"You
want to sue the Catholic
Church?"
That
was the implication when the Boston Globe newspaper would like to file a motion
to unseal court documents containing allegations of child sexual abuse cases by
pedophile priests. And that is, if the paper
trails exist at all.
The
film takes us back to 2001 for a behind-the-scene look at "Spotlight,
" a team of professional journalists working tirelessly to uncover the truth,
unravel and assemble information piece by piece, yielding chilling revelations
that rock one of the oldest and most esteemed institutions, the Catholic Church.
Their year-long investigative work and
news story won them a Pulitzer award in 2003.
The
tenacious team, led by Walter 'Robby' Robinson (Michael Keaton), consists of
three reporters - Mike Rezendes (Mark
Ruffalo, "Avengers: Age of Ultron," "The Avengers"). Sacha Pfeiffer (Rachel McAdams, "Sherlock Holmes") and Matt Carroll (Brian d'Arcy James) - reporting to deputy managing
editor Ben Bradley Jr. (John Slattery) and the new managing editor, Marty Baron
(Liev Schreiber, "Pawn Sacrifice," "X-Men Origins: Wolverine").
Nobody
wants to touch the topic. The victims are
typically vulnerable kids from broken homes, poor families or bad neighborhood,
preyed upon by a trusted figure they believe might be sent from God. Filled with shame and guilt, and discouraged
by others, they are reluctant to come forward. And when they do, its tales are told behind
closed doors, in hushed whispers or agonizing tears. And then covered up, swept under a maze of
red tapes and under-the-table settlements with lawyers (Stanley Tucci, Billy
Crudup). Many of those kids, robbed of
their innocence, turn to bottles, needles or suicides.
Some,
perhaps, refuse to believe that evils lurk behind the holy masks. 53% of the readers of the newspaper are
Catholic and the influential religion does a lot of charity work for the
city. But everyone knew. It's a horrific, systematic pattern hidden by
a broad network of religious figures,
law enforcement authorities and the legal system at the highest level. The priestly predators, instead of facing
justice, are simply moved from one parish to another, with the full knowledge
of the Archbishop and Cardinal (Len Cariou).
This
is more than chasing a story, making a
mark or generating money for the publication.
While it's an explosive expose, it is not sensationalized. This is a hard-hitting storytelling,
conducted with sensibility and acted with remarkable realism. The film also shows the power of the press. That when a focus of a story is carefully
selected, thoroughly investigated, responsibly corroborated, persistently followed
through and timed well for publishing can make a far-reaching and lasting
difference. Parts of the in-depth
investigation takes place in the shadow of 9/11 and timing crosses over
Christmas. There's a talk about when the
scandalous news should break.
Directed
by Tom McCarthy and jointly written with Josh Singer, "Spotlight" not
only demonstrates investigative journalism at its finest, but perhaps more
importantly, it shines a spotlight on a previously untouchable story. As the credit rolls, scrolling through a
massive list of cases will send shiver
down your spine.
Book: http://tinyurl.com/spotlightbook
http://www.sdentertainer.com/movies/movie-review-spotlight/