvel, Warner Bros, Disney, Sony, Lionsgate, Legendary Pictures returned with some of the most anticipated movies in the next couple of years. I had to forgo a guaranteed seat at the Marvel press conference at the Hilton Hotel to ensure that I would get into Hall H in time for some of the biggest movie panels. It was worth the trade-off and the wait.
On the TV side, CW, Fox, ABC and NBC brought out fresh new series for the upcoming fall season. Superhero. Drama. Mystery. Supernatural. Horror.  Preview night this year was packed for good reasons. 
***
TV PILOTS
"Arrow" (CW)Starring: Stephen Amell, Katie Cassidy
Fans of "Smallville" would be familiar with Oliver Queen, aka Green Arrow.  This new series takes the character and creates entirely new stories and supporting characters around him.  The pilot shows a powerful back story of the son of a late billionaire who is found and rescued from an island after five years of being presumed dead.  The unexpected turn of event that happens at sea gives him the will to survive.  And what happens to him during his years in the island has changed his life forever.  Back in the city, there's an unfinished business with a former flame and a matriarch with a hidden agenda.
Amell has the look and capability to portray a privileged, prodigal son turned steely sharp-shooter and crime-fighter.  The exercise routine at the factory boasts some of the most impressive endurance and precision.  The way he threatens and pulls off a $40 million heist of a crooked tycoon is nothing short of brazen.  
Admittedly, I had low expectations about the pilot.  I came out impressed.  There's no 'camp' factor; it's written and executed as a superhero drama, yet action-packed and entertaining.  This is one new show I will be looking forward to seeing in the fall!
"The Following" (Fox)
Starring: James Purefoy, Kevin Bacon
Purefoy is a former professional of literature, obsessed with beauty and death, and inspired by his favorite poets.  Bacon is a former FBI agent who happened to be at the scene during the stabbing of his last victim.  Bacon's relationship with his ex-wife makes the situation adds conflict to the storyline.  Even as the serial killer is convicted and behind bars, it doesn't mean that his crimes stop.  It becomes a game between law enforcement and his followers.  You'd never know who, how or when his followers would strike.  It's the show of the night that left the audience clapping when it ended  Shockingly sadistic, it grips you and it's not for the faint of heart (think "Criminal Minds" meets "CSI").  
"Revolution" (NBC)
Starring: Billy Burke, Giancarlo Eposito
From the promo: "Our entire way of life depends on electricity.  So what would happen if it just stopped working?  Well, one day, like a switch turned off, the world is suddenly thrust back into the dark ages. Planes fall from the sky, hospitals shut down, and communication is impossible. And without any modern technology, who can tell us why?  Now, 15 years later, life is back to what it once was long before the industrial revolution." 
J.J. Abrams returns to the small screen with the most intriguing premise of the upcoming season.  Post-apocalypse, it shows that our modern society cannot handle living in the dark ages.  Governments fall and militia rises in their place.  It's every man/woman for him/herself.  A broken family embarks on a journey to seek another member of the family who holds a secret to the last remnant source of power prior to the blackout.  The closing scene casts a flicker of hope. 
I was most excited to see this pilot and found it to be mediocre.  Obviously, the concept is the draw, but aside from a tense situation or two, one involving a sword and the other a sword and arrow, the scenes plod along without much energy (no pun intended).  The novelty will wear off after a few episodes; hopefully "Revolution" could capture a wide-enough audience early on like "Lost."  If not, it might bite the dust mid-season, like those recent high-concept, serialized sci-fi shows that came and had gone, "Flash Forward," "The Event," "Terra Nova."
"666: Park Avenue" (ABC)
Starring: Terry O' Quinn, Vanessa Williams, Rachel Taylor, Dave Annable
If you're into drama/supernatural/horror shows, you may want to list "666 Park Avenue" on your roster.  While I missed the pilot, from the sneak preview, it tells a story about residents of an upscale Manhattan Upper East Side apartment.  They may think they're living the dream by residing in this luxury high-rise, but little do they know that they may have unknowingly bargained their souls with the devils.  The real address is 999 Park Avenue, but with a play of light and shadow, the number reads "666."  The house is haunted!
***
FILMS
"Pacific Rim" (July 12, 2013)
In attendance: Director Guillermo del Toro, Ron Perlman, Charlie Hunnam and Rinko Kikuchi.
When monstrous aliens (Kaiju) attack the earth, humans fight back with giant robots (Jaeger). A robot's mind is controlled by two pilots; one pilot controls the left hemisphere and the other right one. When asked what would happen if it's just one pilot only controlling the robot, Del Toro replied that this question would be fully answered in the movie. He also mentioned that, when presented with a budget, one could get "crazy or lazy." He chose to get "crazy" and demanded "110%" from the cast and crew. Hopefully, this translates into a quality story beyond a monsters vs. robots.
"Godzilla" (2014; release date unknown)
In attendance: Director Gareth Edwards
Not scheduled in the lineup, a "Godzilla" teaser sneaked ine. The teaser shows a fearsome Godzilla rises amidst smokes and ruins, roars and looms over a destructed city.
"The Campaign Movie" (August 10, 2012)
In attendance: Will Ferrell, Zach Galifianakis
Another surprise preview, it was the most hilarious one. This is a comedy of political rivals tangling with each other in a campaign. One fan, an aspiring comedian, asked a question that started a chain of laughter. The audience was treated to one comedic scene after another, A hysterical baby-punching moment in slow-motion was the highlight.
"The Hobbit: An Unexpected Journey" (December 14, 2012)
In attendance: Director Peter Jackson, co-writer Phillipa Boyans, Martin Freeman, Ian McKellen, Richard Armitage, Andy Serkis, and special guest Elijah Wood.
Warner Bros initiated the presentation by unexpectedly unfurling long side screens alongside the center screen with stunning images of majestic Middle Earth.
In this illustrious presentation, Jackson brought 12.5 minutes of behind-the-scenes reel of the last five days of production of the prequel to the "Lord of the Ring's trilogy. It showed interviews and clips of stars such as Luke Evans, Cate Blanchett, Orlando Bloom doing their scenes. There's a mention about the difference between the way dwarves and elves move. The appearance of Gollum on the screen brought on cheers from fans. The footage also showed the hobbit finding the magical One Ring in Gollum's lair.
Serkis talked about how he was supposed to be on location for two weeks but ended up being called for a year and a half. Wood gushed that he was "blown away" by the footage. In response to the question about the majority of the cast being male, Boyans mentioned that she wanted to add a "feminine energy" into the film while staying true to the J.R.R. Tolkien's novel, and that's the reason that another female character was introduced (Evangeline Lily).
Jackson made sure that fans knew how much they're appreciated as by proclaiming that this was, "a movie made by fans for fans."

By the way, McKellen is seen clutching a yellow shirt in the photo; the shirt was given by a professional photographer standing next to me in the press section.  A huge fan of McKellen and LTR trilogy, he flew to San Diego all the way from Brazil.  
"Superman: Man of Steel" (June 14, 2013)
In attendance: Director Zack Snyder, Henry Cavill
"What if a child dreamed of becoming something other than society intended? What if he aspired to be something greater?" The narrator continues that Clark Kent needs to decide what kind of man he wants to grow up to be, because "good character or bad," he's going to "change the world."
Synder introduced Cavill as the new Superman, along with the highly anticipated footage. The screen opened with Clark Kent as a child wearing homemade red cape. A young Clark can also be seen lifting a drowning school bus. Flashing back, a baby Clark floats in the air laying inside the pod of his spaceship. Then a grown-up Superman readying to fight in front of a crushed vault door.  Later he gets handcuffed and escorted by security officers. There's a cool scene of Superman fast-flying through the skies leaving a sonic boom behind. The sneak preview also showed co-stars Russell Crowe as Jor-El (Superman's biological father) in a gray Krypton suit and a misty-eyed Amy Adams (Lois Lane) facing Superman.
Cavill was very humble and gracious for the fans' support. Responding to a fan's question regarding the pressure of playing Superman, he said, "It's a dream come true," at the same time, he's well-aware he's wearing the 'S' (symbol) on his chest. Speaking of the widely debated costume, the chain-mail costume with muted colors turns out great. It looks better on the screen than when we first saw it from the initial vault-breaking promo photo put out by the studio months ago.
Synder thought of this Superman as the first one in his mind, and he and Cavill wanted to create something that would be relatable to the new generation. He sidestepped the answer about whether or not General Zod would be the villain in the movie. There was no clear answer either of whether this Superman would be part of a larger effort to launch the "Justice League" (DC's superhero ensemble, like Marvel's "The Avengers"), but Synder realized that Superman was the "crown jewel" (of the DC Comics) so he would like to get "his house in order" first.
When coaxed by a fan about who would win in a battle between Superman and Christopher Nolan's Batman, Snyder lightheartedly replied that he thought Batman was awesome, but, "Really?" (as in, no contest)
"Iron Man 3" (May 3, 2013)
In attendance: Marvel President Kevin Feige, Director Shane Black, Jon Favreau, Robert Downey Jr., Don Cheadle
The most fun panel of the day! Downey (RDJ), always a crowd pleaser and real entertainer, had a lot to do with it. As Favreau was speaking as if he was going to show the trailer, all of sudden, a rock-and-roll music blared and in walked RDJ! Wearing one of the Iron Man gloves with glowing light, he wowed fans by making a grand entrance like a rock star, through the isles of the audience. Imagine the hyper-mania with 6,500 people suddenly leaping to their feet, standing atop their chairs, screaming and cheering wildly and flooding the scene with blitzes. RDJ nearly brought down the house again when he took the stage, gleefully asking three questions, "How much do I love you?," "How much do you love me?" and "How much do you want to see some footage?" 
The footage rocked big time! It began with a comical scene of Tony Stark (RDJ) trying to suit up in his new armored suit (with reverse color scheme; the majority being a whiter gold and specs of red). Piece by piece, the suit flies as if on command, assembling and attaching itself to Tony's body. Then it's nonstop action with Tony and Pepper Potts (Gwyneth Paltrow) inside their glassy, clifftop mansion, looking straight ahead as the mansion gets hit by missiles and crumbles into the sea below. The closing scene reveals Kingsley in his ornate getup as the villain, the Mandarin.
While Favreau (director of the first two movies) no longer directs this installment, there's no bad blood between him and Black (current director). He demonstrated his support by attending the panel, and even made a returned cameo as Tony's bodyguard in the upcoming movie. Favreau gave a tongue-in-cheek tip to Black that the key to gain more Comic-Con love was to play the preview twice. Of course, he obliged and received thumbs up from fans.
At the start of the panel, cut scenes from the individual superhero movies ("Iron Man," "The Incredible Hulk," "Thor," "Captain America") were rolling. The opening ended with "The Avengers," capped with "Thank you for making 'The Avengers' the biggest superhero movie of all time" before fading into black.
The sheer frenzy continued with the reveal of the projects-in-progress and new titles. "Iron Man 3" (May 3, 2013), "Thor 2: The Dark World" (November 8, 2013), "Captain America 2: The Winter Soldier" (April 4, 2014), "Guardians of the Galaxy" (August 1, 2014). Another surprise move was director Edgar Wright stopping by for a quick Q&A, as well as rolling out a test footage of "Ant Man."
While this panel was billed as the "Iron Man 3" (currently still filming in Wilmington, North Carolina) panel, it's a Marvel celebration. It's obvious that Marvel recognized the power of its fanbase in the last five years. It's the perfect panel to end the day.
The films lineup also includes trailer park, featuring trailers of "Frankenweenie," "Dredd," "Finding Nemo" (in 3-D), "Resident Evil: Retribution."
Other notable presentations from the previous days include futuristic thrillers "Total Recall" and "Looper." Click on the links for highlights and photos from 2011 Comic-Con for "Total Recall" (attended by director Len Wiseman, Collin Farrell, Kate Beckinsale, Jessica Biel) and 2012 WonderCon for "Looper" (attended by Joseph Gordon-Levitt).
***
Experiencing the biggest pop culture phenomenon in the world didn't stop with the panels.
Let's not forget the exhibitions! The halls were brimming with crowds, filled with excitement and energy. Displays include Total Recall's avant-garde vehicle and robotic soldier, The Dark Knight (Batman) tumbler and batcycle , Iron Man's new armored suit, Man of Steel's (Superman) costume, James Bond's cars, the Hobbit's colossal trolls, the Hulk, Optimus Prime (Transformers), life-like figurines of the Avengers, and hundreds of props and models.
Outside, downtown San Diego was transformed, Comic-Con style. The Grimm's foggy forest, Revolution's plant-covered car and ferris wheel, spaceship landing near the Hard Rock Cafe, and downtown skyscrapers draped with giant banners.