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Sunday, April 18, 2010
"National Treasure: Book of Secrets"
"Enchanted"
Dazzling, delightful, magical. It's nice to escape to and believe in a fairy tale world, even if just for a couple of hours.
DVD: http://tinyurl.com/y73z62q"Lions for Lambs"
"Gone Baby Gone" & "Rendition"
"Michael Clayton"
Saturday, April 17, 2010
"August Rush"
"Live Free or Die Hard"
"Ocean Twelve"
"Mr. Brooks"
"Fantastic Four: Rise of the Silver Surfer"
"Stardust"
"Bourne Ultimatum"
"Ratatouille"
Sunday, April 11, 2010
"The Guardian"
A different breed of heroes, but the makeup is similar to "Top Gun" or "G.I. Jane."
The picture is framed with stereotyped roles, cliched lines and requisite scenes, but it works as a whole. An inspiring remembrance to the sacrifices in the lives of the U.S. Coast Guards, those who risk their lives at sea so "Others may live." Heartpounding suspense, hearty laughter and emotional tears. The rescue scenes are nail-biting. The special effects realistically illustrate the volatility of the vast sea. Both Kevin Costner and Ashton Kutcher play their respective roles, as the wise weathered mentor and young brass, real well. They connect and establish instant rapport from the onset. The ending could go either way, but this one actually fits. Not necessarily happily-ever-after or dramatically-angst-filled, it's truly a fitting end for the lifelong journey of a legend."The Illusionist"
Stunningly spellbinding. Every single performance is engaging. The pacing is perfect. The illusion is deftly weaved into the story and blends well with reality.
I knew something was up, but was kept on suspense till the end, trying to figure out how the main characters could possibly pull off the biggest deception of the century, shake the foundation of society, and unveil a royal treason.
Edward Norton (Magician) and Paul Giamatti (Inspector) give strong performances. Equally strong is Rufus Sewell (Crown Prince). Jesicca Biel (Socialite) is adequate in her role.
The battle of wit and intelligence, mystery and intrigue, romance and illusion is a magical combo. Definitely one of the most satisfying films of the year!
"The Departed"
Saturday, April 10, 2010
"Pirates of the Carribean 2: Dead Men's Chest"
Count me in as one of those who's Disappointed (with a capital 'D')... I was expecting an exhilarating adventure in the high seas. I remember how surprisingly refreshing the first one was. Colorful characters in a real frolicking fun, I was charmed and captivated. So I had extremely high expectations for the sequel. I wanted to be *escape* to that world again.
It's still a feast to the eyes; the special effects, sets, costume and makeup are grandiosely commendable. And Depp still gave the same flippantly flamboyant, irreverently eccentric, drunkenly hysterical performance as the now-iconic Captain Jack Sparrow. Instead of an enjoyable cinematic experience in epic proportion, it's one big bore overall. Basking in rich imagery and being enhanted in choppy action sequences doesn't make it up. The plot's convoluted. Its undue reliance on the mechanics of the impressive-looking fantasy sea creatures made it cumbersome after a while. Some parts were laugh-outloud funny, but some scenes were just plain tedious. They could have cut 30 minutes and it would have no impact to the story."Shawshank Redemption"
I've just had the fortune of watching "The Shawshank Redemption." So I was late by a little over a decade, but it felt like I found a treasure. What an inspiring masterpiece! It's a phenomenal story of human strength, spirit, survival and triumph. It reminds me of what sheer focus, determination, patience, faith and hope can achieve.
"District b13"
Fascinating. Just like how I found Equilibrium's Gun-Kata revolutionary a few years back, Parkour is awe-inspiring. Such agile, light, fluid movements.
The two main actors are true star athletes. They ARE their own stuntmen and master of martial arts. And Parkour actually exists; it's not some kind of make-believe in the world of cinema. The style is refreshing compared to the overused wirework or CGI. Most of the stunts are dangerously and breathtakingly real.
If you're an action/martial arts fan, this is a MUST-SEE. Don't go for the plots or the acting; the constant chases and duels alone are worth the admission price and then some. Surprisingly, BOTH the critics and the general public are in agreement on this one!
Sunday, April 4, 2010
"Superman Returns"
Get swept away and witness the most anticipated return of the most beloved superhero of all-time! "Superman Returns," at the helm of director Bryan Singer ("X-Men" and "X-Men 2"), has garnered critical applause and wholesome reviews from early screenings. This rendition of "Man of Steel" may prove to have the most heart of all.
Dramatically speaking, it took my breath away. There are so many scenes that I really liked. The special effects are awe-inspiring. It's actually the first time that I truly believe a man CAN fly (and do all that stuff).
The original score is inspiring and nostalgic The cinematography is gorgeous. The sets, futuristic and gothic Daily Planet and ornate Fortress of Solitude, are stunning. The costume, I actually prefer the old one, minus the yellow "S" on the cape. I like the brighter red and wider "S" on the chest.
Brandon Routh is striking. He's a fine Superman, although less as Clark Kent. His version of Clark is more reserved and quiet than endearing and clumsy. But the poise, presence, courageousness, charm and confidence of Superman is all there. And his glorious stance for truth, justice and everything that is good in the world. His gallant, soulful portrayal as the lone superhero is flawless and utterly convincing.
I liked how they pay homage to the phrase, “It’s a bird, it’s plane…” I felt that Reeve's spirit was there. And I must say one more thing. I don't know anything about George Reeves, but I've seen Christopher Reeve and Dean Cain in their portrayal's of this heroic icon. I don't remember Superman being "graceful." Watch how stately Routh's Superman soars, moves, turns and lands, it's all beautifully choreographed. Regal, royal-like, ethereal. I was awe- struck by the way he took considerable care in portraying this larger- than-life character.
There's a mention about how similar yet different Routh to Reeve is. And I agree. You notice he's a splitting image of Reeve, it's uncanny. His face, voice, mannerisms. I had never imagined that there would be another man looking like Reeve. But if you watch closely, you'll also notice that he brings in a different flair and makes this dignified hero his own. Storyline aside, he brings in that quiet, inner strength, sensitivity and tenderness; a "soft-spoken" persona. To me, Routh makes the movie.
Kate Bosworth performs Lois Lane just fine. Less mature (partly because of her youth), at times comes across as whiny than worldly and fragile than fearless, a little on the lukewarm side, but she isn't disappointing. Not too fond of the bland kid though; I thought he should have been cuter, more mischievous and energetic.
Not too keen about the asinine plot of Lex Luthor, and I do agree that Kevin Spacey should have been given more screentime, but the ones that he's in are menacingly good and hilarious. Parker Posey is a perfect sidekick and should have been give more to do.
Overall, it's an elegant blend of action, fantasy and romance. "Batman Begins" may be the better film, but Superman will always be my superhero. All I can say is... he is BACK!
"Click"
Hysterically funny physical comedy and moving piece of high drama. The jokes are crude, excessive and tiresome. But somehow the flick clicks (pardon the pub). The first act is preditably entertaining. But when the story takes a dramatic turn, it surprisingly packs an emotional wallop. The underlying message is loud and clear. It takes the audience along for the heartrending journey of a lost soul. It becomes one of those stories that makes us question ourselves, "Would you do it if you could?"
DVD: http://tinyurl.com/y8e5she"The Devil Wears Prada"
Fashionably fun, frothy, fabulous. Light, glossy, entertaining, like a fashion magazine, it boasts fine acting from key and supporting roles. Merryl Streep plays the glitzy, pitch-forked diva to perfection; sharp yet understated. Anne Hatheway gives an endearing performance as an aspiring, bright-eyed new grad. Stanley Tucci and Emily Blunt steal the scenes and hit all the right notes. Nothing exceptional, but it's a chic gateway to the glamorous world of high couture. Makes me want to hop on a plane to New York & Paris!
DVD: http://tinyurl.com/ya3wdxs"Crash" & "The Constant Gardener"
DVD: http://tinyurl.com/yc43ccb