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Tuesday, July 26, 2011

Comic-Con 2011: Feature Film Highlights

Preview night: http://sdmoviemaven.blogspot.com/2011/07/comic-con-2011-as-seen-on-exhibition.html

Last year I had a blast watching previews and panels attended by stars such as Angelina Jolie, Bruce Willis, Sylverster Stallone, Daniel Craig, Harrison Ford, Olivia Wilde, Jeff Bridges, Brandon Routh, Milla Jovovich, Robert Downey Jr., Samuel Jackson, Natalie Portman, Chris Hemsworth, Chris Evans, Mark Ruffalo, and many more.

This year, with Marvel, Warner Bros and Disney pulling out, there was still plenty to see.  On the movies side, Sony, Paramount, Universal, Fox – just to name a few – came in with big panels, big crews and big stars.  I spared a little bit of time watching the more intriguing this fall season’s TV pilots, “Alcatraz” (Jeffrey Pierce, Sarah Jones) and “Person of Interest” (James Caviezel, Michael Emerson), existing show “Nikita” (Maggie Q, Shane West, Lyndsy Fonseca), and roamed the exhibition floors for authentic props and goodies.  But for the most part I remained faithful to Hall H (Hall “Hysteria,” as I’d dub it) at the expense of other press events.  First and foremost, I’m an avid movie fan.

***

There’s nothing like being there in person and being a part of the pandemonium.  While it’s not feasible to include every panel and every detail and nuance, here are the highlights of some of the feature film panels: (grouped by the order of the appearance and studio)

DAY 1

“Don’t be Afraid of the Dark” and “Drive” -  Jointly attended by Guillermo del Toro, Nicolas Winding Refn, Guy Pearce, Carey Mulligan, Ron Perlman.  Both footages were freaky, in different ways.  Mulligan spoke of her admiration for Ryan Gosling (co-star, “Drive”), who learned everything about cars and built one himself for to be in the role of a troubled stunt driver.  A standout was a single scene where Gosling’s character goes from being lovey-dopey with Mulligan’s on screen to brutally crushes someone’s skull in an elevator in an instant.

“Prometheus,” In Time,” “The Rise of the Planet of the Apes:”

“Prometheus” – Charlize Theron flew in from Iceland for the Q&A.  She made a striking entrance and said in jest that the director, Ridley Scott, should have been there in person; after all, it only took seven flights and one chopper.  Scott, who was still filming, later connected via satellite and addressed inquiries about the space alien thriller and 3D technology.

“In Time” – A futuristic thriller and the one I’m most intrigued about.  In the late 21st century, time has replaced money for currency.  Aging stops at the age of 25 and you would only have one year to live.  If you don’t replace your clock, you die. After a Q&A with its director-writer, Andrew Niccol,  Justin Timberlake took on the questions most times, with Amanda Seyfried standing by his side. Timberlake admitted that he still carried idiosyncracies from the film.  Olivia Wilde, Alex Pettyfer, Cillian Murphy also star in the movie.

“The Rise of the Planet of the Apes” – The lengthy trailer of hair-raising sequences of chaos was broken up into three acts.  The trailer also showed Andy Serkins (“Lord of the Rings”), shooting scenes with the performance-capture technology, translating his every movement and expression into the ape.  Serkins was on hand for the Q&A.

***

DAY 2

“The Adventures of Tin-Tin: The Secret of the Unicorn” – Legendary director Steven Spielberg, arguably the most recognizable filmmaker in the world, made the long-awaited trek to Comic-Con and greeted with a standing ovation.  The panel opened with montages of the most beloved classics; “Jaws,” “Indiana Jones,” E.T.,” “Jurassic Park.”  Another visionary director and his collaborator, Peter Jackson (“Lord of the Rings,” “King Kong,” “The Hobbit”), made a surprised appearance, to the delight of fans.

Spielberg described “Tin-Tin” as a dense detective, murder mystery story.  If Tin-Tin’s early footage was any indicator, we’d be in for an awesome adventure at the high seas.  The animators working on the movie are the same ones who did “Avatar.”   Spielberg divulged that his most favorite movie to direct was “E.T,” and produced, “Back to the Future.”  He provided  a scoop that “Jurassic 4″ already had a script, and it should come to fruition in 2-3 years.  One lucky fan, wearing a shirt emblazoned with the words of hoping to meet and handshake with Spielberg, was brought on to the stage.  Jackson hilariously embraced the role of photographer and took the fan’s picture with Spielberg.

“Haywire” – Attended by director Steven Soderbergh, Gina Carano, Channing Tatum.  It looked like a very cool, double-crossed black ops solider, spy movie.  The sneak preview showed Carano in a close-up, continuous scene of an incredible hand-to-hand combat with Michael Fassbender.  Soderberg wanted to cast an actress who could do real fights.  Michael Douglas and Ewan McGregor also star in the movie.

“Underworld 4″ – Director Len Wiseman was accompanied Kate Beckinsale and Michael Ealy.  The sleek trailer, featuring leather-clad Beckinsale in slashing action, looked more modern than the previous installments.  The stunning Beckinsale elicited adoring comments from fans.  Wiseman was open to make more sequels of the popular vampire-werewolf flick.

“Fright Night” – Attended by director Craig Gillespie, screenwriter Marti Noxon, Collin Farrell, Anton Yelchin, Christopher-Mint Passe.  The panel opened with a humorous caution that this was a bloody-gory vampire tale, not your average teenage vampire (a.k.a. “Twilight”).  The freaky footage had the combination of horror and humor.  It had the it’s-so-bad-is-good feel.  Gillespie made a comment that it’s Collin Farrell being Collin Farrell (i.e., “bad boy” facade).  Farrell generated the most number of questions and laughter.  He did a nice gesture by giving away and signing his nametag when requested by a fan.

“Ghost Rider: Spirit of Vengeance” - Showed the daredevil filmmaking by its directors, Mark Neveldine and Brian Taylor.  They were filming in moving speed, riding a roller blade and chained to a speeding motorcycle.  Both directors were present, along with Nicolas Cage, Idris Elba, Johnny Whitworth.  While the first installment was more of the “Grimm’s Fairy Tale,” the second one was said to showcase the nightmarish aspect of the hellish tale.

“Total Recall” – Attended by director Len Wiseman, Jessica Biel, Bryan Cranston, John Cho, Kate Beckinsale, Collin Farrell.  An intriguing futuristic footage and a dynamic panel discussing the premise; brain vacation and reality versus fantasy.  Predictably, there’s a comment about the fight scene between the gorgeous stars, Biel and Beckinsale.

“The Amazing Spider Man” -  Amazing indeed.  Instead of  strolling onto the stage like a star, Andrew Garfield (Spider Man) first appeared in disguised as a fan in a Spider Man costume, lining up for to ask a question.  He insisted to ask a question even though Q&A is typically set toward the end.  The hall erupted in surprised cheers when this “fan” unmasked himself and out Garfield.  Garfield was joined by director Marc Webb, Emma Stone (Gwen Stacy), Rhys Ifans (the Lizard as villain).  And the extended trailer was amazing.  The Lizard came to full view in a dramatic way.  Like Tobey Maguire, Garfield embodies that down-to-earth, ‘average Joe’ persona with natural humility and awkwardness.

***

DAY 3

“Immortals” -  Attended by director Tarsem Singh, Frida Pinto, Luke Evans, Kellan Lutz, Henry Cavill.  The breathtaking trailer, in “300″ style, gleamed in gold and featured stylish sword-fighting among ancient Gods and Greek warriors, and epic level of destruction.  It’s a swooning panel for fans with the handsome stars of “Clash of the Titans” (Evans), “Twilight” (Lutz) and the next Superman (Cavill) together on stage.  The moderator, knowing that fans would be interested in Cavill’s upcoming “Superman: Man of Steel” was asked to limit all inquiries to “Immortals” only.  Cavill mentioned that the hardest thing while filming the movie was to stay in shape due to the physicality of the role.  He playfully added that he had to work to maintain his form, unlike Lutz, who’s always in shape.  The latter comment, of course, drew out chuckles.  At the end of the panel, Lutz made an exception of signing an autograph for a fan.

“Snow White and the Huntsmen” – Attended by director Rupert Sanders, Sam Claflin, Chris Hemsworth, Charlize Theron, Kiersten Stewart.  While they didn’t have an official trailer for the dark fairy tale, they managed to show a two-minute clip.  This high-quality clip, created on a very small budget, was exclusively created as a special treat for Comic-Con fans.  Photographs of the dwarfs and the actors in their medieval costumes also were also shown – Claflin as the prince, Hemsworth as the huntsman, Theron as the evil queen, Stewart as Snow White.  Theron was attracted to the role because she thought it would be interesting to play a character who’s so well known and turn it upside down.  Stewart was drawn to the character because she’s completely without vanity and doesn’t let fear affect her ability to do things she feels strongly about, not to mention having the chance to use cool weapons. Theron made it a lively panel with her fun banter and mockingly acted “evil” with Stewart.  Hemsworth joked about him being picked last after other actors turned down the role.

***

Other movie panels attended were animations “The Pirates! Bands of Misfits” and “Arthur Christmas” with director-producer Peter Lord, Q&A with director-producer Robert Rodriguez, gothic horror “Raven” with John Cusack and Alice Eve, comedic action “30 Minutes or Less” with Azis Anzari and Michael Pena, ghost story “Twixt” with director Francis Ford Coppola and Val Kilmer, musical animation “Dorothy of Oz” with Lea Michele and Sir Patrick Stewart.

***

There’s nothing like the largest pop culture event in the world.  Approximately 130,000 were in attendance for movie-marveling, TV-trailing, comic-channeling, star-sighting, geek-costume gawking.  The energy, the passion, the mania.  A sheer sensory overload, it’s a must-do experience at least once in a lifetime.

And that’s a wrap. Bring on 2012!

http://www.sdentertainer.com/arts/events/comic-con-2011-highlights-san-diego/

[left click to enlarge pictures]

Monday, July 25, 2011

Comic-Con 2011: Feature Film Highlights

Comic-Con 2011 feature film highlights article is now up on http://www.sdentertainer.com/arts/events/comic-con-2011-highlights-san-diego/ It will be posted on the blog at a later time, including additional photos.

Thursday, July 21, 2011

Comic-Con 2011: As Seen on the Exhibition Floors...

The best things about Comic-Con's exhibition floors (aside from free goodies)... PROPS - as used in the movies.  This year, take a look at the Avengers logo, Captain America suit and shield, Batman suit, the Joker, Two-Faced, Green Lantern, MIB, Total Recall Hovercar, etc. Happy viewing! :-)

An article will be up in the next few days.

[left click to enlarge pictures]




Sunday, July 17, 2011

Comic Con 2011 Preview

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It's the most wonderful time of the year...  No, not December.  For most of us movie/tv/anime/comic fans, it's July!  COMIC CON starts this Wednesday, July 20 and will last through Sunday, July 23. 

With Marvel, Warner Bros and Disney pulling out, there's still plenty to see.  On the movies side, Sony, Paramount, Universal, Fox - just to name a few - are coming in with big panels, big crews and big stars.  Last year I had a blast watching previews and panels attended by stars such as Angelina Jolie, Bruce Willis, Sylverster Stallone, Daniel Craig, Harrison Ford, Olivia Wilde, Brandon Routh, Milla Jovovich, Robert Downey Jr., Samuel Jackson, Natalie Portman, Chris Hemsworth, Chris Evans, Mark Ruffalo, and many more.  I'll do a "blast from the past" post, adding to the "Avengers" special highlight, if I have the time (just need to find the recap in my personal files and edit).  
 
This year I'll be there for the feature film panels as well (and a few TV pilot shows, and of course, roaming the exhibition floors) and coming back with highlights.  Of particular interests are 20th Century Fox (unknown panels), "The Adventure of Tin-Tin," "Haywire," "Total Recall," "The Amazing Spider-Man," "Immortals," "Snow White and the Huntsmen." 

For complete schedules, check out: http://comic-con.org/cci/cci_prog.php

Stay tuned!

Monday, July 4, 2011

"Cars 2"

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Spies, mistaken identity, car racing showcasing Bond-worthy gadgets and speed.  Did I mention gadgets and speed?!  This is an action-packed, grand prix adventure with lifelike architectural and scenery backgrounds of Tokyo, Paris, Porta Rosa and London. A car version of "James Bond" and "Fast Five," animation style.  No, it's not a typical Pixar movie; this one is built for speed!

*Due to the amount of violent actions and language, it may not be suitable for very young children. 

"Transformers: Dark of the Moon"

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Michael Bay is back with his beloved Transformers' robots.  This time he uncovers the 1960s lunar-landing cover-up and destroys Chicago in present time.  The space mission was initially launched to investigate the crash-landing of an alien spaceship on the moon.  Unfortunately, unlike the recent "X-Men: First Class," the promising retro start feels like a gimmick.  Things happen and jump around without logical explanations.  But Bay comes through with the CGIs and stunts.  Epic big and loud and chaotic.  A cool Inception-style building, tilting and collapsing into another, making up a bridge in the air.  Winged-suit soldiers diving and flying.  Chicago transformed into a robotic battlefield.  Although it's a numbing mess at 2.5 hours (2 hours would have worked just as well).  See it for what it is; a brainless Bay's Bots summer blockbuster. 
DVD (blu-ray): http://tinyurl.com/42ja455

Thursday, June 30, 2011

Upcoming Movies: July 2011

July 1

"Transformers: Dark of the Moon" (http://www.transformersmovie.com/) - Against the backdrop of the space race between the U.S.S.R. and the USA, the alliance between Sam Witwicky and Optimus Prime is put to the test against a common enemy: Shockwave.

 

"Larry Crowne" (http://www.larrycrowne.com/)-  Unclear of his next steps after losing his job at a big-box retailer, Larry Crowne enrolls at his local college, where he finds a niche among the school's community of outcasts, and a connection with a teacher who has lost her passion for life.

 

July 8

"Horrible Bosses" (http://horriblebossesmovie.warnerbros.com/index.html) - Three friends conspire to murder their awful bosses when they realize they are standing in the way of their happiness.

 

July 15

"Harry Potter and the Deathly Hallows 2" - The end begins as Harry, Ron, and Hermione return to Hogwarts to find and destroy the final horcruxes. But when Voldemort finds out about their mission, the battle of Harry vs. Voldemort looms large. 

 

"Winnie the Pooh" (http://disney.go.com/pooh/) - Hand-drawn Disney treatment in the studio's return to Hundred Acre Wood, bringing back Winnie, Eeyore, et al. back into theaters in a classical fashion.

 

July 22

"Captain America: The First Avenger" (http://captainamerica.marvel.com/) - After being deemed unfit for military service during WWII, a soldier volunteers for a top secret research project that turns him into Captain America, the Sentinel of Liberty, a superhero dedicated to defending America's ideals.  His first mission is to combat the Nazi propaganda effort headed by Red Skull.

 

July 29

"Cowboys & Aliens" (http://www.platinumstudios.com/cowboysandaliens) - Apache Indians and Western settlers must lay their differences aside when an alien spaceship crash lands in their city.

 
"The Smurfs" (http://www.smurfhappens.com/) - The little blue creatures of Smurf village move to New York City after an evil wizard chases them out of their mushroom-like homes in the forest.

Wednesday, June 29, 2011

"Super 8"

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The "E.T." of the 21st century.

Growing up overseas, I never saw the original "E.T."  But I had the pleasure of seeing the 2002's remake.  "Super 8" is a reminiscence of that, with a homage to "Jurassic Park."  I saw it a couple of weeks ago, but due to a variety of factors, I wasn't able to write a review around that time.  It may not be an instant classic, but "Super 8" has a magical quality.  It stays fresh in my mind as one of the best movies of the year. 

If you're not a fan of "Cloverfield," fear not, "Super 8" is nothing like the shaky docu-style film.  While both share the director, J.J. Abrams, that's where the similarity stops.  It's also worlds beyond Steven Spielberg's own "War of the Worlds" (starring Tom Cruise and Dakota Fanning).  Inspired by Spielberg (acting as producer here), "Super 8" has all the footprints of an old-fashioned kids' adventure, family movie. 

Set in 1979 Ohio, the story opens with several kids (Joel Courtney, Elle Fanning, Riley Griffiths, Ryan Lee, Zach Mills, Gabriel Basso), filming an amateur movie with a Super 8 camera in front of an old train station.  They witness and survive the impact of a horrifically breathtaking freight train crash, which is derailed by a pick-up truck driven by a familiar face.  Almost immediately the U.S. Air Force (led by Noah Emmerich) swarm in and sweep around the area, recovering tons of small white-cubed materials from the train.  They continually roam around  and even set up makeshift camps in town.  

Not long after the town begins to experience strange occurrences.  Pets running and found many miles away, people mysteriously disappearing, pools of blood streaming through, random power outage, electrical interference, neighborhood posts destroyed, loud scary noises in the dark.  And during the Cold War era, suspicion gravitates toward the Soviet Union. Little did they know that something far sinister lurks in the background, threatening the lives of everyone.  A pandora box has been opened. 

The filmmakers did a super job in keeping "Super 8" under wrap and thus raises the "shock and awe" value.  "Super 8" is a throwback to a nostalgic era - rotary telephone, walkman, camera film - filled with memories of childhood friendships and the wonders of exploration and discovery about the world.   The kids are the true stars here.  Relatively unknown, they're a talented bunch.  Ellen Fanning is especially stunning.  The natural interconnectedness yet underscored by distinct personalities create an authentic innocence and camaraderie. 

The strength of "Super 8" lies in the execution.  It's executed exceptionally well that every moment is precious. The ambiance is just right that you could literally feel the chill in the air.  With spectacular cinematography, special effects, sound editing, it's tense and thrilling. 

And the story is the draw.  It's purely poignant, sweet and funny.  It's a story about a boy's grief, coping with the loss of his mother, and dealing with his overprotective father and the town's sheriff (Kyle Chandler).  It's also a coming-of-age story, interlinked with genuine interactions among friends. 

Perfectly paced, the suspense builds gradually and keeps its momentum until its heartwarming ending.  Stay through the closing credits roll for a special treat.  "Super 8" is spellbindingly super. 

Monday, June 27, 2011

Note: "Super 8"

Belated "Super 8" review is now up on http://www.sdentertainer.com/arts/reviews-arts/super-8-movie-review/  It will be posted on the blog at a later time.

Wednesday, June 22, 2011

"Green Lantern"

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"In brightest day. In blackest night. No evil shall escape my sight. Let those who worship evil's might, beware my power... Green Lantern's light!"

It wouldn't be fair to compare "Green Lantern" with the recent "X-Men" or "The Dark Knight," which are inherently darker and carries a more serious tone, dealing with human nature, psychological, social and political issues. And while the heroes share similar bravado and tongue-in-cheek humor, it's not like "Iron-Man" either, which is grounded in reality.

"Green Lantern" is more along the lines of "Thor" or "Fantastic Four," highly fantasy-based and intended as a light entertainment. While "Thor," with a surprisingly layered story and compelling characters, was a thunderously successful adaptation, "Green Lantern" is a hit-or-miss.

Hal Jordan (Ryan Reynolds, "X-Men Origins: Wolverine") is a cocky and careless, top test pilot with Ferris Aircraft. In a "Top Gun" fashion, he dogfights robotic drones, shows off his maverick side by going outside the rules of engagement in beating out the drones, which effectively costs the company a billion dollar defense contract. Behind the bravado, Hal is haunted by the memory of his dad (Jon Tenney), also a test pilot, who died before his eyes when he was a little boy. There's always a fear that he would meet the same fate. Blake Lively is Carol Ferris, a fellow pilot, vice president of his father's company, childhood friend and ex-girlfriend.

In a faraway galaxy, the Green Lantern Corps, protectors of the universe's order, are facing a growing monstrous enemy, Parallax (voiced by Clancy Brown), which threatens to destroy everything. When warrior Abin Sur (Temuera Morrison) is mortally wounded, he crashes into earth with his spaceship. Each Green Lantern wears a ring, harnessed by the power of will. Abin's ring flies out and chooses Hal, the first human ever recruited as a Lantern, bestowed with the highest honor and greatest responsibility.

Hal is flown to planet Oa to meet the rest of Green Lanterns. When Hal is transformed, his skin turns into a glowing green energy and he can manifests any object that he imagines in his mind, which can be used as weapons. He's trained by porcine-like Killowog (voiced by Michael Clarke-Duncan) and fish-like Tomar-Re (voiced by Geoffrey Rush), and challenged to a test duel by a Lantern leader, Sinestro (Mark Strong). As Green Lantern, Hal is to focus his mind and not let fear defeat him. Otherwise he would get killed by Parallax, which carries the power of fear, and can detect and feeds on fear.

On earth, a biologist named Hector Hammond (Peter Saarsgard), is called upon by the government to dissect the alien's deceased body. During the process, the remnant of the fear energy remaining in Abin's body infects him, deforms his skull and inhabits his human form. Always being made to feel inferior, he targets his dad, a U.S. senator. While Hector is a side story, he's more gripping as a villain than the distant, smoky-tentacled space monster Parallax. Although Hal's ultimate confrontation with Parallax is no less fearsome.

With shiny visuals and special effects, "Green Lantern" is entertaining overall but subpar. As an origin story, it lacks an engaging script and at times feels mechanical. It's not able to find the proper balance of tone, vacillating between goofy and grave. While the shifts between the two worlds flow seamlessly in "Thor," they're less cohesive in "Green Lantern."

Lively may be lovely as a love interest, but she doesn't show the credibility of a skilled pilot or high-powered executive. However, she does have a chemistry with Reynolds. And Ferris plays a role in making Hal realize his inner ability to overcome fear and thus be trusted as the bearer of the cosmic ring.

Lastly, and perhaps more importantly, Reynolds is suitably cast. While he's not a compelling enough character or superhero to care about, as Green Lantern, he's believable in his solemnity, yet his comedic charm helps when dealing with the absurdity that comes with the premise.

After soaring sky-high with "Thor" and blown away by the extraordinary force of "X-Men: First Class," adjust your expectations and you'll float along for the intergalactic ride with "Green Lantern."
 

Monday, June 20, 2011

Note: "Green Lantern"

"Green Lantern" review is now up on http://www.sdentertainer.com/arts/reviews-arts/green-lantern-movie-review/  It will be posted on the blog at a later time.
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Monday, June 13, 2011

Movie Studios Mulling Over Comic-Con

[Note: I was planning to do a review on "Super 8 but running out of time this past weekend]

In summers past, Warner Brothers used Comic-Con International, the premiere convention for comic book, science fiction and fantasy fans, as a marketing platform for movies like “Sherlock Holmes,” “300” and “Sucker Punch.”

The three years and millions of dollars Disney spent promoting “Tron: Legacy” at Comic-Con did not translate into ticket sales. Walt Disney Studios staged “Tron: Legacy” stunts there three years in a row. Last July, DreamWorks Animation paraded Will Ferrell, Tina Fey and other members of the “Megamind” cast through the convention.

This year? Warner’s main studio operation is bringing nothing. Ditto Disney and DreamWorks. The Weinstein Company, a perennial presence, will also sit this one out. Even Marvel Entertainment, whose panel for “The Avengers” was a highlight of Comic-Con 2010, is on the fence about whether it will mount a major presentation.

What's going on?

Check out the article on The New York Times:

Tuesday, June 7, 2011

"X-Men: First Class"

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[Note: San Diego Entertainer site was hacked, so I'm posting the review first here until the site is up and running again]
 
The original "X-Men" in 2000 propelled the meteoric rise of superheroes into the next decade and beyond.  The first installment was followed up by a spectacular second, "X2."  Unfortunately, the third, "The Last Stand" (with the change of director from Bryan Singer to Brett Ratner) fell flat. Crammed with too many characters, it's big on style and nothing else.  "X-Men Origins: Wolverine" has its moments.  Director Matthew Vaughn ("Layer Cake," "Kick-Ass") with Singer's return as a producer brings back the "X-Men" that fans worship. 

 

"First Class" is more of the origin story of the future Professor X (Patrick Stewart) and Magneto (Ian McKellen).  They're young men learning about who they are, what they're capable of, discovering their superpowers and others like them, and where they stand in the world.

 

The story opens in Nazi's concentration camp, where metal-bending Erik Lehnserr (Michael Fassbender, "Pride & Prejudice"), as a little boy, was separated from his family.  Discovered as a mutant by a psychopathic doctor (Kevin Bacon), he's forced to mentally move a coin and fails, resulting in the tragic death of his mother.  What follows is a terrifyingly powerful scene as Erik's power is unlocked by rage.  He carries this deep-rooted anger to adulthood, turning into a vengeance-seeker and later a full-blown villain.

 

Telepathic Charles Xavier (James McAvoy, "Wanted") grows up in a sprawling, remote estate.  One day he finds Raven/Mystique (Jennifer Lawrence), a shape-shifting blue mutant, masquerading as his mother in his kitchen.  Since then they live together like brother and sister.  There's a glimpse of their university days, where Charles is quite a charmer with the co-eds and eventually becomes a renowned professor in genetics mutation. 

 

A CIA agent, Moira MacTaggert (Rose Byrne) stumbles upon the existence of mutants while in pursuit of Sebastian Shaw (Kevin Bacon), which turns out to be the same Nazi doctor who killed Erik's mother.  Sebastian is also a mutant, with the power to absorb and release energy force.  He's accompanied by diamond-encrusted Emma Frost, twister-spinning Riptide, tailed devil Azazel. 

 

An underwater incident leads Charles to Erik, where Charles saves his life.  From then on their friendship grows.  Erik's intensity is balanced by Charles' calming influence.  They travel together to track down the other mutants - wing-sprouting Angel (Zoe Kravits), ear-splitting Banshee (Caleb Landry Jones), ape-like Beast (Nicholas Hoult), evolving Darwin (Edi Gathegi), fiery Havok (Lucas Till).  Their relationships with the mutant proteges display their mentoring ability.  The training at Charles' estate to control and manipulate their powers for good provides some of the lighthearted scenes.   

 

Even with a common bond, Charles and Erik's ideological differences drive them apart.  Charles believes that mutants and humans can co-exist peacefully, whereas Erik seeks to destroy for fear of being dominated. 

 

With Sebastian playing the United States and Russian governments to start World War III, the world now discovers the mutants and their abilities during the showdown off the Cuban coast.  Erik is most powerful with Charles' assistance when he can find that place mentally between rage and serenity.  Sebastian meets his demise in a fitting fashion.

 

Once the missile crisis is averted, however, the humans, united by the fear of the unknown, turn against the mutants. With Erik out of control, Charles tries everything in his power to turn around the situation.  Charles is struck and ends up paralyzed.  The moment comes when the mutants, influenced by their own personal experiences, must choose side in determining the future of the human race. 

 

The retro design and archival news footage provide "First Class" an authentic feel.  It's unfortunate that it's missing a few of the main mutants; most notably Wolverine, Cyclops, Jean Gray.  If you blink, you'd miss a surprising cameo or two.

 

It's a thrill to see the superb special effects be put into exhilarating use; the interesting mix of superpowers, an anchor ripping off a ship, submarine and missiles suspended in the air.  But that's not what makes "First Class" a real first class.  It's a lot more than good versus evil.  The dynamics of Charles and Erik's intense friendship, underlined by solid acting, is the strongest point.  The genuine human emotions and implications - rage, pain, agony, fear, isolation and longing - to be "normal," to be tolerated for being different and be accepted in society are the pillars of the story. 

 

An extraordinary blast from the past, "X-Men: First Class" will go down as one of this decade's best superhero movies.
 

Wednesday, June 1, 2011

Upcoming Movies: June 2011

June 3
"X-Men: First Class" (http://www.x-menfirstclassmovie.com/) - Two young men, the future Professor X and Magneto, are discovering their superpowers. Banding together with fellow mutants to stop a threat to the world, a rift grows, leading to the founding of each brotherhood and the beginning of their eternal war.


June 10 
"Super 8" (http://www.super8-movie.com/) - 1979: When kids shooting a movie witness a train crash, their shock soon turns to suspicion and horror after disappearances and inexplicable events begin to take place in town.


June 17
"Green Lantern" (http://greenlanternmovie.warnerbros.com/) - When granted a mystical green ring that bestows him with otherworldly powers, a test pilot becomes the first human to earn membership into an intergalactic squadron tasked with keeping peace within the universe. His mission is to combat an enemy that threatens to destroy the universe's balance of power.


June 24
"Cars 2" (http://disney.go.com/cars/?cmp=dmov_dpic_car_url_dcomcars) - The crew enters the Race of Champions, a multi-national event taking place in Japan, Germany, Italy, France, and England.

Sunday, May 29, 2011

"Kung Fu Panda 2"

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Pudgy "Dragon Warrior" Po and the Furious Five are back in action!  They will do whatever it takes to protect the Valley of Peace and China against the evil albino peacock and its fiery weapons and army of ferocious wolves.  Po traces back his origin to when he was a cute baby panda (giggle time!) found by his adopted, noodle-making goose father. Through inner peace Po finally defeats the enemy.  Fun and furious with a heart and flurry of fury actions with a message to let go of the past, choose to be what you want to be, and create a new future.

Tuesday, May 24, 2011

"Pirates of the Caribbean: On Stranger Tides"

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For the fourth time around, Johnny Depp returns to the role that turns him into an iconic fixture in movie history, Captain Jack Sparrow.  He's still the same, flippantly flamboyant and drunkenly hysterical character that captured the hearts of fans of all ages years ago. 

 

Among the trilogy, "Curse of the Black Pearl" has always been the most entertaining.  The grandiose special effects, sets, costume and makeup were all novelty.  The story felt fresh and colorful characters made it an exhilarating, epic adventure. 

 

How does 'On Stranger Tides' stack up?  Thankfully, it bears much resemblance to the original 'Curse of the Black Pearl.'  Unlike the sequels, dreaded 'Dead Man's Chest' and so-so 'At World's End,' the fun has returned!  No longer overbloated, gone are the muddled subplots, unnecessary characters, choppy action sequences and ever-present darkness. 

 

In 'On Stranger Tides,' Captain Jack is reunited with his first-mate 'Gibbs' (Kevin McNally) and frenemy, one-legged 'Barbossa' (Geoffrey Rush).  Barbossa is now a privateer sanctioned by the crown of England, in a quest against the Spaniards for the fabled fountain of youth. 
 
Watching Jack's opening antics with sly quips and high-spirited escape involving a banquet table, chandelier and horse-drawn carriages, the swaggering swashbuckler is officially back.   Orlando Bloom and Keira Knightly, the other two main stars in the trilogy, rode off into the sunset at 'At World's End' and are missing from this fourth installment. 

 

Jack crosses path with a foxy beauty, former lover 'Angelica' (Penelope Cruz).  Cruz, initially appearing as Jack's impersonator, makes a notable entry in the Captain Jack Sparrow vs. Captain Jack Sparrow swordfight scene.  Angelica happens to be the daughter of the legendary, much feared Pirate Blackbeard (Ian McShane).  She forces Jack into joining his father's ship, Queen of Anne's Revenge, so that he could provide direction to reach the eternal spring.  After a mutiny, Blackbeard makes his presence known by showing off what his magical sword and voodoo skills could do.

 

In order to reach the fountain of youth, sailors must sail past a sea of mermaids - murderous mermaids with teeth as sharp as shark and vicious as predators.  The mayhem created by these mermaids is impressive.  Afterwards they must also find two silver challises, which will need to be filled with a mermaid's tears and water.  Among the hostage-turned-crew member is a young preacher (Sam McClaflin), who ends up falling for a captured mermaid, Syrena (Astrid Berges-Frisbey). 

 

With Barbossa and the Spanish soldiers hot on their trail, Captain Jack, Blackbeard, Angelica and crew trek through the lush jungles and into the deep caves, in a race to reach the fountain of youth, culminating in a final clash.  Although Barbossa and the Spaniards may have another motive in the pursuit.

 

With a straightforward story and each character serving a purpose, "Pirates of the Caribbean: On Stranger Tides" is what a pirate movie should be - a swashbuckling adventure at the high seas.  The continuance of the rousing score greatly boosts the rambunctious romp.  Wait and sit through the credit for a post-closing scene that opens up curious possibilities.

 

This is the first 2011 summer blockbuster experience that is enhanced by DBox motion seats at Ultrastar Theaters, where the seat movements subtly sway and rumble with the actions.  'On Stranger Tides' is just as fun as a themed park ride.